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Jon Irabagon: The Observer
by Troy Collins
Best known as the volatile saxophonist in bassist Moppa Elliott's self proclaimed terrorist be-bop band Mostly Other People Do the Killing, Jon Irabagon has only just begun his career as a solo artist. His bristling duet with drummer Mike Pride, I Don't Hear Nothin' But The Blues (Loyal Label, 2009) was preceded by Outright! (Innova, 2008), ...
Indianapolis Jazz Festival: Day 1, September 26, 2009
by AAJ Staff
Day 1 | Day 2 The Indianapolis Jazz FestivalIndianapolis, IndianaSept. 26, 2009With two outdoor stages at The Lawn at White River State Park, the heavy clouds blowing across the sky brought just the right amount of the tension to the mix for the final weekend of the Indy Jazz Festival. The ...
Wessell Anderson: Warm It Up, Warmdaddy!
by Terrell Kent Holmes
Alto saxophonist Wessell Anderson is a traditionalist who clearly enjoys upending tradition. On Warm It Up, Warmdaddy! several of the songs rework the harmonic structures of some cherished standards and their titles are the work of someone who embraces the classics without taking them too seriously. The mischief begins with “What Is Dat ...
Roberta Gambarini: Making Listeners Fall 'So In Love'
by R.J. DeLuke
It's been an out-of-the-ordinary career trip for Roberta Gambarini--a trip that's seen her go from a young girl in Italy, scatting along with records by American singers Louis Armstrong and Ella Fitzgerald, to struggling to get singing gigs in her native land, to grabbing an opportunity to come to the United States, to gaining recognition by ...
Take Five With Les Blachut
by AAJ Staff
Meet Les Blachut:Les Blachut is a performing and recording artist. He is a multi-instrumentalist; keyboards, mallet percussion, vibraphone, marimba, steel-pans, arranger, composer, mobile and studio recording engineer, music teacher, private instructor, music competition judge, and radio program producer. Blachut is a South Florida-based versatile musician experienced in jazz improvisation, ethnic music world-wide, experimental collaborations, ...
The Story Of Jazz Saxophone
by AAJ Staff
For some, the saxophone is the sound of jazz. The unique fusion of brass and woodwind that is the sax found an electrifying vibrato in the hands of jazzmen that truly changed the world. The pale “pure" tone of the instrument, as first used in classical compositions, vanished in a musical blast of slurs ( Coleman ...
The Joshua Breakstone Trio: No One New
by Woodrow Wilkins
The trio is a tried-and-true format for jazz. Every now and then, the form is tweaked a little--instead of piano/organ plus bass and drums, it's guitar, bass and drums. The Joshua Breakstone Trio is part of this sect, and delivers with No One New. The title refers to the leader, who has been a ...
How Jazz May Have Influenced The Beatles
by AAJ Staff
Introduction A publication from the French general knowledge “Tu Sais..." book series ("You Know..."), entitled “Tu Sais... Jazz," contains a final chapter on rock bands such as The Beatles and The Rolling Stones. It states that both the Beatles and the Stones “knew and loved old jazz and blues." From Paul McCartney's long familiarization with George ...
Chris Byars: Studying Unsung Heroes
by Ludwig vanTrikt
[Introduction by Teddy Charles] It's not easy to be Chris Byars. With an incredible array of talents brought to bear on his composition, arrangements, and cooking jazz performances, it's no wonder he's worked his way to the forefront of the myriad of jazz players overwhelming the scene. For me, our felicitous association led to multiple gigs ...
Miles Davis: Unlimited Miles
by Bill King
I can't think of an artist who has had greater influence over jazz the past forty years than Miles Davis. For music, style, language and business, Davis was at the top of the game. One to never step aside and let critics dissuade or impede his aspirations, he constantly retooled his band with the ...
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