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9

Article: Interview

Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word

Read "Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word" reviewed by Rob Garratt


It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...

1

Article: Album Review

Ignaz Schick / Oliver Steidle: ILOG2

Read "ILOG2" reviewed by Mark Corroto


The combination of Berlin based musicians Ignaz Schick and Oliver Steidle, known as ILOG, expands on the concepts of free improvisation with ILOG2 to include, for the lack of a better term, mania. Their frantic, often feverish, improvisations bring to mind both John Zorn's Naked City and William Burroughs' cut-ups. The opening piece, “There Is No ...

5

Article: Take Five With...

Take Five with Matt Clark

Read "Take Five with Matt Clark" reviewed by AAJ Staff


Meet Matt Clark I'm a guitarist and composer from Brighton, England. My career has spanned 35 years, encompassing genres as broad as jazz, blues, alternative, experimental, and electronic music. The year of COVID-19 and lockdown has been both testing and inspiring. Lack of live music and in-person collaboration has meant rethinking my musical output. ...

13

Article: Profile

Thelonious Monk: A Thriving Legacy

Read "Thelonious Monk: A Thriving Legacy" reviewed by Doug Hall


If legendary jazz musicians were collected together in one giant jigsaw puzzle and each musician was one piece—Thelonious Monk's individual piece would be impossible to cut out. As a singular artist, his shape or place in jazz is too uniquely non-conforming. From a musical and historical standpoint, he is recognized as one of the ...

1

Article: Radio & Podcasts

Derrick Gardner, Logan Richardson & Barry Harris

Read "Derrick Gardner, Logan Richardson & Barry Harris" reviewed by Joe Dimino


We start with a track off of big band director's Derrick Gardner 2020 album Still I Rise. We add some Kansas City spice with Charlie Parker and stellar saxophonist Logan Richardson with music from his Afrofuturism (Whirlwind Recordings, 2021) release. We also take a look at the new work from Matt Moran, Adam Shulman and Grant ...

8

Article: Album Review

Dan Wilson: Vessels Of Wood And Earth

Read "Vessels Of Wood And Earth" reviewed by Chris May


Dan Wilson's Vessels Of Wood And Earth starts well. Just over a minute into track one, the guitarist launches into a lightning-speed solo which sounds a little like Wes Montgomery channeling Charlie Parker on speed. On track two, Stevie Wonder's well named “Bird Of Beauty," he rings the changes, exchanging Montgomery and Parker for Pat Metheny ...

69

Article: Building a Jazz Library

John Coltrane: An Alternative Top Ten Albums

Read "John Coltrane: An Alternative Top Ten Albums" reviewed by Chris May


Miles Davis once said that you could recite the history of jazz in just four words: Louis Armstrong, Charlie Parker. To that you need to add two more: John Coltrane. A giant during his lifetime, Coltrane continues to shape jazz and inspire musicians decades after he passed. No other player has come remotely close to eclipsing ...

15

Article: Interview

Emiliano Sampaio: Rising Transatlantic Star

Read "Emiliano Sampaio: Rising Transatlantic Star" reviewed by Kurt Ellenberger


In 2013, I was awarded a Fulbright scholarship to teach and to work on a research project at the Kunstuniversität Graz ("University of the Arts in Graz"). I taught a first-year course in jazz theory that was really a delight. These students were already extremely accomplished performers and composers. About half of the class was comprised ...

5

Article: Album Review

Yaniv Taubenhouse: Moments In Trio Volume Three: Roads

Read "Moments In Trio Volume Three: Roads" reviewed by Mike Jurkovic


Remember the excitement you first felt drawing circles as a kid? That profoundly innocent sense of being able to construct anything inside, outside, on, or upon those circles? Faces, trees, noses. Birds. bees, roses. A wide, westward, indigo sky. A fathomless blue ocean of liquid imagination. That's what it's like when you fully and gratefully engage ...

10

Article: Album Review

Julius Hemphill: The Boyé Multi-National Crusade For Harmony

Read "The Boyé Multi-National Crusade For Harmony" reviewed by Mark Corroto


There is something inherently objectionable when a billionaire acquires an artistic masterpiece by say, Leonardo DaVinci or Claude Monet, only to sequester it from public view. You might feel the same about Julius Hemphill's recordings Dogon A.D. (Mbari, 1972) and 'Coon Bid'ness (Arista/Freedom, 1975). Both five star recordings, now out of print, cost a small fortune ...


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