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Linda Sikhakhane: An Open Dialogue
by Dan Bilawsky
When tenor saxophonist Linda Sikhakhane released Two Sides, One Mirror (Skay Music, 2017), it was a statement of arrival, marking his ascendancy within the jazz ranks in his native South Africa, and departure, signaling a move to the United States that would result in studies with tenor saxophonist Billy Harper, trumpeter Charles Tolliver, bassist Reggie Workman ...
A focus on Charles Tolliver
by Bob Osborne
Connect is the first release from trumpeter Charles Tolliver in over a decade. The new album finds him in fine form and good company. With a recording career which began in the mid-1960s, and an impressive, albeit relatively small, back catalogue he is possibly one of the great unsung trumpeters in jazz. The show includes music ...
Eric Revis, Art Blakey, Federico Calcagno, Charles Tolliver & More
by Ludovico Granvassu
Recently unearthed gems by Dudu Pukwana and Art Blakey, beautiful new albums by Eric Revis and Charles Tolliver, the Cuban roots of David Virelles and Aruán Ortiz, a peak in the Amsterdam and Berlin scenes through the music of Federico Calcagno and Reza Askari, respectively, and much more in this week's edition of Mondo Jazz dedicated ...
Muse Records: Ten Smoking Hot Albums
by Chris May
Alone among the other great jazz labels of the 1960s and 1970s—Blue Note, Prestige, Riverside, Impulse!, Strata-East and Atlantic—Joe Fields' Muse is rarely anthologised, written about or otherwise celebrated. Yet like its peers, Muse was prolific, releasing over 200 premium-grade albums during the 1970s, its most active decade, alone. This relative obscurity is ...
Charles Tolliver's 'Connect' Featuring Buster Williams, Lenny White And More! First Release In 13 Years!
New York-based trumpeter, composer and educator Charles Tolliver presents Connect, his first studio album in 13 years. There's no title track on the new album from Charles Tolliver, but the name—Connect—isn't some ethereal abstraction: it's an invitation. Release date: July 31st. “I wanted the music to connect in these times," explains the trumpeter-composer, a 50-plus-year music ...
Blue Note Records: Lost In Space: 20 Overlooked Classic Albums
by Chris May
For anyone with a passion for Blue Note, it is hard to conceive of an album that has been “overlooked," let alone twenty of them. For connoisseurs of the most influential label in jazz history, the passion can be all consuming: if a dedicated collector does not have all the albums (yet), he or she will ...
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
Charles Tolliver: Blowing Down The Walls Of Trump’s Jericho
by Chris May
Charles Tolliver has played with practically every major African American jazz stylist of his generation, and composed for some of them, too. In addition, he is the co-founder of Strata-East, the most influential label at the intersection of hard bop and spiritual jazz during the 1970s. Tolliver's long and distinguished career continues to flourish, with a ...
Charles Tolliver: Connect
by Chris May
Put out more flags. Connect, the first release from trumpeter Charles Tolliver in over a decade, is a monster. From the Saturday-night goodtime opener “Blue Soul" through to the intense, Spanish tinged, serpentine closer “Suspicion," the album finds Tolliver still at the top of his game in a recording career which began in the mid 1960s. ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
