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Results for "Chris McGregor"
IzangoMa: Ngo Ma
by Chris May
The first thing that needs to be said is: this is not a jazz album. Jazz is only one of many musical traditions, most of them South African, that coalesce to form IzangoMa's debut. The percussion-rich, horn-embellished, multi-layered blend weaves together kwaito, mbaqanga, township jazz, marabi, pantsula, mbube, Jamaican nyabhingi drumming, electronica and a whole lot ...
Hanna Paulsberg Concept: Daughter Of The Sun
by Chris May
Ever since Jan Garbarek put Norwegian jazz on the map in the late 1980s, and even more so after the international success of his singularly ascetic Officium (ECM) in 1994, the music has acquired a reputation for being, if not entirely lacking in passion, then at least emotionally detached. Since the millennium, with the emergence of ...
Elton Dean Quartet: On Italian Roads (Live in Milan 1979)
by Alberto Bazzurro
Registrato (su cassetta) il 25 febbraio 1979 al Teatro Cristallo di Milano, il nastro di questo concerto ha dovuto attendere la bellezza di quarantatré anni, ma alla fine, grazie alla caparbietà e alla dedizione alla causa di Riccardo Bergerone, che dell'odierno CD (in impeccabile digipack a sei facciate) condivide la responsabilità delle note di copertina con ...
BigSpoon's Chris Engel: Intention... And Spontaneity
by Ian Patterson
So much goes into a debut album—a lifetime of learning, experiences and myriad influences. The music that springs forth is also often shaped in subtle and unfathomable ways that are sometimes not entirely clear even to the composer. Some musical reference points may appear obvious, others much less so, and so it is with ...
Wadada Leo Smith, Trio Xolo & Clean Feed Releases
by Maurice Hogue
This episode is loaded up with music from the summer batch of new releases by Clean Feed Records Tarbaby, Angles, Landaeus Trio and Ziv Taubenfeld's Full Sun) with more to come next week. The master trumpeter and endless source of creative, Wadada Leo Smith has a new 5-album box set featuring himself soloing with different drummers ...
The Blue Notes: Refugees From Race Hate
by Chris May
In late May 2022, three months into the war in Ukraine, the plight of refugees is at the front of our minds. Around five million Ukrainians have become refugees and another seven million are displaced persons inside their own country. The apartheid-era South African refugee crisis was not on this scale. The number of internally displaced ...
Nduduzo Makhathini: In The Spirit Of Ntu
by Chris May
There are strong links between London's alternative jazz scene and the parallel and burgeoning one in South Africa. A case in point is the connection between South African pianist Nduduzo Makhathini and British tenor saxophonist and clarinetist Shabaka Hutchings. Makhathini and Hutchings' similar ages and overlapping, cosmologically informed takes on jazz meant they were ...
From George Coleman to Meeco: Ten Overlooked Classics
by Chris May
The only thread running through this installment of Building A Jazz Library is that of unsung quality. No particular artist is spotlighted, nor any particular genre. There are simply ten, randomly selected albums, recorded in the US and Europe between 1953 and 2021, which show jazz off at its finest, but which, for one reason or ...
Township Jazz: A Riot Busting Out
by Chris May
Dateline: April 2022. This month the American label Blue Note is launching its Blue Note Africa imprint with South African pianist Nduduzo Makhathini's single “Senze' Nina." It is fittingly synchronous that at the same moment, Britain's Ogun label is reissuing two albums by South Africa's Blue Notes, the band which introduced township jazz to Europe and ...
Township Jazz: Unlocking The Vaults
by Chris May
Britain is often said to be the first country to have forged a style of jazz distinct from its American parent, during the late 1950s, in part through the influence of London-based players from South Asia. Closer examination of calendars and the historical record, however, shows that South Africa found its own jazz voice at the ...
