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New York Japanese Jazz Festival 2019
by Peter Jurew
New York Japanese Jazz Festival Smoke Jazz & Supper Club New York, NY June 25-27, 2019 The Japanese people's love for jazz, rock, blues and other forms of music with African-American roots has been well established for decades. Working bands and musicians at all levels of fame regularly make the Land ...
Sam Dillon: Force Field
by Dan Bilawsky
It doesn't take long to realize that Sam Dillon is on to something here. With drummer Anwar Marshall and bassist David Wong laying a grooving foundation on the opening title track, the tenor saxophonist sets off on a mighty chromatic quest. The lines, and what rumbles beneath them, set up an open playing field where pianist ...
Rick Lawn: The Evolution of Big Band Sounds in America
by Victor L. Schermer
From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...
David Bond at Chris’ Jazz Cafe
by Victor L. Schermer
David Bond Quartet Chris' Jazz Café Philadelphia, PA June 26, 2019 Alto saxophonist David Bond is new to Philadelphia and probably unfamiliar to jazz fans here. I went to hear him because I am always interested in hearing someone new, and two of the personnel listed were revered ...
Bird's Trumpets
by Matt Lavelle
Looking closely at all the trumpet players that played with Thelonious Monk in a piece I wrote in March 2018, I decided to continue the focus, and explore the trumpet players that played with Charlie Parker. As challenging as the trumpet is to play, playing Bebop raised the technical bar. Playing with Charlie Parker at fast ...
Paul Bley: When Will The Blues Leave
by John Ephland
Ornette Coleman recorded When Will The Blues Leave" in early 1958, released the next year on Something Else!!!! (Contemporary). Paul Bley played Coleman's blues four years later on The Floater Syndrome (Savoy Records), a trio recording with bassist Steve Swallow and drummer Pete La Roca. Both versions--Coleman's in a quintet with trumpeter Don Cherry, bassist Don ...
Bebop Pioneers in the 1950s (1949 - 1960)
by Russell Perry
Bebop had its roots in the big bands of the late 1930s and was nurtured in jam sessions during the war and the musician's strike of the 1940s. By 1950, the prescient Coleman Hawkins, and the pioneers--Charlie Parker, Dizzy Gillespie, Bud Powell, and Max Roach were well-established stars at risk of the music moving on and ...
Bret Primack on Jazz Video and the Ira Gitler Documentary
by S.G Provizer
Since the 1990's, Bret Primack has probably been the most prolific video chronicler of jazz in the world. He has just released a documentary about jazz writer-record producer Ira Gitler called Ira Gitler Lives. Since Gitler was a big fan of Charlie Parker, I presume this is a play on a famous bit of graffiti"Bird Lives." ...
Miles and Friends - The “Birth” of the Cool (1947 - 1950)
by Russell Perry
The torrid pace of bebop improvisations reached a point in the late 1940s that prompted a musical reconsideration and Miles Davis was there at the conception. Davis had been with the Charlie Parker Quintet since 1945, when he began to woodshed with composer/arrangers John Lewis, Gerry Mulligan and Gil Evans, all of whom would become major ...
Mark Alban Lotz: The Wroclaw Sessions
by Mark Corroto
Mark Alban Lotz is bringing sexy back into jazz with his trio recording The Wroclaw Sessions. The German born / Dutch resident draws from not only jazz but folk and classical influences for these nine tracks, four of which are originals. It's sexy because the music conveys a certain charisma or musical pheromone fashioned to affect ...


