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Francy Boland - Kenny Clarke - Jimmy Woode: Playing with the Trio
by Angelo Leonardi
È davvero encomiabile l'attività dell'etichetta milanese Ishtar, che affianca alla produzione di artisti contemporanei un pregevole lavoro di riedizione di album da tempo introvabili. Ora, sotto il marchio della sussidiaria Schema Rearward, pubblica un raro disco del trio di Francy Boland con Kenny Clarke e Jimmy Woode che già all'epoca (parliamo del 1967) ebbe scarsa diffusione ...
Catherine Russell: Bring It Back
by C. Michael Bailey
New York City vocalist Catherine Russell is the brilliant eutection of two bright tones. Her father, the late Luis Russell, collaborated with Louis Armstrong as his bandleader and arranger. Russell's mother was the inestimable Carline Ray who concluded her seven decade career with her debut as a leader Vocal Sides (Self Produced, 2013) before passing away ...
Duffy Jackson: Big Band Drummer
Virtually every photo taken of Chubby Jackson shows the bassist smiling or laughing. In the 1940s and '50s, Jackson played in Woody Herman's band starting in 1943 and remained intermittently through the 1970s, leading his own bands and small groups along the way. Chubby was known for his on-stage exuberance and keeping bandmembers' spirits high. His ...
Victor Lewis: The Drummer's Spirit
by Victor L. Schermer
For several decades, Victor Lewis has been one of the most in-demand drummers of the post-bop era and beyond. He has performed with Stan Getz, Dexter Gordon, J.J. Johnson, Chet Baker, George Cables, Woody Shaw, Kenny Barron, Bobby Watson, and others of similar stature. On account of his exceptional ability to push the envelope of musical ...
TJI Ellington Big Band at Musical Instrument Museum
by Patricia Myers
TJI Ellington Big Band Musical Instrument Museum Phoenix, ArizonaJanuary 14, 2014 The Ellington Big Band of the Tucson Jazz Institute delivered an ambitious repertoire that ranged from Wynton Marsalis's complex The Tree of Freedom" to a Pat Metheny chart, with plenty of Ellingtonia in between. This high school band was a ...
Kansas City Lightning: The Rise and Times of Charlie Parker
by David A. Orthmann
Kansas City Lightning: The Rise and Times of Charlie Parker Stanley Crouch 365 ISBN:978-0-06-200559-5 Harper Collins 2013 Stanley Crouch's account of Charlie Parker's first twenty-one years isn't a litany of facts and antidotes rendered in an easily digestible form. Not unlike Parker, Crouch is brilliant, bold, ambitious, and mercurial. ...
Frank Wess: Magic 201
by Karl Ackermann
Despite a career that spanned more than half of a century, Frank Wess was not a household name. The flautist/saxophonist spent the 1950s and 60s playing with some of the best known big bands in the U.S. including those of Billy Eckstine, Count Basie and Clark Terry. During that period he was primarily recognized as a ...
Lyte Records: Dancing To Different Beats
by Ian Patterson
Since its inception in 2007, Lyte Records has earned a reputation as one of the very best labels in Ireland/Northern Ireland for independent jazz artists and creative musicians of various stripes. What started out as a very small, personal concern for Lyte Records founder David Lyttle has grown into something much bigger; international recognition came Lyte ...
Take Five With David Tughan
by AAJ Staff
Meet David Tughan: I was born and raised in Northern Ireland. My passion for jazz began at 13 when I encountered the Count Basie Orchestra while vacationing in Florida. Inspired by the swinging energy and joyful sounds of the big band, I began listening to many instrumentalists like Oscar Peterson, Stan Getz, Stephane Grappelli, and ...
E. Taylor Atkins: Let's Call This... Our Jazz?
by Ian Patterson
African-American vernacular or universal language? Symbol of freedom and equality, or one of nationalist ideals and bourgeois elitism? Folk music or high art? Jazz, since its earliest days, has represented many things to many people. For Professor E. Taylor Atkins, such binary ways of thinking rather over-simplify the arguments. Whereas an either or way of thinking ...




