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Orrin Evans: Flip The Script
by Dan Bilawsky
Pianist Orrin Evans' last three outings for the Posi-Tone label have been vastly different from one another. He forged new, edgy frontiers as part of the collectively formulated Tarbaby on The End Of Fear (Posi-Tone, 2010), put his own unique stamp on the big band format with the bold Captain Black Big Band (Posi-Tone, 2011), and ...
Moritz Ecker: Die Mikronesische Mafia
by Dan Bilawsky
Die Mikronesische Mafia is technically a single work divided into five movements, but each track possesses its own identity that allows it to stand on its own as part of this compelling release. German guitarist Moritz Ecker wrote and recorded this music for octet in 2009 while studying jazz at Folkwang University of The Arts in ...
Hristo Vitchev and Liubomir Krastev: Rhodopa
by Dan Bilawsky
The duo format is nothing new for Hristo Vitchev, but his prior work in this arena focused exclusively on his playing relationship with pianist Weber Iago. In fact, all four of the Bay Area-based guitarist's prior albums--whether duo, quartet or quintet--featured Iago in the lineup; but everybody knows that nothing is forever. With the release of ...
Bill Evans (saxophone): Dragonfly
by Dan Bilawsky
The music on saxophonist Bill Evans' Dragonfly plays like the sum total of his experiences distilled into a single disc. Evans has spent more than three decades playing with the cream of the crop, including jazz heavyweights like trumpeter Miles Davis and guitarist John McLaughlin, and smooth stars such as pianist Dave Grusin and guitarist Lee ...
The Black Butterflies: Rainbows For Ramon
by C. Michael Bailey
The Black Butterflies is a Latin free-for-all led by reed multi- instrumentalist Mercedes Figueras, an Argentinean transplanted to New York City. Figueras and band follows up a well- received debut, 1 De Mayo (Self Produced, 2010), with Rainbows for Ramon. Reviewed in capable detail by Dan Bilawsky and Karl Ackermann, Rainbows for Ramon--and, in particular, Figueras' ...
Cynthia Felton: Freedom Jazz Dance
by Dan Bilawsky
Vocalist/academic Cynthia Felton established herself right out of the gate with two artist-specific tribute albums that were stacked with A-list guests and highlighted her supple and soulful vocals. Felton's debut--Afro Blue: The Music Of Oscar Brown (Self Produced, 2009)--was a welcome nod to an underappreciated figure in jazz, and her journey through the world of constantly ...
Susie Arioli featuring Jordan Officer: All The Way
by Dan Bilawsky
Vocalist Susie Arioli's performances on All The Way are all about impact through intimacy. Arioli's laidback and understated vocals don't fall in line with the textbook definition of powerful," but her ability to create highly emotive atmospheres in cloistered and relatively calm surroundings marks her as a powerful singer nonetheless. For this, her ...
The Black Butterflies: Rainbows For Ramon
by Dan Bilawsky
The Black Butterflies' debut, 1 De Mayo (Self Produced, 2010), introduced an ensemble that found beauty in brashness and an all-inclusive recipe for musical creation. The group found its way by liberally mixing free jazz, Latin music, blues, John Coltrane-like spiritualism, primal urges and strong rhythmic elements, giving their music a sense of raw immediacy that's ...
Philippe Baden Powell: Piano Masters Series, Volume 2
by Dan Bilawsky
Philippe Baden Powell's first solo piano date (and second record as a leader) is the second volume in Adventure Music's Piano Masters Series. The label sought to realize the dream of the intimate experience of solo piano music between artist and audience" by putting fine pianists in a room with a high-end Fazioli Concert Grand Piano ...
Marc Copland: Some More Love Songs
by Dan Bilawsky
Seven years and a handful of albums under his own name separate pianist Marc Copland's Some Love Songs (Pirouet, 2005) and this winning sequel session. Copland reconvened the same trio from the original date--with ever-busy bassist Drew Gress and on-the-rise drummer Jochen Rueckert--and followed a similar programming formula, opening with a Joni Mitchell tune, closing with ...



