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Live From Old York: Paolo Angeli, Derek Gripper, Geoff Lakeman, John Warren & Iain Dixon
by Martin Longley
Paolo Angeli/Derek Gripper The National Centre For Early Music February 16, 2017 On this double-billed evening, acoustic guitars were found in their extreme opposites states, spreading from purity to perversion. From South Africa, Derek Gripper plays a natural axe, amplified only modestly, direct into a respectfully- distanced microphone. From Sardinia, ...
Double Cut: Double Cut
by Vincenzo Roggero
Tre generazioni di musicisti si incrociano in Double Cut. Quella di Filippo Sala e Massimiliano Milesi, il primo batterista particolarmente in demand, presente in molti dei progetti più interessanti della nuova scena jazz italiana, il secondo sassofonista dai molteplici interessi coinvolto in ambiti musicali assai differenziati. Poi quella del contrabbassista Giulio Corini, figura di spicco del ...
Internationales Jazz Festival Münster 2017
by Henning Bolte
Theater Münster Münster, Germany Internationales Jazz Festival 2017 January 6-8, 2017 Münster, city of 300,000 inhabitants, situated in the northern part of German state North Rhine-Westphalia, with 18 million inhabitants the most populous state of Germany, has an ambitious biannual jazz festival now in its 27th year. The northern part of ...
Live From Old York: Laura Jurd, Annie Whitehead, Brooks Williams & Koshka
by Martin Longley
Laura Jurd's Dinosaur National Centre For Early Music November 11, 2016 Dinosaur are one of the UK's fastest rising new bands, although their recent re-naming hides a few years of history as the Laura Jurd Quartet. The London foursome still look even younger than their actual ages, thus qualifying as ...
The Blue Notes and the Brotherhood of Breath - Marching to a Different Drum
by Duncan Heining
Early one August morning in 1964, seven people crossed the border by train passing from South Africa into Mozambique. It was an unusual group of people--five black men, one white man and one white woman. Any “mixing of the races" was, of course, immediately suspicious in apartheid South Africa. The six men--Louis Moholo, Chris McGregor, Dudu ...
Intervista a Roberto Bellatalla
by Daniele Vogrig
Se i concetti di fraternità e universalità da sempre caratterizzano il jazz in tutte le sue forme, senza dubbio e a buon diritto Roberto Bellatalla ne può essere considerato uno dei massimi ambasciatori. Amsterdam, Londra, Johannesburg. Quaranta anni di storia (e di storie), poi il ritorno a casa. Ammesso e non concesso che ...
Jazz From Around the World: Africa
by Hrayr Attarian
There is no doubt that African heritage, particularly that of west Africa is at the root of jazz. This is simply factual and is not meant to belittle the contributions of other cultures to its growth and development. In addition, as a genre, it has proven to have a wide universal appeal. For both reasons jazz ...
Claudio Cojaniz alla Sala del Rosso di Firenze
by Neri Pollastri
Claudio Cojaniz Sala del Rosso Firenze 19.02.2016 A distanza di tre anni e mezzo dalla sua ultima apparizione sui palchi fiorentini, il pianista Claudio Cojaniz torna nella città toscana dove vanta un buon numero di appassionati estimatori. Lo fa in solitudine, a pochi giorni dal suo concerto in trio per ...
The People Band: Back and playing again
by Sammy Stein
46 years after their previous release, the People Band are putting out a new CD. Paul Jolly is producing the project and releasing it through his record label, 33JAZZ records. Jolly is also a member of the band. He says, “The reason for a new album is that our last one, released on the Emanem label, ...
Avanti o indietro?
by Alberto Bazzurro
La più o meno contigua uscita di reperti d'epoca di Jarrett, Osborne e Soft Machine ci induce a una disamina a largo raggio su cos'era e verso dove si muoveva il jazz, pur inteso in senso lato, nell'epoca in cui tanti ragazzi provenienti dal rock più o meno progressivo vi confluivano a frotte. Cercando anche di ...
