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Darts & Arrows: Altamira
by Glenn Astarita
Chicago-based guitarist Bill MacKay formed this band in 2006 with the aspirations of creating a post-millennial folk group that crosses many genres. Featuring musicians who are integral to the region's new jazz and improvisation scene, the primary focus is on strong compositions that hold up nicely on repeated spins. Indeed, the album grows on you as ...
Ballister: Dave Rempis, Fred Lonberg-Holm, Paal Nilssen-Love: Worse for the Wear
by Angelo Leonardi
Cinque dischi in cinque anni non sono male per un trio dalla spiccata identità free, con innesti rumoristico/elettronici. Nato nel 2011, Ballister è formato dal sassofonista Dave Rempis, dal violocellista Fred Lonberg-Holm e dal batterista norvegese Paal Nilssen-Love, tutti partner -a vario titolo -di Ken Vandermark e dei massimi strumentisti radicali che fanno base ...
Wes Montgomery: In The Beginning-Early Recordings from 1949-1958
by Hrayr Attarian
Guitarist Wes Montgomery, despite his tragically short life, was very prolific and immensely impactful. Equally adept at sophisticated instrumental virtuosity and lighter, more commercially appealing sounds, Montgomery influenced majority of guitar players who appeared on the jazz scene during the 1960s and after. Montgomery cut his first record Fingerpickin' for Pacific Jazz in 1958 ...
Geof Bradfield: Our Roots
by Mark Corroto
Without the blues, there would be no jazz, and arguably, no rock-and-roll. Think about it, if there were no rock-and-roll, Mick Jagger and Keith Richards, who stole every American blues lick they could find in the 1960s, would have had to get real jobs. Jazz musicians suffer no illusions that their music wasn't born ...
Geof Bradfield Quintet: Our Roots
by Dan McClenaghan
Discussing “roots" in the context of jazz, a good starting point is the Mississippi delta, down in New Orleans, where the music of trumpeters King Oliver and Louis Armstrong grew strong. And then there's the rich earth of the delta in north western Mississippi, up near Clarksdale, where the blues grew and blossomed. The roots from ...
Nick Mazzarella Trio: Ultraviolet
by Glenn Astarita
Ultraviolet is the third album by Chicago alto saxophonist Nick Mazzarella's (Ken Vandermark and The Eternals, Rob Mazurek) trio and is firmly nestled in the Windy City's progressive and free jazz domain. Go-to session ace, drummer Frank Rosaly and bassist Anton Hatwich stir the pot on numerous occasions and part of the beauty relates to the ...
Nick Mazzarella Trio: Ultraviolet
by Mark Corroto
Nick Mazzarella's first trio recording Aviary in 2009, clocked in at just 30 minutes. Although brief, the compelling force of the saxophonist's presence signaled a new unblemished voice in jazz. He has gone on to become a strong presence in the Chicago jazz scene, performing with Ken Vandermark (Audio One & Chicago Reed Quartet), Rob Mazurek (Exploding ...
Ben Paterson: For Once in My Life
by Jack Bowers
For Once in My Life is Ben Paterson's fourth album as a leader but first as an organist. In his native Philadelphia--home to such giants of the Hammond as Jimmy Smith, Shirley Scott, Charles Earland and Joey DeFrancesco--Paterson was known as a pianist. He began doubling on organ while living in Chicago, and by the time ...
"Doors: Chicago Storylines," New CD By Alto Saxophonist/Composer Caroline Davis, Due Nov. 6
Following the release of her much-praised 2012 debut, Live Work & Play, alto saxophonist and composer Caroline Davis relocated from Chicago to New York City and got to work on an ambitious project that had been germinating for seven years. To honor her eight-year residency in Chicago, she combines spoken stories and original compositions on her ...
Video: Northern Soul
When we think of soul, cities like Detroit, Memphis, Philadelphia, New York City, Chicago and Los Angeles come to mind. But while soul is most assuredly an American art form, Britain also fell in love with the music in the late 1960s and early 1970s, developing a club scene with dance moves and fashion that lay ...
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