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Alex Han: Embracing The Spirit
by Liz Goodwin
With a bold, invigorating, and adventurous sound, alto/soprano saxophonist and composer Alex Han is a sonic force on his debut CD, Spirit. The project was produced by none other than the 2009 Berklee College of Music graduate's longtime employer and friend, the incomparable Grammy-Award winning electric bassist/bass clarinetist/producer/composer Marcus Miller for Miller's own label, ...
Meet Tom Wells
by Tessa Souter and Andrea Wolper
Born and raised in that other “capital of jazz"--Kansas City, birthplace of Charlie Parker--Super Fan Tom Wells, along with long-time jazz date, his wife, Geri St. Clair (a future Super Fan--stay tuned!), is a huge supporter of the local scene. How huge? Well, Tom and Geri once followed the University of Missouri Kansas City's Jazz Orchestra ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago
by Karl Ackermann
Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...
Tom Rainey Obliggato: Float Upstream
by Dan McClenaghan
Drummer Tom Rainey's reputation runs toward the “outside." His “worked with" resume speaks loudest perhaps from his collaborations with saxophonist Tim Berne--not a guy given to relaxing into a reverent take of, say, "What's New" or “Stella By Starlight." So a set of the familiar standards from Rainey comes as a bit of a surprise.
Keith Karns Big Band: An Eye on the Future
by Jack Bowers
It's hard to know in advance exactly what to expect from a big-band album whose title is An Eye on the Future. Luckily, the horizon as leader Keith Karns sees it is rhythmically persuasive, harmonically alluring, acknowledges an indispensable bond to the past and swings like crazy. On this album, it's a tomorrow that also sets ...
The Delmark Sound: Jason Stein Quartet and Corey Dennison Band
by C. Michael Bailey
Delmark Records has been a Chicago institution for better than 60 years, most under the watchful eye of founder Bob Koester. The label remains the oldest jazz and blues record label operating in the United States. Like its fabled successor, ECM, the label sports a sonic world all its own. While an odd comparison, any jazz ...
B.J. Jansen: Common Ground
by Matthew Aquiline
Cincinnati-born baritone saxophonist B.J. Jansen's tenth album is titled Common Ground for good reason: his sextet consists of NEA Jazz Master trombonist Delfeayo Marsalis, drummer Ralph Peterson, trumpeter Duane Eubanks, pianist Zaccai Curtis, and bassist Dezron Douglas--all of whom revel in improvisation. His group's shared affinity for jazz in the straight-ahead vein compelled Jansen to employ ...
2017 Charlie Parker Jazz Festival
by Richard Conde
The City Parks Foundation kicked off its 25th annual Charlie Parker Jazz Festival Wednesday August 23, 2017 at The New School for Jazz and Contemporary Music. On Thursday August 24th and Friday August 25th the festival continued its musical celebration uptown in Harlem at Marcus Garvey Park. It featured the work of Jason Samuels Smith's “Chasing ...
Jason Stein Quartet: Lucille
by Mark Corroto
Jason Stein continues to curve a niche in the jazz world, but it's not what you might assume. Listeners straightaway assume that he is an idiosyncratic outlier because his sole instrument is the bass clarinet. We've grown accustomed to saxophonists like Eric Dolphy and David Murray doubling on the bass clarinet. Stein's constancy to this one ...
Eric Ineke: Surveying the European Jazz Scene
by Victor L. Schermer
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6[This is the fourth of the All About Jazz series on “The Many Faces of Jazz Today: Critical Dialogues" in which we explore the current state of jazz around the world with musicians, journalists, and entrepreneurs who give ...
