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Ernest Dawkins' Live in the Spirit Residency Big Band: Memory in the Center, An Afro Opera: Homage to Nelson Mandela
by Enrico Bettinello
Registrata nella serata inaugurale del Chicago Jazz Festival del 2014, questa suite è un appassionato omaggio a Nelson Mandela da parte di una big band diretta dal sassofonista (ma qui non suona) e compositore Ernest Dawkins. Sedici elementi, alcuni già conosciuti al pubblico italiano come il trombettista Corey Wilkes, il trombonista Steve Berry ...
Peter Brotzmann/Joe McPhee/Kent Kessler/Michael Zerang: Tales Out Of Time
by Mark Corroto
It is rare, in this new century, for us to look back at the significant recordings of living artists. The powers that be seem to always be pushing out new product to support a tour and get media attention. Then of course, once the artist has passed on, let the reissue series begin. Thank God for ...
The Rempis Percussion Quartet: Cash And Carry
by John Sharpe
Ornette Coleman was one of the first to use two drummers in a smaller ensemble for his seminal double quartet Free Jazz (Atlantic, 1961). In doing so they established the template for dual interaction, as Ed Blackwell majored on drum patterns while Billy Higgins emphasized the cymbals. While the format has become much more widespread as ...
Myra Melford: Snowy Egret
by Hrayr Attarian
Restlessly innovative pianist and composer Myra Melford brings her exploratory approach and her adventurous melodic sense to her 2015 release Snowy Egret with her new ensemble of the same name. The inspiration for this intriguing album is Uruguayan author Eduardo Galleano's Memory of Fire trilogy. Originally part of a multimedia performance called the “Language of Dreams" ...
Anthony Braxton's Sonic Genome at Turin's Jazz Festival 2015
by Francesco Martinelli
Egyptian Museum Turin Jazz Festival Turin, Italy May 28, 2015 Someone might ask: “Why is an African-American saxophonist from Chicago performing inside the Egyptian Museum in Turin? Where is the connection between “da jazz" and Ancient Egypt?" Sorry, but it isn't a legitimate question. If you still don't make the connection, ...
Take Five with Aaron Akins
by AAJ Staff
Aaron Akins' music is something out of the ordinary. After all, a voice strongly reminiscent of Nat “King" Cole wrapped up in a sophisticated urban beat is not something heard every day. Stir the ingredients, jazz it up a little, and Aaron Akins might be it. Produced by Darryl Swann (Macy Gray), the singer's second studio album ...
Paul Dietrich: We Always Get There
by Hrayr Attarian
Chicago based trumpeter and composer Paul Dietrich's debut album We Always Get There is a vibrant and explorative work of modern music that inhabits the border zone between the mainstream and the Avant-Garde. The record's intricately constructed originals, with dramatic ambiences, are provocative while remaining intensely melodic, simultaneously accessible and pleasantly challenging.The intimate theme ...
Muddy Waters 100: Muddy Waters 100
by James Nadal
When a local guitarist and blues singer in Clarksdale, Mississippi named McKinley Morganfield made his first field recording at the Stovall plantation, on August 31, 1941, he had no idea where this music would take him. By the time he plugged his guitar into an amplifier on Chicago's Southside in 1943, he had become Muddy Waters, ...
Jazz Journalists Association Honors Its Own: Chicago Writer-Broadcaster Neil Tesser Wins 2015 Lifetime Achievement in Jazz Journalism Award
NEW YORK CITY – Neil Tesser, a Chicago-based jazz journalist, broadcaster, author, educator, former chair of the board of trustees of the National Academy of Arts and Sciences (NARAS) and current board member of the Jazz Journalists Association, was honored with the JJA's 2015 Lifetime Achievement in Jazz Journalism Award on Tuesday, June 16 at a ...
Makaya McCraven: In The Moment
by Mark Corroto
Somewhere in heaven Miles smiles, Miles Davis that is. Beside him, listening to In The Moment by drummer, mixmaster, and organizer Makaya McCraven is Teo Macero. Both men would have given the nod to this project that culled 73 minutes of music from 48 hours of live performance, recorded over a year of performance with an ...
