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Jack DeJohnette: Sound Travels
by Dan Bilawsky
With 2012 barely underway, it looks like it's going to be a year to remember for drum legend Jack DeJohnette. The renowned rhythmic force behind classic recordings from Miles Davis, Charles Lloyd, Keith Jarrett--and numerous notable projects of his own--will receive some well-deserved recognition when he's inducted into the National Endowment for the Arts' Jazz Master ...
Opus 5: Introducing Opus 5
by Dan Bilawsky
Collectively delivered jazz albums almost always fall into one of three categories: some are outings from neophytes looking to pool their resources, while trying to build a fan base from the ground floor up; others marry the musical skills of seasoned musicians who've crossed paths in various situations and/or share a commonality in approach; and the ...
NEA Jazz Master Jack DeJohnette Week Begins at All About Jazz with Extensive Interview and More!
Approaching 70 later this year makes 2012 a special time for Jack DeJohnette. One of five artists to receive the 2012 National Endowment for the Arts (NEA) Jazz Masters Fellowship only makes it more so for the veteran drummer/pianist, who has appeared on hundreds of recordings over the past 45 years, including landmark sessions with artists ...
Jamie Dubberly And Orquesta Dharma: Road Warrior
by Dan Bilawsky
When trombonist Jamie Dubberly moved from New York to northern California in 2003, he immediately became ensconced in the burgeoning Bay Area Latin jazz scene. While he sharpened his performance skills by playing in bands like Avance and Louie Romero's Mazacote, these groups also inspired him to put pen to paper and explore the lexicon of ...
John Leighton: Dramatic Life
by Dan Bilawsky
John Leighton's debut is a collection of poetic, pop-laced jazz that often downplays the pianist's own performance skills in favor of Anna Stott's easy-on-the-ears vocals and saxophonist Michael Buckley's engaging saxophone work. While Leighton's name rests high atop the cover of the album, he chooses to use his piano to serve the songs instead of himself, ...
Dan Wilensky: Back In The Mix
by Dan Bilawsky
Thirteen years separated the release of tenor saxophonist Dan Wilensky's first two albums-- And Then Some (Speechless, 1997) and If You Only Knew (Speechless, 2010)--but the saxophonist wasn't sitting around idly during that stretch of time. Wilensky's work as a session player, touring musician, author, and educator kept him beyond busy, yet his own music suffered ...
Eddie Daniels / Roger Kellaway: Live At The Library Of Congress
by Dan Bilawsky
The Library Of Congress is a repository for important cultural artifacts, so it seems only fitting that it should serve as the stage for a duo recital from two of jazz's greatest treasures. Clarinetist Eddie Daniels and pianist Roger Kellaway have built their individual careers and reputations as genre-blind artists with near-unmatched technical prowess on their ...
Birdland Big Band, New York, NY, December 28, 2011
by Dan Bilawsky
The Birdland Big Band directed by Tommy IgoeBirdlandNew York, NYDecember 28, 2011 Establishing a foothold in the world of big bands today is no easy feat. Strong label support and distribution (Gordon Goodwin's Big Phat Band, for example), constant touring, television appearances and festival appearances (as with Wynton Marsalis and ...
Jimmy Owens: The Monk Project
by Dan Bilawsky
Albums built on the idea of reworking the music of Thelonious Monk have become so commonplace as to risk being seen as old hat before the shrink wrap even comes off the CD, but the success or failure of these projects doesn't rest with the actual recasting of the legendary pianist's work. The manner by which ...
Libor Smoldas Quartet: Live At Jazz Dock
by Dan Bilawsky
Czech guitarist Libor Smoldas doesn't buy into the idea that music is simply meant to be a product for commerce. While Smoldas peddles some of his recorded wares like the rest of the performing musicians out there, his third album--Live At Jazz Dock--is actually free for the taking for anybody who wants to visit his website ...
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