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486

Article: Extended Analysis

Fred Hersch: Whirl

Read "Fred Hersch: Whirl" reviewed by Dan Bilawsky

by Dan Bilawsky

Fred Hersch Whirl Palmetto Records 2010 Many of the greatest jazz musicians have refused to let physical setbacks derail their artistic journey. When Les Paul discovered his broken arm would be permanently set in one position, he made sure it was at a proper angle for guitar playing. Guitarist Pat ...

1,017

Article: Interview

Sarah Manning: Shattering The Glass Ceiling

Read "Sarah Manning: Shattering The Glass Ceiling" reviewed by David A. Orthmann

by David A. Orthmann

Listening to Sarah Manning speak at length is nearly as absorbing as her music. She's intelligent, direct, witty, and serious-minded. As Manning waxes eloquent on topics ranging from the impact of three special mentors, to the benefits of being a well-rounded person, to issues surrounding woman's empowerment, you realize that she relishes every aspect of her ...

293

Article: Album Review

Matt Marantz: Offering

Read "Offering" reviewed by Mark F. Turner

by Mark F. Turner

Saxophonist Matt Marantz's Offering is a splendid debut; echoing, in part, the lyricism and verve of three of his influences--Charlie Parker, Cannonball Adderley, and Phil Woods. It's interesting to note that the young New Orleans based saxophonist is a tenorist--whose intrepid lines and phrasings are honed from practice and performance--with an alto-like tonality that is less ...

936

Article: JazzLife UK

There's No Such Thing as a British Jazz Scene

Read "There's No Such Thing as a British Jazz Scene" reviewed by Bruce Lindsay

by Bruce Lindsay

March and April 2010 were eventful months for JazzLife UK--my photo-documentary project on the jazz scene in Britain. Spring finally emerged from winter's grasp, snowdrops replaced snow drifts and jazz life got busier. Debates about jazz and the media took center-stage, at least for some of us, politicians limbered up for a General Election (I know ...

148

Article: Album Review

John Escreet: Don't Fight The Inevitable

Read "Don't Fight The Inevitable" reviewed by Dan Bilawsky

by Dan Bilawsky

Highbrow compositions and intuitive musicianship work hand-in-hand with stellar results on pianist John Escreet's Don't Fight The Inevitable. Escreet's band of like-minded modernists, including saxophonist David Binney and trumpeter Ambrose Akinmusire, had the opportunity to work through this music on the bandstand during a European tour, an experience that helped them to delve deeply into these ...

598

Article: Film Review

Masters of American Music: The Story of Jazz

Read "Masters of American Music: The Story of Jazz" reviewed by Ken Dryden

by Ken Dryden

Various Artists Masters of American Music: The Story of Jazz Naxos Jazz 2009 Various documentaries have been made about jazz over the years with mixed results. While the 1993 DVD Masters of American Music: The Story of Jazz is only 98 minutes long, it ends up being far more wide-ranging, ...

227

Article: Album Review

Ellen Rowe Quartet: Wishing Well

Read "Wishing Well" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose

Ellen Rowe's uniquely modern sensibility echoes throughout Wishing Well. Rowe is a virtuoso pianist who blends the dreamy abstractions of nineteenth century impressionism with the nervous energy of a bebop player. She plays as she breathes--sometimes in shallow gasps indicating an extreme sense of urgency, and at other times in seemingly endless runs with dallying notes ...

418

Article: Album Review

Fred Anderson: Black Horn Long Gone

Read "Black Horn Long Gone" reviewed by Francis Lo Kee

by Francis Lo Kee

Fred Anderson is one of today's most powerful and singular saxophonists. Recorded in 1993, this trio (with bassist Malachi Favors and drummer Ajaramu--aka AJ Shelton--who have both since passed away) flies blissfully to new heights for piano-less sax trios. To call Anderson a member of the free jazz movement produces an incomplete picture. His technical facility ...

412

Article: Album Review

Kenny Dorham: Kenny Dorham - The Flamboyan, Queens, NY, 1963 - featuring Joe Henderson

Read "Kenny Dorham - The Flamboyan, Queens, NY, 1963 - featuring Joe Henderson" reviewed by Francis Lo Kee

by Francis Lo Kee

Kenny Dorham's big splash in the bebop business was taking over the trumpet chair in Charlie Parker's Quintet. He then became one of the most productive members of the Blue Note community, and his composition “Blue Bossa" has since become a jazz standard. This excellent live set is another wonderful and important issue from Uptown Records. ...

500

Article: Album Review

Arturo Sandoval: A Time for Love

Read "A Time for Love" reviewed by Nicholas F. Mondello

by Nicholas F. Mondello

Years ago, on The Tonight Show, host Johnny Carson asked guest Frank Sinatra what music he enjoyed listening to when “in those romantic moments." Sinatra, to the host's surprise, said he particularly enjoyed the hearing works of Debussy, Ravel and other Impressionists and Romantics. With A Time for Love, trumpet legend Arturo Sandoval steps away from ...


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