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Barry Guy: A Prophet is Not without Honour (Part 2)
by Duncan Heining
Part 1 | Part 2 | Part 3 Barry Guy has been the artistic director and main composer of the London Jazz Composers' Orchestra throughout its now forty-five year history. Recordings and performances since Ode in 1972 have been sporadic but those forty-five years have resulted in eleven albums (including one with Anthony Braxton) ...
Thad Jones and Mel Lewis: All My Yesterdays: The Debut 1966 Recordings at the Village Vanguard
by C. Michael Bailey
Offering: Live at Temple University (Resonance Records, 2014), Getz/Gilberto '76 (Resonance Records, 2016), Moments in Time (Resonance Records, 2016)...and these are just the most recent (not to forget several Wes Montgomery) releases. Resonance Records steps up (again) and releases what can only be considered the apotheosis of live jazz performance, All My Yesterdays: The Debut 1966 ...
Count Basie: July '61 and '68
On July 20, 1961, the Count Basie Orchestra was in the south of France at the Antibes International Jazz Festival. There, the band played Splanky, Blee Blop Blues (the first two songs were incorrectly labeled on the film), Shiny Stockings, I Need to Bee'd With, Every Day I Have the Blues (with Lambert, Hendricks and Ross ...
A Day With Dave Liebman
by Ian Patterson
A Day With Dave Liebman National Concert Hall Dublin, Ireland January 31, 2016 Lasting the course in jazz, that's to say, building a successful career that, just like any other job, spans more than half a lifetime, brings with it a wealth of knowledge and experience. Sharing that knowledge with ...
Wayne Bergeron: Full Circle
by Nicholas F. Mondello
Track and field aficionados will remember Olympic gold-medal-winning high-jumper, Dick Fosbury. Fosbury revolutionized his event by developing an unorthodox “backward flop" to hurdle the bar. No flop, for sure, but Full Circle from trumpeter Wayne Bergeron and his stellar Los Angeles teammates raise every aspect of the trumpeting and big band bar to atmospheric heights.
Rick Hannah: Handful Of Strings
by Budd Kopman
The guitar is a deceptively simple instrument to play, as any teenager who learns the basic strumming chords, and then tries to go beyond that, in any style, will tell you. It hints at being self-contained, that the player can accompany himself. Contrapuntally however, the piano, which allows two independent hands, dwarfs the guitar, even in ...
Christmas 2015 V: A Concord Christmas – David Benoit, Jane Monheit and the Count Basie Orchestra
by C. Michael Bailey
Well, it ain't over 'til it's over...The Concord Music Group issued two notable Holiday releases. The David Benoit Trio with Jane Monheit and the All American Boys Chorus Believe Concord 2015 What Believe is, is a slick updating of Vince Guraladi's A Charlie Brown Christmas (Fantasy, ...
Wardell Gray, "Forgotten Tenor:" An Interview with Filmmaker Abraham Ravett
by Victor L. Schermer
Part 1 | Part 2 | Part 3 [This is one of two interviews and an article intended to bring readers' attention to the revered but neglected tenor saxophonist, Wardell Gray, whose brief career spanned the transition from swing to bebop and whose life was cut short by sudden and tragic circumstances.]
Why the World Should Remember Wardell Gray
by Victor L. Schermer
Part 1 | Part 2 | Part 3 [This article is a commentary to accompany All About Jazz interviews about Wardell Gray with filmmaker Abraham Ravett and biographer Richard Carter, all of which are intended to bring readers' attention to this outstanding but under-recognized tenor saxophonist whose brief career spanned the transition from swing ...
Ella Fitzgerald: Live at Chautauqua: Volume 1
by James Doherty
Live at Chautauqua, Volume 1 (Dot Time Records) captures Ella Fitzgerald in concert in July 1968. Accompanied by the Tee Carson trio, the eclectic programme ranges from her 1938 breakthrough hit “A-Tisket A-Tasket" through to contemporary pop and Broadway tunes, taking in some selections from her famed songbook series along the way. As Ella explains on ...
