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Peter Hammill / Gary Lucas: Other World
by Glenn Astarita
On paper, this alliance might seem like an improbable encounter. Vocalist and multi-instrumentalist Peter Hammill is revered for his work with the legendary progressive rock unit, Van Der Graaf Generator. While guitarist Gary Lucas' resume contains a historic affiliation with avant, blues-rock wiz Captain Beefheart amid stints within New York City's downtown scene denizens, vocalist Joan ...
Working Nights
By Working Week
Label: Cherry Red Records
Released: 2012
Track listing: CD1: Inner City Blues; Sweet Nothing; Who's Fooling Who; Thought I'd Never See You
Again; Autumn Boy; Solo; Venceremos; No Cure No Pay; Stella Marina (Main Mix); Storm Of
Light; Bottom End; Venceremos (We Will Win) Jazz Dance Special Edit.
CD2: Venceremos (We Will Win) Jazz Dance Special 12”; Afoché; Murphy's Law; Pape's
Samba; Inner City Blues (Urbane Guerrilla Mix); Storm Of Light (instrumental); Who's
Fooling Who (dance version); Sweet Nothing (instrumental); Where's The Bridge (longer
mix); Venceremos (We Will Win) 7” Bossa version; Stella Marina (full rap).
Working Week: Working Nights
by Bruce Lindsay
Many contemporary music and cultural commentators disparage the UK's '80s pop scene as a time seemingly in thrall to new technologies, and whose throwaway commercial hits are long forgotten--and rightly so. Is that really how it was though? Others look far more fondly on the decade's music, remembering its brief dalliance between pop culture and jazz ...
How's Everything
Label: Cherry Red Records
Released: 2008
Track listing: Up Country, Tsumagoi, All About Love, Nice Shot, Seeing You, No Problem, Boa Noite, Sun Dance, M&M Studio, My Dear Life.
Sadao Watanabe: How's Everything
by Douglas Payne
In 1977, prolific Japanese saxophonist Sadao Watanabe began recording a series of jazz fusion albums supervised, for the most part, by pianist, arranger and GRP wunderkind, Dave Grusin. A hugely popular icon of Japanese jazz since the mid-1960s, Watanabe had already recorded four such fusion albums (in between other more straight-ahead projects) when he was offered ...
Velvet Moods Featuring the Original California Suite
By Mel Torme
Label: Cherry Red Records
Released: 2007
Track listing: That's Where I Came In; Born To Be Blue; Night and Day; Geometric Blues; The Carioca; I've Got A Felling I'm Falling; On A Little Street In Singapore; I Like To Recognize the Tune; I Love Each Move You Make; Heart and Soul; You're A Heavenly Thing; The night We Called it a Day; The Christmas Song; It's Easy To Remember; Bernie's Tune; Pola Dots and Moonbeams; The Original California Suite: Mountain Desert Theme; The Golden West; We Think the West Coast Is the Best Coast; Coney Island; The Miami Waltz; They Go to San Diego; Sunday Night in San Fernando; Got to the Gate on the Golden Gate; Prelude to "Poor Little Extra Girl"; Poor Little Extra Girl; We Think the West Coast is the Best Coast & Finale.
Nothing Was Sweeter
Label: Cherry Red Records
Released: 2007
Track listing: We're On The Highway To Heaven; That's What I Like About You; Heebie Jeebies; When I Take My Suger To Tea; Shout Sister Shout; I Found A Million Dollar Baby; Sing A Little Jingle; It's You; It's The Girl; I Can't Write the Words; I Concentrate On You; Nothing Is Sweeter Than You; Put That Sun Back In the Sky; Between the Devil and the Deep Blue Sea; If It Ain't Love; Got the South in My Soul; Doggone I've Done It; We Just Couldn't Say Goodbye; It Don't Mean A Thing; Crazy People; Mood Indigo; That's How Rhythm Was Born; Coffee In the Morning; The Object of My Affection; Dinah.
Mel Torme: Velvet Moods Featuring the Original California Suite
by David Rickert
Few mastered every aspect of jazz singing like Mel Tormé did, from scat singing to vocal groups to arranging and composing to just plain crooning the hell out of a tune. However, more people know of Tormé than actually have him in their collection, which is a shame for jazz fans since he is more jazz-oriented ...
The Boswell Sisters: Nothing Was Sweeter
by David Rickert
Although they were the hottest act in their heyday in the thirties, nobody bothers much with the Boswell Sisters anymore. Most people are familiar with their particular style of jazz vocals--tight-knit harmonies and group vocal gymnastics--through their imitators, like the Andrews Sisters. But the Boswell Sisters were much more than that. Consider the fact that Ella ...
