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Article: Album Review

Enrico Pieranunzi, Federico Casagrande: Double Circle

Read "Double Circle" reviewed by Neri Pollastri


L'incontro tra la chitarra acustica e il pianoforte è sempre molto affascinante, oltre a essere anche piuttosto raro (qui in Italia, vanno ricordati quelli di Giancarlo Mazzù con Luciano Troja). Il duetto documentato su questo CD ha la particolarità di essere l'incontro anche di due diverse generazioni di musicisti jazz italiani, visto che al piano siede ...

Article: Take Five With...

Eivind Opsvik e il Questionario di Proust

Read "Eivind Opsvik e il Questionario di Proust" reviewed by AAJ Staff


All About Jazz: Il tratto principale della mia musica. Eivind Opsivik: Atmosfere forti. AAJ: La qualità che desidero nei musicisti che suonano con me. E.O.: Che siano al 100% al servizio della musica. AAJ: Come musicista, il momento in cui sono stato più felice. ...

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Article: Live Review

Charles Evans Quartet with Dave Liebman at Philadelphia Art Alliance

Read "Charles Evans Quartet with Dave Liebman at Philadelphia Art Alliance" reviewed by Victor L. Schermer


Charles Evans Quartet with Dave Liebman Philadelphia Art Alliance Ars Nova Workshop Philadelphia, PA September 18, 2015 This concert by the Charles Evans Quartet can best be described as “jazz chamber music." The Quartet came together on the occasion of the release their second album, On Beauty (More is ...

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Article: Live Review

2015 Detroit Jazz Festival

Read "2015 Detroit Jazz Festival" reviewed by C. Andrew Hovan


Detroit Jazz Festival Hart Plaza Detroit, Michigan September 4-7, 2015 As the world's largest free jazz festival, Detroit's annual Labor Day offering provides a rewarding, but daunting task for anyone set to hunker down in the Motor City all Labor Day weekend. This year about 60 performances were in the offing ...

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Article: Album Review

Liberation Music Collective: Siglo XXI

Read "Siglo XXI" reviewed by Jack Bowers


Siglo XXI ("21st Century" in Spanish) is big-band jazz with a conscience, cerebral music capably performed by the Indiana-based Liberation Music Collective, a successor to Charlie Haden / Carla Bley's similarly high-minded Liberation Music Orchestra from the '70s and beyond. Interspersed among the nine musical selections are brief interviews with alto saxophonist Matthew Setzler, baritone Durand ...

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Article: Take Five With...

Take Five with Rob Saffer of the Creative Music Foundation

Read "Take Five with Rob Saffer of the Creative Music Foundation" reviewed by AAJ Staff


In this installment of Take Five we hear from Executive Director Rob Saffer of the Creative Music Foundation, an organization founded in 1971 by Karl Berger, Ingrid Sertso and Ornette Coleman. CMS has brought together leading innovators in the jazz and world music communities through their CMS workshops. About the Creative Music Studio Fall ...

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Article: Extended Analysis

Eberhard Weber: Hommage à Eberhard Weber

Read "Eberhard Weber: Hommage à Eberhard Weber" reviewed by John Kelman


Despite being waylaid from playing the instrument that defined his approach to both performance and composition by a severe 2007 stroke, Eberhard Weber has managed to accomplish the seemingly impossible feat of continuing to make recordings that revolve around his instantly recognizable, custom-made electro-acoustic instrument: 2013's Resumé and 2015's appropriately titled Encore, both on ECM Records, ...

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News: Video / DVD

Just Because: Hampton Hawes With Scott LaFaro

Just Because: Hampton Hawes With Scott LaFaro

Before Scott LaFaro joined the Bill Evans Trio in late 1959, the young bassist’s second west coast stint included work with Chet Baker, Barney Kessel, Victor Feldman, Cal Tjader, Stan Getz and Hampton Hawes, among others. In California, LaFaro’s tone, time and adventurous ideas put him—along with Gary Peacock and Charlie Haden—in the vanguard of a ...

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Article: Profile

James Clay: Texas Tenor, Second Generation

Read "James Clay: Texas Tenor, Second Generation" reviewed by David Perrine


The term “Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...

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Article: Live Review

Paris Jazz Diary: Pianists Kenny Barron, Harold Mabern, Bill Charlap

Read "Paris Jazz Diary: Pianists Kenny Barron, Harold Mabern, Bill Charlap" reviewed by Patricia Myers


Paris Jazz Diary 2015: Pianists Kenny Barron, Harold Mabern, Bill Charlap Duc des Lombards, Sunside-Sunset Jazz Clubs Paris, France July 3, July 4, July 14, 2015 New York City pianists Kenny Barron, Harold Mabern and Bill Charlap led trios in three separate concerts as part of a pair of annual summer-season ...


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