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Article: Album Review

Albert Ayler: Quartets 1964: Spirits To Ghosts Revisited

Read "Quartets 1964: Spirits To Ghosts Revisited" reviewed by Chris May

by Chris May
August 12, 2019

Before considering the music on this disc, something else has to be celebrated—the resurrection of Werner X. Uehlinger's Hat Hut label (see past profiles). Founded in 1975, the Swiss-based company's hatOLOGY series championed European and American outer-limits jazz, producing a large catalogue of newly recorded and legacy material. Sadly, in 2016, financial pressures obliged Uehlinger to ...

Article: Album Review

Charlie Ballantine: Cold Coffee

Read "Cold Coffee" reviewed by Mark Sullivan

by Mark Sullivan
August 11, 2019

Indianapolis-born jazz guitarist/composer Charlie Ballantine has a special relationship with American music of all kinds: jazz, folk, the blues (his father was a blues guitarist, providing some of Ballantine's earliest musical memories) and contemporary rock. His previous album Life Is Brief: The Music Of Bob Dylan (Green Mind Records, 2018) made the inspiration outside of jazz ...

Article: Live Review

Jazz In Marciac 2019

by Martin McFie
August 9, 2019

Jazz In Marciac Marciac, France July 30, 2019 to August 4, 2019 How does a remote village in South West France end up hosting an international jazz festival for 42 years? The logistics come later, but the answers to most questions about Jazz in Marciac lie in the superb quality ...

Article: Radio & Podcasts

West Coast Piano: Dave Brubeck, Hampton Hawes, Nat King Cole (1944 - 1959)

by Russell Perry
July 30, 2019

In the last hour, we heard from Thelonious Monk, Elmo Hope and Herbie Nichols--three closely associated New York pianists in the 1950s. In this hour, we'll return to the West Coast and another trio of pianists representing some of the widely divergent strains of jazz in the 1950s. Nat King" Cole was famous first as a ...

Article: Profile

We Out Here: The Fast-Forward Evolution of British Jazz

by Chris May
July 25, 2019

After a lifetime in the shadow of its American parent, British jazz is finally coming of age. A community of young, London-based musicians is forging a style which, while anchored in the American tradition, reflects the modern Caribbean and African cultural heritages of the majority of its vanguard players. The music also addresses the race, class ...

Article: Interview

Cannonball: A Man of the People

by Rob Rosenblum
July 22, 2019

This interview was conducted at Union College in Schenectady, New York in 1971 and was originally published in an arts newspaper called Transition. Julian Cannonball Adderley was only three when he began to dig jazz and his hunger for his music is yet to be satiated. The first music he remembers hearing was in ...

Article: Interview

Shambhu: Soothing Guitar for Stressful Times

by Jakob Baekgaard
July 14, 2019

The times we live in call for reflection and one of the ways of providing it is through music. Music can slow our lives down and make us live in the moment, but it can also connect people. Since he discovered music, guitarist and composer Shambhu Neil Vineberg has been on a journey that has seen ...

Article: Album Review

Mark Alban Lotz: The Wroclaw Sessions

Read "The Wroclaw Sessions" reviewed by Don Phipps

by Don Phipps
July 14, 2019

Mark Alban Lotz has infused his album The Wroclaw Sessions with a collection of standards, classics and four originals (three of which he co-wrote) that explore a wide range of musical styles. Aided by bassist Grzegorz Piasecki and drummer Wojciech Buliński, Lotz easily makes transitions over a diverse musical terrain, which includes numbers such as Sam ...

Article: Album Review

Horace Tapscott with the Pan Afrikan Peoples Arkestra and the Great Voice of UGMAA: Why Don't You Listen? - Live at LACMA, 1998

Read "Why Don't You Listen? - Live at LACMA, 1998" reviewed by Mark Corroto

by Mark Corroto
July 14, 2019

In every decade since the 1960s, dedicated listeners have called for the world to get hip to the music of Horace Tapscott. In 1963 he formed the Pan-Afrikan Peoples Arkestra in Los Angeles. Like Chicago's Association For The Advancement Of Creative Musicians (AACM) and St. Louis' Black Artists Group (BAG), Tapscott's collective was formed to serve ...

Article: Album Review

Sheila Jordan: Lucky to Be Me

Read "Lucky to Be Me" reviewed by Angelo Leonardi

by Angelo Leonardi
July 11, 2019

Un nuovo disco di Sheila Jordan, registrato nel novembre 2016 ad 88 anni, non può che suscitare rispetto e amore. La voce mostra fragilità nella pronuncia e nell'intonazione ma la grande cantante statunitense, amica di Charlie Parker e allieva di Lennie Tristano, combatte i limiti dell'età con l'intatta passione, l'intensità interpretativa e l'autenticità di chi non ...