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Henning Sieverts Symmetry: Blackbird
by Jerry D'Souza
The Beatles are given the dominant spot on Blackbird, but most of the music comes here from bassist/cellist Henning Sieverts. Sieverts--who has a long history of composition, having written for string ensembles, the theater, and groups of various size--locks in jazz and classical music, both in their individual frames and in an elegant blend, making for ...
Nicolas Thys: Virgo
by Woodrow Wilkins
Layers, blends and individuality can make for a diverse music set. Bassist Nicolas Thys brings that with all-original songs on Virgo. Thys is a native of Brussels, Belgium. His first instruments were piano and flute, but at the age of 13, he switched to electric bass. Over the years, he's earned several European ...
Rudder: Matorning
by AAJ Italy Staff
Ad un primo ascolto Motorning delude. Perché leggendo sulla copertina dai colori acidi i nomi di Chris Cheek, personaggio di punta della scena newyorchese, gran stilista del saxofono, e di Tim Lefevre, protagonista di alcuni tra i progetti più trasversali di quell'area come il trio Bedrock di Uri Caine, le aspettative erano per una musica creativa, ...
Fresh Sound New Talent: Truth in Advertising
by J Hunter
Operating in an era dominated by contradictory product names (i.e. Jumbo Shrimp, Clear Skies Initiative), Fresh Sound New Talent delivers exactly what it advertises--the CD equivalent of showcase gigs for up and coming musicians--and leaves a the future in the hands of the players and the free market. With that in mind, here are four FSNT ...
Yotam Silberstein: Next Page
by J Hunter
Next Page has been pegged as an organ trio disc. The problem with that is saxman Chris Cheek appears on five of the disc's nine cuts. True, keyboardist Sam Yahel never lays out, but to completely dismiss Cheek's role in Yotam Silberstein's second release as a leader--even for simplicity's sake--is to ignore a range of color ...
Yotam Silberstein: Next Page
by Jerry D'Souza
Yotam Silberstein began playing guitar when he was 10. His first interests were rock and pop, but five years later he began studying jazz. After he finished high school in Tel Aviv, Silberstein moved to New York City. He continued pursuing jazz and, over the years, has played with Kenny Barron, Avishai Cohen, Roy Hargrove and ...
Bill Frisell: Hemispheres & The Stars Are All New Songs, Vol. 1
by Kurt Gottschalk
Jim Hall & Bill Frisell with Scott Colley & Joey Baron Hemispheres ArtistShare 2008 Jakob Bro The Stars Are All New Songs, Vol. 1 Loveland Records 2008 Bill Frisell no ...
Yotam Silberstein: Next Page
by Dan McClenaghan
The organ trio approach is one of the more drenched-in-the-tradition formats in jazz. From Wes Montgomery's Riverside recordings through Grant Green's Blue Note sets up to Dr. Lonnie Smith's innovations, there's always a feeling of timeless soulfulness to the grouping of guitar, Hammond B3 organ and drums.Tel Aviv-born guitarist Yotom Silberstein, on Next Page, ...
Rudder:Matorning
By: Trevor Pour In the time since I reviewed Rudder's debut self-titled record last year (see review here), it has transformed into an absolute staple of my sonic diet. Its ambiguous genre label prevented me from accurately describing the music to my houseguests, but it never failed to impress even the most cynical listeneres. Rudder's latest ...
Jeff Dayton-Johnson's Best of 2008
by Jeff Dayton-Johnson
When the world economy entered into a tailspin this year, Argentine president Cristina Fernández de Kirchner dubbed the event the “Jazz Effect“ given that it emanated from the United States (she was drawing a parallel, for example, to the 1994 “Tequila Effect" that followed a botched currency devaluation in Mexico). I was so happy that a ...
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