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Article: Interview

Catching Up With Matthew Shipp

Read "Catching Up With Matthew Shipp" reviewed by Mark Corroto


As Matthew Shipp enters his sixth decade he has nothing left to prove to the jazz cognoscenti. He has for 40-plus years worked at crafting an instantly recognizable language at the piano. When he moved to Manhattan's Lower East Side in the '80s, he immersed himself in the same do-it -yourself culture that produced the post-punk ...

2

Article: Album Review

Tom Ollendorff: Open House

Read "Open House" reviewed by Chris May


There is technical excellence, there is pretty, there is a well-honed trio, there is an in-sync guest saxophonist, and yet, and yet.... Open House is London-based guitarist Tom Ollendorff's follow-up to A Song For You (Fresh Sound New Talent, 2021), his debut, which also featured bassist Conor Chaplin and drummer Marc Michel. The ...

14

Article: Album Review

Charlie Parker: At Birdland 1950 Revisited

Read "At Birdland 1950 Revisited" reviewed by Chris May


When it comes to live recordings of Charlie Parker, Jazz At Massey Hall, from a concert in Toronto in May 1953, has been widely considered the slam-dunk number one ever since Charles Mingus released it on his Debut label in 1956. Forensicists might favour the 7-CD The Complete Dean Benedetti Recordings Of Charlie Parker (Mosaic, 1990), ...

8

Article: Album Review

Ben Wolfe: Unjust

Read "Unjust" reviewed by Dave Linn


The history of modern jazz contains only a handful of bass players who have both led their own groups and been visionary in their compositions and approach. Charles Mingus, Charlie Haden, Dave Holland, Jaco Pastorius and Christian McBride are those who come to mind. With the release of his 10th album, Unjust, Ben Wolfe shows he ...

5

Article: Live Review

Tom Ollendorff Trio At Magy's Farm

Read "Tom Ollendorff Trio At Magy's Farm" reviewed by Ian Patterson


Tom Ollendorff Trio Magy's Farm Dromara, N. Ireland May 11, 2023 There is no crowd like an expectant crowd. Hailed by Gilad Hekselman as “one of the world's finest guitarists," Tom Ollendorff certainly had some billing to live up to as he kicked off the Irish leg of an ...

6

Article: Album Review

Alex Sadnik: Flight

Read "Flight" reviewed by Jeff Schwartz


What is new to say through Charlie Parker's music? On Flight Alex Sadnik looks for answers with two different bands. On the first side of the LP, his alto fronts a quintet with violin, pedal steel guitar, bass,and drums, but this is not a Bob Wills or Bill Frisell pastiche. The opening track, ...

10

Article: Interview

Scott Flanigan: Walking On Clouds

Read "Scott Flanigan: Walking On Clouds" reviewed by Ian Patterson


The challenge for any jazz musician is to find a personal voice. Acquiring the language of jazz through countless hours of listening to recordings, through practicing and gigging is not the issue. It is doing so without being shackled to another's style. When Charlie Parker was in his pomp, few saxophonists of the time ...

7

Article: Live Review

ZJM Big Band Plays Zappa for International Jazz Day

Read "ZJM Big Band Plays Zappa for International Jazz Day" reviewed by Nenad Georgievski


ZJM Big Band Ibni Pajko Park International Jazz Day Skopje, Macedonia April 30, 2023 Composer, guitarist, and producer Frank Zappa was an artist known for his unrelenting creativity, eclectic musical style, and irreverent humor. Throughout his career, Zappa displayed an omnivorous appetite for music, drawing from a diverse range ...

16

Article: Album Review

Various Artists: The Birth of Bop

Read "The Birth of Bop" reviewed by Richard J Salvucci


Someone famously called jazz the sound of surprise, but all too often, what is on offer is the dull hum of routine. Or something like that. This historic reissue is, however, anything but routine. This is not the first time that Teddy Reig's Savoy sides have been reissued (was he also the mysterious Buck ...

13

Article: Album Review

Sylvie Courvoisier / Cory Smythe: The Rite of Spring: Spectre d’un songe

Read "The Rite of Spring: Spectre d’un songe" reviewed by Karl Ackermann


Two daring jazz improvisers take on a cherished hundred-year-old classical ballet masterpiece with radical roots on The Rite of Spring: Spectre d'un songe. Igor Stravinsky was fresh off the success of his 1911 “Petrushka," which radiated with the artistic atmosphere of his Russia, when in 1913 he premiered “The Rite of Spring" at the opening of ...


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