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Gold Medalists Abound at Big Band Olympics
by Jack Bowers
As this is being written, Betty and I are just back from a ten-day visit to California, the first six days of which would be of absolutely no interest to readers of this column. The last four, however, were spent at the Los Angeles Airport Marriott Hotel attending the L.A. Jazz Institute's “Big Band Olympics," which ...
Kyle Eastwood: Movies, Motown & Monterey
by Bruce Lindsay
Bassist/composer Kyle Eastwood can whistle. It's a talent to which few musicians lay claim, but it's one which he puts to good use on his version of Bob Haggart's “Big Noise (From Winnetka)," a tune that serves as a popular encore to his live set. The fact that Eastwood whistles in concert says much about the ...
Heiner Stadler: Tribute to Bird & Monk
by Nic Jones
Tribute to Bird & Monk is a scintillating blast recorded in 1978, when the battle lines between innovation and the tradition were clearly drawn. In tackling compositions by Thelonious Monk and Charlie Parker, and casting them in a fresh light, arranger Heiner Stadler obviously wasn't shy about playing the provocative agent. Initially it sounds as if ...
Clairdee: Half Moon Bay, CA, May 8, 2011
by Bill Leikam
ClairdeeDouglas Beach HouseHalf Moon Bay, CaliforniaMay 8, 2011 On Mother's Day, May 8, 2011, the historic Douglas Beach House (aka Bach Dancing and Dynamite Society) in Half Moon Bay, California was buzzing about Clairdee's impending performance. When the full house had settled in, her stellar band--musical director/pianist Ken French, world ...
Chick Corea: Creative Giant
by Esther Berlanga-Ryan
Virtuosity is a beautiful thing. One would somehow like to believe that anybody can learn how to play any given instrument with delicate, enchanting energy; but truth be told, some are simply born with a gift that most can only dream of. The ability to amaze others through music, enriching the hearts and widening the creative ...
Omar Sosa: Bringing The World To The World
by AAJ Staff
Pianist/composer Omar Sosa was born in Cuba in the first decade of Fidel Castro's rule over the island, and grew up listening to forbidden American jazz with his music school friends in secret, the radio discretely turned low, though eventually the rules changed and the music was broadcast in Cuba, too. After Cuba and a short ...
The Resonance Ensemble: Kafka in Flight
by Mark Corroto
Until the formation of The Resonance Ensemble in 2007, Ken Vandermark's writing for large ensembles had been limited to his electro-acoustic Territory Band and Peter Brötzmann's sprawling free jazz Chicago Tentet. With this 10-man group, he succeeds in what he works so very hard at with the Vandermark 5. Like V5, his working band, he is ...
40 Years of Jazz at Harvard: Cambridge, April 9, 2011
by Andrew J. Sammut
Harvard All-Stars and the Harvard University Sunday and Monday Jazz Bands Harvard Sanders Theatre Cambridge, MA April 9, 2011 Ivy League universities are known for bringing together extraordinary individuals to do extraordinary things. Yet Saturday, April 9 was an even more extraordinary night at school for Harvard students, when an honor roll ...
Michael Bisio: Stepping Into the Limelight
by Gregory Applegate Edwards
Bassist Michael Bisio has become an increasingly visual and aural presence on the jazz/improvisation scene in the time since he moved from the west coast to New York. Yet he has been a significant contributor in jazz circles for years, and success was no overnight thing. Among other ongoing associations, Bisio is currently the bassist in ...
Brian Carpenter’s Ghost Train Orchestra: Hothouse Stomp
by C. Michael Bailey
One of the beauties of long-lived music genres is if a current one becomes boring and the future looks, well, too futuristic, we can always go backwards, investigating earlier forms we may have not paid attention to earlier. And herein lies the value of Brian Carpenter's Hothouse Stomp: The Music of 1920 Chicago and Harlem. The ...
