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4

Article: Album Review

Rudresh Mahanthappa: Hero Trio

Read "Hero Trio" reviewed by Jerome Wilson


Alto saxophonist Rudresh Mahanthappa previously espoused his love of Charlie Parker on his album Bird Calls (ACT, 2015). Here he expands on that to pay tribute to, not only Parker, but other influences such as Ornette Coleman, Johnny Cash, and Keith Jarrett. Mahanthappa leads a freewheeling trio, with Francois Moutin on bass and Rudy ...

12

Article: Album Review

Andy Fusco: Remembrance

Read "Remembrance" reviewed by David A. Orthmann


Since 2016 SteepleChase Records has released five discs by alto saxophonist Andy Fusco. This impressive, often stunning body of work goes a long way in raising the profile of a man who had seldom been given the opportunity to record under his own name. While Fusco leads the sessions, he's the antithesis of a star or ...

News: Video / DVD

Charlie Parker at 100: Part 5

Charlie Parker at 100: Part 5

This week, I've been celebrating Charlie Parker's centenary on August 29 by posting on the alto saxophonist's five major contributions to jazz and the culture at large. In Part 1, I posted about Parker's invention, with Dizzy Gillespie, of bebop in 1945. In Part 2, I posted on Parker's popularization of high-speed improvisation. In Part 3, ...

News: Video / DVD

Charlie Parker at 100: Part 4

Charlie Parker at 100: Part 4

This week, I'm celebrating Charlie Parker's upcoming centenary on August 29 by posting on what I believe are the alto saxophonist's five major contributions to jazz and the culture in general. In Part 1, I posted about Parker's invention of bebop with Dizzy Gillespie in 1945. In Part 2, I posted on Parker's popularization of high-speed ...

News: Video / DVD

Charlie Parker at 100: Part 3

Charlie Parker at 100: Part 3

In celebration of Charlie Parker's centenary on August 29, I'm spending the week posting on five major accomplishments by the alto saxophonist. On Monday, I posted about Parker's invention with Dizzy Gillespie in 1945 of a transformative genre of improvised jazz that became known as bebop. On Tuesday, I posted about Parker's popularization of high-speed and ...

13

Article: Interview

Gabe Terracciano: A Constant State Of Arriving

Read "Gabe Terracciano: A Constant State Of Arriving" reviewed by Ian Patterson


It may seem strange that a jazz violinist should admit to hating jazz violin, but Gabe Terracciano is not your run-of-the-mill jazz violinist. For starters, what other jazz violinist plays Ornette Coleman tunes in a bluegrass band? Nor are there too many jazz violinists who have taken first prize at an old-time fiddle competition, toured Ghana ...

1

News: Video / DVD

Charlie Parker at 100: Part 2

Charlie Parker at 100: Part 2

Yesterday, in Part 1 of this series, I posted about the five reasons why Charlie Parker was such an important jazz figure. I also posted about his first accomplishment, the invention of bebop with Dizzy Gillespie in 1945. Today, let's look at the second reason—his ability to improvise fluidly at a high speed. Speed was essential ...

1

News: Video / DVD

Charlie Parker at 100: Part 1

Charlie Parker at 100: Part 1

August 29 will mark Charlie Parker's centenary—the 100th anniversary of his birth. The alto saxophonist was a critically important revolutionary and remains essential listening today for five historical reasons: First, he helped invent bebop in 1945, a jazz form that shifted the focus from bands and bandleaders to individuals. Second, he helped invent a new way ...

6

Article: Profile

Greg Abate: Man on a Journey

Read "Greg Abate: Man on a Journey" reviewed by Rob Rosenblum


After a warm up tune by the trio of Frank Puzzullo on piano, Sam Edwards on bass and Edwin Hamilton on drums, a medium sized fellow with slicked back hair and very casual attire walks on stage. He seems almost reticent as he acknowledges his audience at Fox's Music House in North Charleston, South Carolina—most of ...

29

Article: Under the Radar

The Rebel Festival

Read "The Rebel Festival" reviewed by Karl Ackermann


On the morning of July 4, 1960, there were more than a few signs of the mayhem that had taken place the night before in Newport, Rhode Island. Newport's Millionaires Row woke up to broken store windows, overturned vehicles, and storm drains clogged with garbage and beer bottles. One-hundred-eighty-two people, mostly young, New England college students ...


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