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Lisa Marie Simmons: Notespeak 12
by Chris May
Poetry & Jazz has a checkered history. When combined, the two art forms are not so much a marriage made in heaven as an obstacle course. The biggest danger is that one of them is verbal and the other is non-verbal and at its best transcends words. The second danger is that the better the poetry ...
Dwight Trible: Ancient Future
by Chris May
This adventurous album takes spiritual jazz's premier vocalist out of his comfort zone and into the deep blue yonder. It is a work of extremes, beginning with a storm of avant-rock, funk and electronics and ending by spinning off into abstract space accompanied by a virtual headful of Stanley Owsley's finest. In short, Ancient Future will ...
Okonski: Magnolia
by Chris May
Every so often an album emerges out of--well, not nowhere exactly, but in this case Loveland, Ohio, which could be considered, in the nicest possible way, to be getting pretty close--that is as delightful as it is unexpected. Magnolia is a pensive, late night, piano-trio musing on melancholy, loss and empty, moonlit city streets. It is ...
Ola Kvernberg & The Trondheim Soloists: The Mechanical Fair Live
by Chris May
Ola Kvernberg's Steamdown (Grappa) was perhaps the most sensationally visceral album to come our way during 2018. Part future-jazz, part EDM, part avant-rock, part contemporary-classical and 100% wrap-around shamanistic. It was Kvernberg's follow-up to The Mechanical Fair (Jazzland, 2014), which is here in an extensively recalibrated version recorded live at the Molde International Jazz Festival in ...
Miles Davis: Miles Davis With Tadd Dameron Revisited
by Chris May
1949 was a year of massive change for Miles Davis, and not in a good way. It began, in January, with him fronting the first of the recording sessions, made with a nonet, that became generically known as The Birth Of The Cool and which, if he had achieved nothing else of note, would have secured ...
Michel Legrand: Hollywood Hitmaker And Jazz Genius
by Chris May
For many jazz fans, Michel Legrand is celebrated, if he is celebrated at all, for one album only: the masterpiece Legrand Jazz (Columbia, 1958). But Legrand's jazz legacy is more extensive than that, including other historic recordings, with large and small ensembles, under his own name and by Stan Getz and Phil Woods, whose Images (RCA, ...
Leon Foster Thomas: Calasanitus
by Chris May
Born in Trinidad and in 2023 based in London, steel-pan virtuoso Leon Foster Thomas surprised and delighted many in the jazz world with Metamorphosis (Ropeadope, 2016). It was his third album but the first to receive widespread distribution in the US and Europe. The disc proved the steel pan to be serious and sophisticated, sitting comfortably ...
Espen Berg: The Trondheim Concert
by Chris May
The idea of free improvisation means different things to different people. For some it suggests the lineage that began with the so-called “energy players" of the late 1960s, musically untutored berserkers whose enthusiasm for Albert Ayler, John Coltrane and Pharoah Sanders inspired them to pick up a horn and play whatever notes fell at random under ...
Fela Anikulapo Kuti: Original Sufferhead
by Chris May
Original Sufferhead was the first album Fela released under Egypt 80's name, having disbanded Afrika 70 in 1979; the only musician held over was baritone saxophonist Lekan Animashaun, who had been with Fela since 1965 and who took over from the departing Tony Allen as bandleader. The album was recorded in early 1981, ...
Espen Berg Trio: Free To Play
by Chris May
If you ask a jazz fan to name the greatest piano-trio albums ever made, the probability is that their top twenty choices will include most, if not all, of the following: Erroll Garner's Concert By The Sea (Columbia, 1955), Ahmad Jamal's But Not For Me (Argo, 1958), Bill Evans's Sunday At The Village Vanguard (Riverside, 1961), ...
