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Composition/Improvisation Nos. 1, 2 & 3
Label: ECM Records
Released: 2008
Track listing: I (from Composition/Improvisation 2); II (from Composition/Improvisation 2); III (from
Composition/Improvisation 3); IV (from Composition/Improvisation 1); V (from Composition/Improvisation 2);
VI (from Composition/Improvisation 2); VII (from Composition/Improvisation 2); VIII (from
Composition/Improvisation 1); IX (from Composition/Improvisation 2).
Roscoe Mitchell / The Transatlantic Art Ensemble: Composition/Improvisation Nos. 1, 2 & 3
by Budd Kopman
The distinction made between jazz and classical music is usually one of rhythm and artistic depth, of improvisation versus composition, of the player being the creator versus the player as interpreter. However, upon deeper reflection, the two musics both have composers and interpreters, with the difference being one of emphasis. Saxophonist and composer ...
Composition/Improvisation Nos. 1, 2 & 3
Label: ECM Records
Released: 2007
Track listing: I (from Composition/Improvisation 2); II (from Composition/Improvisation 2); III (from Composition/Improvisation 3); IV (from Composition/Improvisation 1); V (from Composition/Improvisation 2); VI (from Composition/Improvisation 2); VII (from Composition/Improvisation 2); VIII (from Composition/Improvisation 1); IX (from Composition/Improvisation 2).
Roscoe Mitchell: Composition/Improvisation Nos. 1, 2 & 3
by AAJ Italy Staff
E se alla fine l'annosa diatriba sulla opposizione/dialettica tra composizione e improvvisazione fosse solo frutto di un errore percettivo? E l'essenza del farsi" musica [in tempi più o meno meditati o immediati] emergesse dal negativo, come in quelle illusioni prospettiche, rivelandosi un brulicare di altro" cui incredibilmente non si era fatto caso? La domanda è ovviamente ...
Roscoe Mitchell / The Transatlantic Art Ensemble: Composition/Improvisation Nos. 1, 2 & 3
by John Kelman
While perhaps best known for his ground-breaking improvisational work with The Art Ensemble of Chicago and assorted personal projects, woodwind multi-instrumentalist Roscoe Mitchell has also been exploring, over the past four decades, contemporary classical music and the integration of written form with exploratory improvisation. Composition/Improvisation Nos. 1, 2 & 3 is Mitchell's most successful example of ...