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News: Birthday

Jazz Musician of the Day: Curtis Fuller

Jazz Musician of the Day: Curtis Fuller

All About Jazz is celebrating Curtis Fuller's birthday today! Curtis Fuller was born in Detroit, Michigan in 1934. He came to music late, playing the baritone horn in high school and switching to the trombone at age 16. Detroit, at the time, was the breeding ground for an astonishing pool of fresh, highly individual talent. Milt ...

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Article: Album Review

Sonny Clark: Dial "S" For Sonny

Read "Dial "S" For Sonny" reviewed by Greg Simmons


Original copies of Blue Note 1570--Dial “S" For Sonny--are among the rarer Blue Note records, often changing hands for thousands of dollars for even a mediocre copy. That's an awful lot of scratch for a fifty-six year old piece of pressed vinyl and a cardboard sleeve. Fortunately, there are better ways to hear pianist Sonny Clark's ...

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Article: Catching Up With

The La Barbera Brothers: Jazz DNA

Read "The La Barbera Brothers: Jazz DNA" reviewed by Nicholas F. Mondello


It's an interesting phenomenon how certain families enter and distinguish themselves in this marvelous world of jazz--The Joneses, Heaths, Candolis, Royals, Breckers, Mangiones, and others. Over the last five decades--even many more if one goes farther back to when they were young children playing in the family band with Mom and Pop--the La Barbera Brothers--John, Joe ...

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Article: Profile

Art Blakey: The Musical Drummer

Read "Art Blakey: The Musical Drummer" reviewed by Anton Rasmussen


“Jazz Washes Away the Dust of Everyday Life" --Art Blakey So said, Abdullah Ibn Buhaina (1919-1990), more widely known to the world of jazz by his pre-Islamic name: Art Blakey. Blakey was my first introduction into the musicality of jazz drumming and, in some senses, my introduction to a lifelong love of jazz.

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Article: Album Review

Sergio Wagner / Alan Zimmerman: Backstage Sally

Read "Backstage Sally" reviewed by Jakob Baekgaard


Those listeners enamored with the classic sound of hard bop modernism that Blue Note propelled in the '50s and early '60s will be well served by Argentinian label Rivorecords whose catalog basks in the swinging sounds of the past, but adds a contemporary touch of urgency. Label boss Justo Lo Prete has found ...

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Article: Album Review

Joe Henderson: Mode for Joe

Read "Mode for Joe" reviewed by Greg Simmons


Recorded and released in 1966, Mode for Joe was Joe Henderson's last session as a leader for Blue Note Records until 1985's State of the Tenor.True to form for the period, the recording features a cast of legendary players in peak form. In this case Henderson shares front line duties with a fiery Lee ...

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Article: Big Band Report

Swingin' on a Riff . . . Hangin' by a Thread?

Read "Swingin' on a Riff . . . Hangin' by a Thread?" reviewed by Jack Bowers


Betty and I returned to Albuquerque on Memorial Day after attending Swingin' on a Riff, the latest in a series of marvelous semi-annual events presented by Ken Poston and the Los Angeles Jazz Institute for more than twenty years at venues in and around L.A. This one was held May 23-26 at the Los Angeles Marriott ...

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Article: Take Five With...

Take Five With Dan Lehner

Read "Take Five With Dan Lehner" reviewed by AAJ Staff


Meet Daniel Lehner:Dan Lehner is a freelance trombonist, composer and educator in the Washington Heights neighborhood of Manhattan. Born in Hamilton, New Jersey, Lehner briefly attended University of the Arts in Philadelphia before finishing his undergraduate degree in Jazz Studies at William Paterson University, studying under New York trombonists John Mosca and Tim Newman, ...

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Article: Album Review

Caswell Sisters featuring Fred Hersch: Alive In The Singing Air

Read "Alive In The Singing Air" reviewed by Dan Bilawsky


Sibling acts in jazz are fairly common, but sister acts are not. The Brothers Dorsey, Jones, Montgomery, Heath, Brecker, and Marsalis are familiar to any jazz fan with a passing knowledge of the music's history, but female counterparts are scarce. Thankfully, that trend is changing, proving that jazz is not a man's--or brother's--world. Today, we have ...

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Article: Interview

Conrad Herwig: There's Nothing Else

Read "Conrad Herwig:  There's Nothing Else" reviewed by Bob Kenselaar


Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. “Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expression—their compositions." Herwig was speaking of ...


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