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"Lone Wolf" Finds Plenty to Chew On
by Jack Bowers
With Betty sidelined by a bad cough, it was up to me to seek out local jazz events in February, and I managed to find a couple of pretty good ones, starting February 7 at the University of New Mexico's Keller Hall where SuperSax New Mexico performed for the third time in Albuquerque. As you may ...
Triple Crown Of Tunesmiths This Week On Riverwalk Jazz
This week on Riverwalk Jazz, it’s the music of songwriters Vincent Youmans, Johnny Green and Harry Barris. Special guests Shelly Berg and Dick Hyman join The Jim Cullum Jazz Band on piano and Topsy Chapman, Marty Grosz and Carol Woods handle the vocals. The program is distributed in the US by Public Radio International, on Sirius/XM ...
This Week On Riverwalk Jazz: The Saxophone In Early New Orleans Jazz
This week on Riverwalk Jazz, The Jim Cullum Jazz Band joins forces with saxophonists Kim Cusack, Vince Giordano, Brian Ogilvie and others to explore the music of early jazz saxophone masters. Our own Ron Hockett shows off his saxophone chops while his clarinet duties are covered by Allan Vaché and Evan Christopher. Bass saxophonist Vince Giordano ...
Paris Jazz Diary 2012
by Patricia Myers
Paris is the New York City of the European jazz world. Any night of the week, live jazz is played somewhere in this multicultural metropolis where America's global gift is valued, venerated and celebrated. There are more than 30 live jazz venues, as well as sporadic and spontaneous performances on street corners and bridges, in Metro ...
Hawkins! Eldridge! Hodges! Alive! + Alive! At The Village Gate
Label: Sound Grammar
Released: 2012
Chris May's Best Releases of 2012
by Chris May
Christian ScottaTunde AdjuahConcord RecordsIn 1959, when Whitney Balliett, the New Yorker's jazz critic, published a collection of his columns, he titled the book The Sound of Surprise. The promise of the unexpected, wrote Balliett, was jazz's most precious quality. In a year which went on to include the release of ...
How (Not) To Listen To Early Jazz
by Andrew J. Sammut
Jazz listeners may admit that early music got things to where they are now, similar to how the Model T made the Lamborghini possible. Most just prefer not to drive anything too old. For most listeners, early jazz remains an esoteric and even a strange experience. Perhaps it's all that monochromatic footage of ...
Satoko Fujii and Natsuki Tamura: Emotional Intimacy, Musical Breadth
by Jeff Dayton-Johnson
Natsuki Tamura & Satoko FujiiMukuLibra2012Gato LibreForeverLibra2012Pianist Satoko Fujii and trumpeter Natsuki Tamura, wife and husband, maintain a staggering productivity, in terms of quantity, quality--and, most incredibly, in terms of variety. At one moment, they lead a powerful post-free ensemble; When ...
Li Gao Yang: Locks, Stock and Smoking Barrel
by Ian Patterson
With dreadlocks tumbling over his shoulders, Li Gao Yang already cuts a striking figure. When he's on stage blowing his tenor saxophone and leading his quartet with quiet assurance, the impact is all the greater. Chinese jazz stars are few and far between, at home or abroad, but already this unassuming musician from Beijing has appeared ...
Jazz On Film... Beat, Square & Cool, Vol. 2 In The Highly Acclaimed Jazz On Film Box Set Series
Beat Square & Cool—the 2nd box set in the Jazz on Film series following last year’s Film Noir—is not just a collection containing some of the greatest jazz-inspired film scores ever recorded, but it also tells the story of how jazz (mostly drawing from the bebop that was one of the defining American subcultural and artistic ...
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