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Album

Aiming True, Volume 1

By Clay Giberson

Label: Unknown label
Released: 2004
Track listing: Meditation #1, August, Elders, Meditation #2, Hello Song, Aiming True, Curve-Ball, Meditation #3, Giving Thanks, Prayer.

210

Article: Album Review

Clay Giberson: Aiming True, Volume 1

Read "Aiming True, Volume 1" reviewed by C. Michael Bailey

by C. Michael Bailey

Clay Giberson last crossed my radar playing with the Upper Room Trio on last year's well-received Cycling . His current release, Aiming True, Volume 1, is a solo piano excursion into moody, nocturnal climes. Is this jazz? Is this New Age? Does this belong on Hearts of Space ? Affirmative to all three. Labels are not ...

Album

Aiming True

By Clay Giberson

Label: Unknown label
Released: 2003
Track listing: Meditation #1, August, Elders, Meditation #2, Hello Song, Aiming True, Curve-Ball, Meditation #3, Giving Thanks, Prayer

103

Article: Album Review

Clay Giberson: Aiming True

Read "Aiming True" reviewed by Dan McClenaghan

by Dan McClenaghan

On his solo piano effort Aiming True, Clay Giberson is like a poet, center stage, naked, voicing deep personal musings; or a singer, a cappella, seeking truths with the rhythm of the syllables, the rise and fall of intonations in a world seemingly indifferent to the search. Just Clay Giberson, two hands and a piano, and ...

Album

Upper Road

By Clay Giberson

Label: Unknown label
Released: 2002
Track listing: 1. The Willing (5:40) 2. Upper Road (5:27) 3. Rivers to Cross (7:28) 4. For the Time Coming (5:28) 5. Homegrown (5:04) 6. Northern Lights (5:46) 7. Brooklyn Heights (6:05) 8. Biscayne Bay (6:03) 9. Change of Mind (Part 1) (3:17) 10. Change of Mind (Part 2) (4:57) 11. Northern Lights (reprise) (2:22)

134

Article: Album Review

Clay Giberson: Upper Road

Read "Upper Road" reviewed by Paul West

by Paul West

Like a lot of seasoned, contemporary jazz pianists, Clay Giberson creates music that just about always works, but always works its most magic when it takes chances and breaks free from tradition. It’s not so much a problem in contemporary jazz as it is an ever-so-slightly unfulfilled promise: it’s music that is fine, damn fine even, ...


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