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MUSICIAN Born:

Cooper-Moore

Cooper-Moore is a composer-improviser, instrumentalist, designer and builder of musical instruments, and music educator, living and working in New York City. A native of the Piedmont area of the Blue Ridge Mountains of Virginia, Cooper-Moore began studying piano at age eight. Four years later, he was listening to the musics of Thelonius Monk, Charles Mingus, Ornette Coleman, and working on improvisation. He earned a B.A. in Music Education from The Catholic University of America in Washington, D.C. and later studied composition-arranging at the Berklee College of Music in Boston, MA. Moving to New York in 1973, Cooper-Moore leased the five-floor 501 Canal Street building and transformed it into an artist live-in/work space, making possible numerous experimentations between performing and visual artists. While his attention was focused on piano performance in New York clubs and touring abroad, Cooper-Moore began designing and building musical instruments and played them in collaboration with all kinds of artist at lofts, galleries, artist spaces, museums, and in the streets of New York City. He has over the years built an extensive instrument collection, using such material as paper, bamboo, metal, wood, and acrylic

ARTICLE: ALBUM REVIEW

Mendoza / Anderson / Gauci: Studio Sessions Vol. 4

Read "Studio Sessions Vol. 4" reviewed by John Sharpe

If you want to avoid compromise, then starting your own label appears a sound strategy. That's the road traveled by NYC-native saxophonist Stephen Gauci with his eponymous imprint. Since its inception in 2019, releases have been split between live recordings from the Bushwick Improvisers Series which Gauci runs and studio sessions, all of which so far ...

ARTICLE: YEAR IN REVIEW

Most Read Articles: 2019

Read "Most Read Articles: 2019" reviewed by Michael Ricci

All About Jazz tracks how often an article is read, and the articles listed below represent our most popular in 2019. The number to the right of the date published represents the article's read count as of December 30th. Live Reviews Documenting Jazz 2019 by Ian Patterson ...

ARTICLE: YEAR IN REVIEW

John Sharpe's Best Releases Of 2019

Read "John Sharpe's Best Releases Of 2019" reviewed by John Sharpe

There's sometimes a backlash against picking the year's best albums. Understandably so when it entails pitting one honest artistic endeavour against another. Best to view the selections as a chance to pick up on something that you might otherwise have missed. As a listener I always look forward to the annual year end lists for precisely ...

ARTICLE: RADIO

New albums from Eric St-Laurent, Logan Strosahl and Taylor Ho Bynum

Read "New albums from Eric St-Laurent, Logan Strosahl and Taylor Ho Bynum" reviewed by Bob Osborne

This week we feature albums from Eric St-Laurent, Taylor Ho Bynum 9-tette and Logan Strosahl. The philosopher Joseph Campbell wrote extensively about “following one's bliss." These influential writings form the conceptual basis for Bliss Station, the 13th album of original music by Toronto-based guitarist and composer Eric St-Laurent. Taylor Ho Bynum's latest ...

Astral Spirits: Lifting the Spirit of Jazz

Read "Astral Spirits: Lifting the Spirit of Jazz" reviewed by Jakob Baekgaard

While pop often follows predictable musical patterns, one of the greatest qualities about jazz is its sense of adventurousness and the ability to take the listener on a journey where the destination is unknown. The Astral Spirits label, based in jny: Austin, Texas, and run by musician Nate Cross, truly embraces this quality of jazz.

ARTICLE: RADIO

Miles Davis' Rubberband, Kuba Wiecek Trio & KaMaSz

Read "Miles Davis' Rubberband, Kuba Wiecek Trio & KaMaSz" reviewed by Maurice Hogue

Two rather contrasting recordings highlight this episode: Dan Weiss with his trio augmented by a second bassist and Rubberband, the once-shelved and now revived release from Miles Davis which was recorded after he had left Columbia. On Weiss' album, he displays the chops (often with heavy rock influences) that make him such a high-in-demand player, while ...

ARTICLE: RADIO

William Parker, Gonçalo Marques & More

Read "William Parker, Gonçalo Marques & More" reviewed by Maurice Hogue

Back in 2017, one of the great quartets was in a celebratory mood over the release of a new recording, so they booked the Shapeshifter Lab in New York for their record release party. Someone had the smarts to record those musical proceedings and the results are a new album by bassist William Parker and In ...

ARTICLE: ALBUM REVIEW

William Parker/In Order to Survive: Live/Shapeshifter

Read "Live/Shapeshifter" reviewed by Don Phipps

Another stellar effort from the genius known as William Parker, Live/Shapeshifter uses the immense talents of his “In Order To Survive" group -which consists of long time collaborators Cooper-Moore on piano, Hamid Drake on drums, and Rob Brown on alto sax--to craft a statement of free-wheeling dynamism at play. One of the top composers and bass ...

ARTICLE: LIVE REVIEW

Citadelic 2019

Read "Citadelic 2019" reviewed by Martin Longley

Citadelic Citadelpark Gent, Belgium May 29-June 2, 2019 Free jazz with free admission. That's the appealing concept of the five-day Citadelic festival, which presents jazz, improvisation and other adventurous sounds, from around noon until around 10pm, in a continuous schedule that roams several dips and mounts, or caves ...


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