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Musician

Charlie Rouse

Born:

Though a top tenor man in his own right, he will always be remembered as the saxophonist for the Thelonious Monk quartet. He adapted his playing to Monk’s music; his tone became heavier, his phrasing more careful, and he seemed to be the medium between Monk and the audience. Charlie Rouse studied clarinet before taking up tenor saxophone. He played in the bop big bands of Billy Eckstine (1944) and Dizzy Gillespie (1945), but made his first recordings as a soloist only in 1947, with Tadd Dameron and Fats Navarro. After playing rhythm-and-blues in Washington and New York, he was a member of the Duke Ellington Orchestra (1949-50) and Count Basie's octet (1950)

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Article: AAJ PRO

Jazz vs. Classical Funding

Read "Jazz vs. Classical Funding" reviewed by Nicholas Krolak


Throughout jazz history there has been a desire among the jazz community to see the music respected on the same level as western classical music. It is after all, jazz is America's classical music. As Dr. Billy Taylor explains, “Classical music must be time-tested; it must serve as a standard or model; it must have established ...

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Article: History of Jazz

Clifford Brown’s Trumpet and One Summer in Atlantic City

Read "Clifford Brown’s Trumpet and One Summer in Atlantic City" reviewed by Arthur R George


For 22-year-old trumpeter Clifford Brown, the summer of 1953 in jny: Atlantic City, New Jersey, was transformative. Playing with bebop elders, he cumulatively opened the door for what came next: a groove-oriented swinging style, in which small groups used structured arrangements like big bands, with room for improvisation, but less frenzy. It became known as hard ...

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Article: Album Review

Chad Lefkowitz-Brown: Quartet Sessions

Read "Quartet Sessions" reviewed by Jack Bowers


The Quartet Sessions (there are two of them) mark the eighth recording as leader by New York-based tenor saxophonist Chad Lefkowitz-Brown, an heir-apparent to an acclaimed dynasty of hard-boppers whose monarchs include Dexter Gordon, Wardell Gray, Gene Ammons, Charlie Rouse, Hank Mobley, Sonny Rollins and their peers, and embraces such contemporaries as Eric Alexander, Don Menza ...

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Article: SoCal Jazz

Chick Corea: In The Present Tense

Read "Chick Corea: In The Present Tense" reviewed by Jim Worsley


This article was originally published at All About Jazz on November 12, 2020. RIP, Chick. What can you say about music icon Chick Corea that hasn't already been said? His past, his career has been honored, dissected, and revered. As it should be. A composer and pianist of unparalleled skills and accomplishments, Corea's place ...

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Article: Interview

Clifton Anderson: Knowing the Road

Read "Clifton Anderson: Knowing the Road" reviewed by Barbara Ina Frenz


New York trombonist Clifton Anderson has mastered his instrument from the 1970s on in jazz programs of his home town outside the conservatory (which he also attended), that were initiated by leading spirits of the music such as Barry Harris, Sam Rivers, and Reggie Workman; these informal, professional jazz circles gave him information, insights and inspiration ...

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Article: Year in Review

2020: The Year in Jazz

Read "2020: The Year in Jazz" reviewed by Ken Franckling


The COVID-19 pandemic put the jazz world in a tailspin, just like the world at large, in 2020. And there is plenty of uncertainty going into the new year about what “new normal: might emerge from the darkness. International Jazz Day, like so many other things, became an online virtual event this time around. Pianist Keith ...

Album

Palo Alto

Label: Impulse! Records
Released: 2020
Track listing: Ruby, My Dear; Well, You Needn’t; Don’t Blame Me: Blue Monk: Epistrophy: I Love You Sweetheart of All My Dreams.

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Article: Catching Up With

Ron Miles: Rainbow Sign Of The Times

Read "Ron Miles: Rainbow Sign Of The Times" reviewed by Ian Patterson


The title of Ron Miles' Rainbow Sign (Blue Note Records, 2020) carries great personal meaning for the Denver cornetist/composer and educator. The initial influence was The Carter Family song “God Gave Noah the Rainbow Sign," with its line 'No more water but the fire next time," which in turn gave James Baldwin the title for his ...

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Article: Building a Jazz Library

Thelonious Monk: An Alternative Top Ten Albums Of Deep And Staggering Genius

Read "Thelonious Monk: An Alternative Top Ten Albums Of Deep And Staggering Genius" reviewed by Chris May


Thelonious Monk's position in cultural history grows in stature with each passing year and every new generation. Lionised by jazz fans and a continuing influence on musicians, Monk in 2020 is also held to be a hero by the hip hop movement. While his music no longer has the power to shock that it once possessed, ...


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