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11

Article: Album Review

Modus Factor: The Picasso Zone

Read "The Picasso Zone" reviewed by Dan McClenaghan


Modus Factor, a trio based in Toronto, says it creates “Electro ambient improvisational bedlam." An accurate description of their sound except, perhaps, for the bedlam part (for the most part). Featuring a drums/bass/electric trumpet line-up, with effects, the comparisons that come to mind are Nils Petter Molvaer's spacey approach on sets like Switch (OKeh Record, 2014) ...

36

Article: Year in Review

Mark Sullivan's Best Releases of 2016

Read "Mark Sullivan's Best Releases of 2016" reviewed by Mark Sullivan


So many reviews this year, in so many genres, that I've split them into two categories--"Jazz" and “Latin, World & Experimental"--in response to the feeling that I was trying to compare apples to oranges. They're presented in more or less chronological order, and the guiding principle was whether I had a clear memory of the recording ...

4

Article: Album Review

Tom Collier: Impulsive Illuminations

Read "Impulsive Illuminations" reviewed by Dan McClenaghan


Vibraphonist Tom Collier offers up something quite different from his previous Origin Records CDs, where he covered the jazz standards like John Coltrane's “Giant Steps; Miles Davis' “So What," and some seemingly unlikely pop hits: The Rolling Stones “What a Shame" and Brian Wilson's “God Only Knows," alongside his own always engaging compositions. With Impulsive Illuminations, ...

58

Article: Profile

Tula's Jazz Club: A Seattle Tradition in the Making

Read "Tula's Jazz Club: A Seattle Tradition in the Making" reviewed by Paul Rauch


Life in the Pacific Northwest is hauntingly similar to jazz music itself, from that which is inward, deep in the recesses of our collective soul, to the outward expressionism as a ray of sunlight, an exaltation of joy, harmony expressed in the deep, deep blue of sentient life, and of our enlightened sky. High notes expressed ...

20

Song of the Day

Let's Get Back

Album:
By
Label: Nonesuch Records
Released: 2016
Duration: 7:23

33

Article: Live Review

TD Ottawa Jazz Festival 2016

Read "TD Ottawa Jazz Festival 2016" reviewed by John Kelman


TD Ottawa Jazz Festival Ottawa, Canada June 22 -July 3, 2016 It's hard to believe, with seasons that move quickly from spring into summer, that it was time, once again, for the TD Ottawa Jazz Festival. Now in its 36th year, the festival has grown from a weekend event into a full-blown, ...

Article: Album Review

Cuong Vu Trio: Meets Pat Metheny

Read "Meets Pat Metheny" reviewed by Luca Muchetti


Vien quasi da sorridere. Il nuovo album sulla cui copertina spicca il nome di Pat Metheny è intitolato semplicemente Cuong Vu Trio meets Pat Metheny. E il motivo del mezzo sorriso che si stampa sul volto è duplice: non solo i cultori del chitarrista del Missouri sapranno bene che Cuong Vu è il trombettista che da ...

9

Article: Album Review

Cuong Vu Trio With Pat Metheny: Cuong Vu Trio Meets Pat Metheny

Read "Cuong Vu Trio Meets Pat Metheny" reviewed by Dan McClenaghan


One of the most distinctive jazz sounds to have appeared this millennium has been shaped by Cuong Vu. Beginning with his It's Mostly Residual (ArtistShare, 2005) through Vu-Tet (ArtistShare, 2007) and into Leaps of Faith, (Origin Records 2011), the modernistic and often plugged-in trumpeter has crafted an assault of sound: a thick, sludgy, glow-in-the-dark, pugnaciously percussive ...

20

Article: Extended Analysis

Cuong Vu Trio Meets Pat Metheny

Read "Cuong Vu Trio Meets Pat Metheny" reviewed by Dave Wayne


A good chunk of the jazz-consuming public first became aware of Cuong Vu's virtuoso trumpet playing via his work with the Pat Metheny Group during the 2000s. For those of us already familiar with Vu's work, the move seemed a bit out-of-character, as the young trumpeter was a prominent player in the hyper-adventurous downtown NYC scene ...

29

Article: Album Review

Cuong Vu Trio With Pat Metheny: Cuong Vu Trio Meets Pat Metheny

Read "Cuong Vu Trio Meets Pat Metheny" reviewed by Mark Sullivan


When trumpeter/composer Cuong Vu became a member of the Pat Metheny Group--he contributed to Speaking Of Now (Warner Bros., 2002) and The Way Up (Nonesuch, 2005)--it came as a bit of a shock to anyone familiar with his work in the downtown New York City scene. While Pat Metheny has made music that fits in with ...


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