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26

Article: Album Review

Satoko Fujii / Wadada Leo Smith / Natsuki Tamura / Ikue Mori: Aspiration

Read "Aspiration" reviewed by Karl Ackermann


The soul of Gato Libre, and the glue that holds numerous global jazz orchestras together, are in the musical and personal partnership that has mastered creative music in a variety of formations and settings. Satoko Fujii and Natsuki Tamura are prolific and boundless and Aspiration is the latest of their more than sixty recordings together. Aspiration ...

9

Article: Interview

Craig Taborn and his multiple motion

Read "Craig Taborn and his multiple motion" reviewed by Giuseppe Segala


Craig Taborn is among the most creative musicians on today's scene. His music is shaped by a deep intellectual curiosity towards a wide range of artistic forms and sources of knowledge. His technical, stylistic, emotional and mental versatility have allowed him to collaborate with a large range of recognized masters in diverse styles of contemporary jazz. ...

49

Article: Album Review

Tyshawn Sorey: Verisimilitude

Read "Verisimilitude" reviewed by Karl Ackermann


So much has been said and written about Tyshawn Sorey's presence as a composer, performer and educator, that there is a threat of redundancy, even in adding new superlatives. Each release, however, demands attention to his exceptional and unmatched creativity. Putting aside Sorey's leader dates for the moment, those who have sought him out as a ...

Article: Album Review

Roscoe Mitchell: Bells for the South Side

Read "Bells for the South Side" reviewed by Giuseppe Segala


Ecco un disco per ascoltatori esigenti. Un lavoro che ripaga con generosità l'impegno di un ascolto vigile, informato, empatico. Roscoe Mitchell è tra i musicisti di oggi che hanno saputo costruire la propria arte con incorruttibile determinazione e coerenza. Bells for the South Side ne rappresenta un capitolo importante, che racchiude una prodigiosa sintesi e nel ...

Article: Interview

Il moto multiplo di Craig Taborn

Read "Il moto multiplo di Craig Taborn" reviewed by Giuseppe Segala


Prima di leggerne le parole precise ed esaurienti nell'intervista, è il caso di ricordare alcune cose di Craig Taborn, pianista quarantasettenne che si colloca ai massimi livelli della scena contemporanea. In primo luogo la sua profonda curiosità intellettuale, che lo porta a un intreccio di interessi nei confronti di forme diverse dell'espressione artistica e della ...

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38

Article: Album Review

Craig Taborn: Daylight Ghosts

Read "Daylight Ghosts" reviewed by Nenad Georgievski


It is very difficult to describe or sum up pianist Craig Taborn's inimitable artistic vision, style of playing and compositions. He employs a wide range of stylistic means and concepts, and as a result his playing style and compositions, be it in a solo setting or with accompaniment, are very diverse and insistently exploratory. This improvising ...

18

Article: Album Review

Craig Taborn/Ikue Mori: Highsmith

Read "Highsmith" reviewed by Dan McClenaghan


Pianist Craig Taborn--who seems an artist unconcerned with striking a commercial chord--climbed into a higher profile with three terrific releases on ECM Records: Avenging Angel (2011); Chants (2013); and Daylight Ghosts (2017). Beyond those, his discography as a leader is slim--as opposed to his prodigious sideman contributions. He and his artistry have been described as “elusive." ...

9

Article: Album Review

Brian Marsella Trio: Buer: Book Of Angels Volume 31

Read "Buer: Book Of Angels Volume 31" reviewed by Dan McClenaghan


How many angels are there? Alto saxophonist/composer John Zorn started his Masada Book Two, Book of Angels endeavor in 2005, with Astaroth: Book of Angels, Volume 1, by the Jamie Saft Trio. Thirty recordings and twelve years later, he offers up Buer: Book Of Angels, Volume 31, by the Brian Marsella Trio. A tune for every ...

12

Article: Album Review

Miles Okazaki: Trickster

Read "Trickster" reviewed by Hrayr Attarian


There is nothing deceptive about guitarist Miles Okazaki's Trickster. It is simply an elegantly crafted work that engages with its narrative quality and its darkly hued, intriguing texture. On his fourth release as a leader the New York based Okazaki leads a quartet that consists of two of his bandmates from altoist Steve Coleman's Five Elements, ...


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