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Charlie Barnet
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Charlie Barnet is one of the more colorful figures in jazz history. He was also a champion of racial equality, hiring many black singers and musicians at a time when other bands were segregated. His use of African-American performers kept his orchestra out of several hotels and ballrooms and was also probably the reason why he was never picked for any big commercial radio series. His music and arrangements were admittedly influenced by Duke Ellington. Barnet was born into New York high society in 1913. He rebelled against his parent's wishes that he study law and became a jazz musician instead, playing in his first outfit at age 16
Too Cool For Words
by Marshall Bowden
This article first appeared on All About Jazz in August 2002. “Something cool...I'd like to order something cool" says the dame in the smoky, slightly seedy bar that is something out of a Raymond Chandler story. The kind of place where maybe there could be trouble at any moment; where maybe a couple of ...
Charles Chen: The Long Way Home
by Jack Bowers
The Long Way Home is a fascinating album, not so much for the music alone--even though that is first-class--but for the lengthy interviews with the Charles Chen quartet's bassist and drummer, 98-year-old Bill Crow and 91-year-old Steve Little, respectively, who still anchor a regular weekly gig at Smalls Jazz Club in New York City.
The Jazz West Coast Style of Music: An Introduction
by Steven Cerra
I know it's hard to imagine with today's governmental overreach telling people what cars to drive, what bathrooms to use, and the highest personal, property and commercial taxes of any state in the nation, but California in the 1950s was a place of opportunities and possibilities. It's why my dad relocated the family from ...
Triology: The Slow Road
by Pierre Giroux
In The Slow Road, the Canadian trio Triology--comprised of pianist Miles Black, guitarist Bill Coon, and bassist Jodi Proznick--joins forces with the inimitable tenor saxophonist Scott Hamilton to present a recording that swings with warmth, restraint, and unfailing musicality. This is chamber jazz at its most elegant, invoking the refined spirit of classic drummerless trios such ...
Douyé: The Golden Sèkèrè
by Jim Worsley
Nigerian-born singer Douye has integrated the essence of Western jazz with the polyrhythmic sounds of African percussion. In doing so, she has spun the incomparable musical and lyrical genius of The Great American Songbook off its axis. These precious standards have been rearranged and reimagined hundreds if not thousands of times over the years. Douye was ...
Sarah Vaughan, Wes Montgomery & Naama Gheber
by Joe Dimino
On this new 791st Episode of Neon Jazz we celebrate the new, the young and the champions. We kick off the show with a New York City singer Naama with the title track off her 2023 album Where Flamingos Fly. From there, we celebrate the local team in Super Bowl 57 by way of the Kansas ...
Craig Davis: Tone Paintings
by Jack Bowers
The subtitle of pianist Craig Davis' second album, Tone Paintings, is “The Music of Dodo Marmarosa." For those who may be inclined to ask, “Dodo who?" the album offers a mini-biography of Pittsburgh-born Michael (Dodo) Marmarosa, an exceptionally talented pianist whose promising early career was cut short by the crushing weight of mental and emotional problems ...
The Archive of Contemporary Music
by Karl Ackermann
In Lower Manhattan, sits a musical gold mine. It's the motherlode of recorded music though the small, brightly colored sign above a grey steel door provides only a cryptic clue. The dusty window display of rare 78 RPM records, broken into erratic pie charts serves as a vestige of the past and a cautionary tale about ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 3-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 Concert 8: The Herdsmen -Bobby Shew meets Larry McKenna Trumpeter Bobby Shew is a well- known ...
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