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Results for "Charles Mingus"
Ron Stabinsky: Free for One
by Budd Kopman
The first thing to note about pianist Ron Stabinsky's debut recording Free For One is the quality of sound. The piano's lows are solid and centered, the mid-range clear and very fast while the highs sing. This is how piano should be recorded--not only is it a good test for the output end (speakers) of the ...
Take Five With Edgars Cirulis
by AAJ Staff
About Edgars Cirulis: Edgars Cirulis is an up and coming pianist and composer from Latvia. This year he released his first album Ainavisti - with a group he created and is leading since 2014. Edgars is currently studying at Jazepa Vitola Latvian Music Academy, doing his second year of bachelor studies. Outside his regular ...
Jason Roebke Octet: Cinema Spiral
by John Sharpe
Bassists leading mid-size bands inevitably bring to mind the trail-blazing precedent established by Charles Mingus. Others like Dave Holland, Barry Guy and Adam Lane followed. To that roster can be added bassist Jason Roebke, one of the stalwarts of the productive Chicago scene. Cinema Spiral constitutes the sophomore effort by his Octet, following on from High/Red/Center ...
U.S. Army Blues: Live At Blues Alley
by Chris M. Slawecki
Times have surely changed since The U.S. Army Blues was founded in 1942 (as “Pershing's Own," the Army Dance Band) to entertain soldiers and civilians in combat zones during WWII. But this Blues band has managed to keep pace, and has performed at the Monterey and Montreux Jazz Festivals and at New York City's hallowed Birdland, ...
Meet "Jazz Judy" Judy Balos
by Tessa Souter and Andrea Wolper
“Jazz Judy" Balos has earned her nickname. A live music fan since the age of 16 when she saw Nina Simone in concert, this New Yorker has been going out to hear live jazz four or five times a week (sometimes even two or three times a day) for over 50 years; she's even traveled to ...
Artistry in Rhythm: Afro-Cuban Epiphany to Haitian Voodoo
by Chris M. Slawecki
Brian Andres & the Afro-Cuban Jazz Cartel This Could Be That Self-Produced 2016 This Could Be That celebrates the first decade of Brian Andres & his Afro-Cuban Jazz Cartel, which came together in 2007 in and around the San Francisco Bay Area's Latin jazz hothouse. Music is ...
Carla Bley: Shoe Leather, Mystery & Moxie
by Ian Patterson
This article was first published at All About Jazz on July 28, 2016. With the passing of time. That's roughly how the title of Carla Bley's second trio album for ECM translates. Bley turned eighty a few months before the release of Andando el Tiempo but the passing years, if anything, have sharpened her ...
Dominic Duval: Follow Your Melody
by Maxim Micheliov
In memory of Dominic Duval: 1945-2016. This article was first published in October 2010. Bassist Dominic Duval is a mystery to many—even to those interested in free music. Seemingly emerging out of nowhere in the mid-1990s, over the course of 15 years he has built a formidable discography, firmly establishing him as one of ...
Hal Willner, Ex Eye, Bill Laswell, Zion 80 & Brandon Seabrook
by Martin Longley
Hal Willner The Stone June 14, 15, 17, 2016 Hal Willner spent six nights in residence at The Stone, presenting two sets each evening. This Philadelphian producer has immaculate taste, as illustrated by his greatest achievements: a series of conceptual albums that feature a host of carefully selected artists, assigned ...
Rich Halley 5: The Outlier
by Mark Corroto
After a string of impressive quartet recordings, saxophonist Rich Halley adds multi-instrumentalist Vinny Golia to the lineup for The Outlier. The band is the Rich Halley 5, not the Rich Halley 4 + 1. There is an important distinction here. This session gives the impression of a functioning quintet, not just a guest appearance.
