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Results for "Charlie Parker"
Jimmy Lyons: Live From Studio Rivbea (Jimmy Lyons)
by John Sharpe
Alto saxophonist Jimmy Lyons was underappreciated even at the height of his powers, but to those with ears attuned to the radical innovations of the loft jazz era, he was a galvanizing presence. That his legacy remains under-lit is due in part to his long-standing tenure in Cecil Taylor's incandescent orbit. Lyons was more than a ...
Tom Caraher: Ninety Degrees
by Ian Patterson
For his debut as leader, Irish saxophonist Tom Caraher has roped in some of the country's finest jazz musicians to bring his music to life. The album clocks in around the length of an old vinyl, which, for some tastes is ideal in terms of attention span--it is easy to overegg it these days, with digital ...
The Song Poetry of Torhild Ostad and Kazzrie Jaxen
by Jakob Baekgaard
While many singers interpret songs, few elevate them into song poetry--a fusion of lyricism and phrasing that transcends genre. This rare quality emerges when voice, words, and musical interplay coalesce into something greater than the sum of their parts. It is a phenomenon found in the recent albums by Norwegian vocalist Torhild Ostad and pianist-singer Kazzrie ...
Joaquin Nuñez: Ruta De La Clave
by Richard J Salvucci
Ruta de la Clave is everything a good recording should be: listenable, stimulating, thoughtful, a bit eclectic and, above all, musical. Joaquín Núñez and Habana Safari has set out to do a version of the history of the clave." Of course, this is a unique vision, a distillation of Núñez's experiences as a Cuban-Canadian percussionist. But ...
Nick Biello: New America
by Paul Rauch
Upon listening to alto saxophone virtuoso Nick Biello, a quote attributed to Charles Mingus may come to mind: If Charlie Parker was a gunslinger, there'd be a whole lot of dead copycats." Slow down," you might say, Biello is not Bird, not even close--nobody is." But the quote relates to Biello in that he is far ...
Reddish Fetish: Llegue
by Jack Bowers
Once the opening number is discounted as an anomaly, Llegue (pronounced yeh-geh) is a generally pleasing debut recording by the New Jersey-based Reddish Fetish octet, led by drummer Jason Reddish and featuring the Jersey City All-Stars. Reddish Fetish is the fresh incarnation of a group established in the late 1960s by the leader's father, saxophonist Bill ...
Pierre de Bethmann: Sharing a Musical Breakfast in Lyon
by Artur Moral
If interviewing a musical figure is usually a great experience, having a face-to-face conversation with one is a true privilege. Besides, it is April in Lyon, cherry trees in blossom... and the roofs of the capital of the French region of Auvergne-Rhône-Alpes shine under a splendid spring sun. Pierre de Bethmann, winner of the 2024 Victoire ...
Piano Four-té: Keyboard Masters Delight On A Quartet of ECM Luminessence Vinyl Reissues
by Joshua Weiner
Blue Note. Verve. Impulse! Prestige. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. Over the past half century, the German ECM label has earned its place in this pantheon by steadfastly following its own vision, perhaps best summed up by ...
Chad Eby: A Closer Look at His Life, Work, and Tribute to a Legend
by La-Faithia White
Saxophonist Chad Eby has been a vital presence in the North Carolina jazz scene. Since 2006, he has served as Associate Professor in the Miles Davis Jazz Studies program at the university of North Carolina at Greensboro, where he plays a key role in shaping the next generation of jazz musicians. In addition to his work ...
Tessa Souter: Making Connections Between Erik Satie, Jazz, and Personal Identity
by Victor L. Schermer
New York-based vocalist Tessa Souter is deservedly treasured among jazz fans, critics and musicians alike. Equally effective performing live and on her several fine recordings, she is a jazz singer who combines the sonority, vocal range and discipline of a classical mezzo soprano with subtle and sultry jazz inflections. Everything she sings is well thought out ...





