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Seven Women (Plus Three) 2018 – Part XI
by C. Michael Bailey
Kris Adams We Should Have Danced Self Produced 2018 There is a special significance to Kris Adams's release We Should Have Danced. The recording features Adam's original lyrics with arrangements by pianist Tim Ray, of compositions of the late Steve Prosser, Adams' former husband and Berklee College of Music professor. ...
Frank Morgan and George Cables: Montreal Memories
by Peter J. Hoetjes
Montreal Memories is a duet album recorded at Theatre Port Royal on July 1, 1989, featuring two of the most talented jazz artists of any generation: alto saxophonist Frank Morgan; and pianist George Cables. This is the second duet album they've released, the first being Contemporary's Double Image in 1987. A jazz duet is ...
Big in Japan, Part 2: Osaka & the Eri Yamamoto Connection
by Karl Ackermann
Part 1 | Part 2 In Part 1 of Big in Japan we looked at the early history of jazz music in that country--a history that dates back to the same time frame as the Jazz Age in the United States. The influence of American dance music was indisputable but it came to Japan ...
Helena Kay's KIM Trio: Moon Palace
by Roger Farbey
Young Scottish Jazz Musician of the Year 2015, Helena Kay is joined on her debut album by Ferg Ireland on bass and David Ingamells on drums. Kay studied for a BMus Jazz at the Guildhall School of Music and Drama in London, graduating in 2016 with First Class Honours. She was also awarded the Anjool Malde ...
Charlie Parker: Now's The Time
by Karl Ackermann
In the pantheon of jazz saxophonists, Charlie Parker has been among the most transformational of artists, despite not living nearly long enough to fulfill his potential. Parker's lifetime, as a principal architect of bebop, and a self-destructive force, has been documented ad nauseam but his music continues to significantly influence new generations. Since Parker's death in ...
Massimo Colombo: Italy's Erudite Jazz Pianista
by Jim Worsley
Nestled in Northern Italy, the city of Milano is steeped in artistic tradition. Revolutionary in the historical sense in literature, music, art, science, and other scholarly endeavors, Milano is still today a hotbed of innovation and a source knowledge and creation. Enter one Massimo Colombo to the forefront of the conversation. A gifted jazz ...
Miguel Zenon: Yo Soy La Tradicion
by Jerome Wilson
Alto saxophonist Miguel Zenon has undertaken several projects over the years exploring the folk music traditions of Puerto Rico, but he takes that to a new level with this work featuring the string playing of Chicago's Spektral Quartet. The interplay of saxophone and strings here sometimes recalls the lush conversations of the classic Stan Getz / ...
Charles Mingus: Jazz In Detroit / Strata Concert Gallery / 46 Selden
by Karl Ackermann
With previously unreleased material from Dexter Gordon, Thelonious Monk, John Coltrane, and now, Charles Mingus, it may feel in 2018 like we are living fifty years in the past. Jazz In Detroit / Strata Concert Gallery / 46 Selden captures a short-lived quintet that--given time--could have been Mingus' best. Drummer Roy Brooks and trumpeter Joe Gardner ...
Tempo di Chet. La versione di Chet Baker
by Giuseppe Segala
Compagnia del Teatro Stabile di Bolzano Paolo Fresu, Dino Rubino, Marco Bardoscia Teatro Comunale Bolzano 8-11.11.2018 Il sipario si apre su una scena che fonde tra loro esterni e interni: ricostruisce un quartiere che potrebbe essere ispirato alla Hermosa Beach degli anni Cinquanta, o alla Central Avenue di ...
Christopher Hollyday: Telepathy
by Chris Mosey
Born into a musical family in 1970, with a father who was crazy about bebop, there was little doubt where Christopher Hollyday would be going in life. He began playing alto saxophone when he was nine. His older brother Richard played trumpet and they played together in the Boston area for two years, causing the New ...
