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Wadada Leo Smith: Spiritual Dimensions
by Nic Jones
Wadada Leo SmithSpiritual DimensionsCuneiform2009 Trumpeter Wadada Leo Smith's journey into music is now so far advanced that every record of his is akin to a report from a new place, a musical equivalent of a space probe sending information back from the surface of an alien planet. The ...
Jason Adasiewicz's Rolldown: Varmint
by Raul d'Gama Rose
Vibraphonist Jason Adasiewicz appears to imagine a world exploding with the most unimaginable sound possible, bringing to life what he hears in his inner ear. Varmint is brimming with the unimaginable as Adasiewicz and Rolldown, comprising of cornetist, Josh Berman, woodwinds multi-instrumentalist Aram Shelton, bassist Jason Roebke and drummer Frank Rosaly hit a wonderful groove. Together ...
Positive Catastrophe: Garabatos Volume One
by Raul d'Gama Rose
There has always been a strong case to tear down the walls that divide music in the past two hundred years--especially in the 21st century. The best case for this phenomenon has always come from forward-thinking musicians themselves. One of the best examples of this comes in the form of Positive Catastrophe, a little big band ...
Wadada Leo Smith: Spiritual Dimensions
by Raul d'Gama Rose
Every note trumpeter Wadada Leo Smith blows on his exquisite brass instrument brings a whole world of joy. The sound of the Earth and the Heavens in every echo and ululation of the notes that flow out of his trumpet, dancing the interminable dance of lovers in unison, like sunrise and sunset, day and night. Each ...
Beat Circus: Boy from Black Mountain
by AAJ Italy Staff
Il secondo album della band di Brian Carpenter - Boy from Black Mountain - è stato preso in considerazione dall'IMA (The Independent Music Awards) come uno dei migliori del 2009 nella categoria alternative country. L'autore, ispirato dai canti profondi dell'America, cerca - attraverso il racconto epico - una terra lontana e sperduta, forse mai esistita, dove ...
Wadada Leo Smith: Spiritual Dimensions
by Jakob Baekgaard
For a long time, trumpeter Wadada Leo Smith has pushed the boundaries of experimental jazz. The records he made during the seventies for his own Kabell label have become a richly treasured legacy of the avant-garde. Spiritual Dimensions, a two-CD set dedicated to his working bands, The Golden Quintet and Wadada Leo Smith's Organic, finds him ...
Ergo: Multitude, Solitude
by Nic Jones
This is a trio working the electro-acoustic margins, as the instrumental line-up might suggest; and whilst Ergo's music often flirts with ambient notions, there is equally a predominant air of unease about their work, as if by mutual consent they can only reach a kind of uneasy rapprochement with both silence and the moment. The air ...
Ergo: Multitude, Solitude
by Glenn Astarita
Keyboardist Carl Maguire is a multifaceted artiste, often-heralded for his work in various jazz-related formats for Between The Lines, MoonJune Records and other progressive record labels. On this trio's second CD, Maguire, trombonist/computer operator Brett Sroka and drummer Shawn Baltazor spawn an experimental muse, where rigid definitions or categorizations, justifiably fall flat. Essentially, the respective artists ...
Zevious: After the Air Raid
by John Kelman
Amidst a legion of guitarists for whom chops is the end not the means, there's an alternate group of players with unrelenting skill and an avoidance of the look at me" posing that seems endemic to the instrument, especially when it comes to more aggressive, rock-centric playing. Ben Monder's remarkable Oceana (Sunnyside), one of 2005's best ...
Ergo: Multitude, Solitude
by John Kelman
As jazz leans away from characteristics that so defined its earliest days, groups are emerging with unorthodox instrumental combinations, fleshed out by the vast potential of technological soundscaping. Ergo, at its core, seems as unconventional as they get--trombone, keyboards, drums--creating music that wouldn't have been possible before relatively recent innovations in sound processing and sampling/looping. Its ...



