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OJC Rides Again: Bill Evans & Mal Waldron
by C. Andrew Hovan
Although it wasn't coined specifically for the collection, the idea of an “embarrassment of riches" is perfectly suited to describe the vast holdings of the Fantasy Records firm. Starting out as a small west coast concern, their success with the group Creedence Clearwater Revival allowed them to expand their operations in 1971. The address of Tenth ...
Ornette Coleman: An Innovator of the First Order, But Certainly No Messiah
by Richard J Salvucci
At the remove of sixty years, there is a temptation to say, “Ornette Coleman, so what?" His early music does not sound particularly out there. And by contemporary standards, it is not. The initial shock of Ornette Coleman in the mid 1950s wore off decades ago. Some of his compositions have passed into the standard repertoire. ...
Shelly Manne & His Friends: Modern Jazz Performances Of Songs From My Fair Lady
by Richard J Salvucci
The musical My Fair Lady (1956) is a story from another age. All things considered, it is probably best that a contemporary audience may not know the lyrics to the songs, let alone the tunes. The tale involves the efforts of an insufferable Henry Higgins to teach a Cockney lass, Eliza Doolittle, how to properly pronounce ...
Jack DeJohnette: Sorcery
by Rob Garratt
Which Jack DeJohnette is best known? The subtle sticksmith at the heart of Keith Jarrett's Standards Trio, perhaps? Probably the heavyweight hitter driving electric-era Miles Davis' '70s sonic brew. Maybe the percussive upstart propelling Charles Lloyd to crossover flower-power fame? Or even the fearless bandleader behind the ever-thrilling Special Edition band ... ...
Jack DeJohnette: Sorcery
by Scott Gudell
Jack DeJohnette gets around. The Chicago born drummer was drawn to R&B and bebop in the late 1950s and eventually toyed with a more avant-garde jazz sound when he spent some time with the esoteric Sun Ra. It seems like DeJohnette played in the big leagues almost from the beginning since, by the time he moved ...
Sonny Rollins: Go West! The Contemporary Records Albums
by Richard J Salvucci
Apparently, the median age of a jazz listener is in his or her mid to late 40s. So, perhaps, the representative listener was born in the mid-1970s. Sonny Rollins first recorded in 1949. The recordings reviewed here were made in the late 1950s, well before many contemporary listeners were born. While there have been ample reissues ...
Bill Evans: Waltz For Debby
by Mark Corroto
In a very unscientific survey, 9 out of 10 jazz connoisseurs listed Waltz For Debby by the Bill Evans Trio as one of their desert island picks. For more than sixty years it has been a best seller and this reissue, like its companion release Sunday At The Village Vanguard (Craft Recordings, 2023), is part of ...
Que Viva La Musica
by C. Andrew Hovan
Much has been made about the making of a hybrid style involving Latin music and jazz strains that was established by Dizzy Gillespie and Chano Pozo in the late '40s. However, the ripples of those early experiments would reach far and wide for subsequent decades, even if the casual listener might have been largely unaware of ...
Andre Previn and his pals Shelly Manne & Red Mitchell: West Side Story
by Richard J Salvucci
André Previn was always something of a mystery to jazz critics and listeners. By common consent, he had astonishing instrumental technique. On the other hand, a lot of listeners were sure they could hear everyone but Previn in his playing. Along with Shelly Manne, he sold a lot of records and probably made a good deal ...
Leroy Vinnegar: Leroy Vinnegar Walks
by Richard J Salvucci
Chances are good that the name of bassist Leroy Vinnegar does not ring much of a bell among contemporary audiences. He does not have the cachet of a Ray Brown or an Oscar Pettiford, two names that a lot of professional bassists will instantly recognize, along with Scott LaFaro, with whom Vinnegar all too briefly overlapped. ...
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