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Pat Metheny at Belfast Waterfront
by Ian Patterson
Pat Metheny Belfast Waterfront Belfast, N. Ireland November 14, 2017 “We've been trying to get a gig here for forty two years," Pat Metheny told the crowd at the Belfast Waterfront. Happily, the Missouri guitarist had at last found the city. It had been hidden out of sight all the time, ...
Nate Birkey: Rome
by Victor L. Schermer
With this listenable and relaxed album, trumpeter Nate Birkey joins with four excellent musicians he hooked up with while playing in Italy to deliver a set of mostly ballads in his signature style with introspective improvising, empathic warmth, and minimal vibrato. His playing here is reminiscent of Bix Beiderbecke, one of Chet Baker's formative influences. The ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York
by Karl Ackermann
Jazz didn't abandon Chicago but its further development only began to take on a distinct personality in the 1960s. By the late 1920s, the next phase of the jazz scene had shifted from Chicago to New York though, initially, there was no red carpet rolled out. As jazz bands made their way to New York they ...
Marco Bardoscia
by Vincenzo Roggero
1. Johann Sebastian Bach, Glenn Gould, Goldberg Variations (Sony Classical, 1981). La musica di Bach è per me di grande ispirazione e in particolare questa opera monumentale interpretata da Gould. A volte mi capita di ascoltarne degli estratti prima dei concerti. 2. Miles Davis, Relaxin' with the Miles Davis Quintet (Prestige,1958).
Trespass Trio: The Spirit Of Piteşti
by John Sharpe
Swedish reedman Martin Küchen ploughs a rich variety of furrows, from explorative improvised summits to his rambunctious Angles aggregations, but one of the most enduring has been his Trespass Trio. On The Spirit Of Pitești, the fourth entry in the band's discography, he is joined by the same crew there since the inception, bassist Per Zanussi ...
Jeong Lim Yang: Déjà Vu
by Troy Dostert
On her excellent debut record, Déjà Vu, bassist Jeong Lim Yang proves that there's more than one way to make a first impression on a listener. Rather than taking the obvious route with up-tempo workouts or deviously complex compositions, Yang is content to carve out plenty of open space for her music to breathe. Her graceful ...
Conversations with Charlie Haden
by Angelo Leonardi
Conversations with Charlie Haden Josef Woodard & Charlie Haden 235 Pagine con 24 foto in bianco e nero ISBN: #978-1-935247-15-9 Silman-James Press 2017 Pubblicato negli Stati Uniti all'inizio di quest'anno, Conversations with Charlie Haden raccoglie 17 interviste del critico Josef Woodard al grande contrabbassista scomparso; alcune sono state ...
Jazzfestival Saalfelden 2017
by Stefano Merighi
Fotografare lo stato dell'arte nell'ambito del jazz e delle musiche limitrofe è compito che il festival di Saalfelden svolge assai bene ormai da decenni. Non solo la rassegna austriaca non rinuncia ad alcuna delle sue prerogative estetiche (apertura massima rispetto agli stili contemporanei, volontà di anticipare tendenze, capacità di realizzare prime esecuzioni mondiali), ma anzi, trova ...
Carmen Rothwell: The Art of Intuition
by Paul Rauch
Seattle, a city synonymous with alternative rock, has long sustained a provincial jazz culture, without a signature sound, but with an openness to innovative, progressive invention. To outside jazz partisans, the city is known for phenomenal high school talent that usually flies the coop, heading east for conservatory training and to pursue professional ambitions.
The Liberation Music Collective: Rebel Portraiture
by Karl Ackermann
The Liberation Music Collective is a young group built around a pair of Indiana University graduates, bassist/vocalist Hannah Fidler and trumpeter Matt Riggen. As the name may imply, LMC liberally leans on the Charlie Haden/Carla Bley legacy of the Liberation Music Orchestra, even including a web site photograph that mimics the cover of LMO's self-titled debut. ...
