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Bobby Naughton: Solo Vibraphone Hartford
by Mark Corroto
Nearly all adventurous jazz connoisseurs are familiar with Joe McPhee's landmark recording Tenor (Hat Hut Records, 1977), the release that put Werner X. Uehlinger's label on the map. Certainly its rerelease twenty-two years later as Tenor & Fallen Angels (hatOLOGY, 2000} accomplished that task. Recorded in a cabin in Switzerland on a cassette recorder, McPhee's essence ...
Mal Waldron: Free At Last
by Karl Ackermann
The sensitivity reflected in much of Mal Waldron's music was a deep aspect of his psyche. The Harlem-born pianist, who died in Brussels, Belgium, in 2002, worked downtown with saxophonist Ike Quebec at Café Society in the early 1950s and went on to record on several Charles Mingus recordings including Pithecanthropus Erectus (Atlantic), Jazz Composers Workshop ...
Gareth Bane - Pat Belliveau - Keith O'Rourke: Baritone Madness
by Jack Bowers
Like America's earlier Three Baritone Saxophone Band (Gary Smulyan, Ronnie Cuber, the late Nick Brignola), Canada's Baritone Madness teams three baritone saxophonists (Keith O'Rourke, Pat Belliveau, Gareth Bane) with bass and drums (no piano) for an engaging program which is centered mainly in the lower register but earns high marks for resourcefulness and enthusiasm.
About The Wrong Object
Instrument: Band / ensemble / orchestra
Results for pages tagged "Charles Mingus"...
The Wrong Object
Blending psychedelic jazz with modern rock sensibilities, the music of the Wrong Object is influenced by a vast array of artists ranging from Canterbury Scene prog rock à la Soft Machine and Gong to Béla Bartok, Aka Moon, Charlie Mingus and Frank Zappa. While their repertoire contains mainly original compositions, they also play a special set of Zappa covers on demand. Since its creation in early 2002, The Wrong Object has played some forty gigs in various venues ranging from small pubs to big festivals. Some of them were augmented by guest performances by the likes of Ed Mann, Elton Dean, Harry Beckett, Marc Mangen, Domguè, Marco Maurizi, Nicolas Ankoudinoff, Clementine Gasser, Frogg Café, Jaap Blonk, and pataphysician-poet-vocalist Andrew Norris, whose work with the band culminated in a show held at the Galerie 2016 in Brussels on the occasion of Serge Vandercam's 79th birthday. After a successful mini-tour of the UK, they performed at the 2004 “Zappanale” festival where they played a special gig featuring Zappa's legendary percussionist Ed Mann, with whom they also hope to play a few more dates soon
Chelsea McBride's Socialist Night School: Aftermath
by Jack Bowers
Aftermath is the second album by composer / arranger / tenor saxophonist Chelsea McBride's Toronto-based Socialist Night School. It's a bright-eyed ensemble, comprised for the most part of young musicians who are fully on board with McBride's contemporary approach to big-band jazz (think Muhal Richard Abrams, Julius Hemphill, Darcy James Argue or Charles Mingus with a ...
Matt Ulery: Delicate Charms
by Mike Jurkovic
Coming on the heels of 2019's outstanding trio outing Wonderment (Woolgathering Records) with violinist Zach Brock and drummer John Deitemyer, Delicate Charms is a four and a half star recording if ever one was. And it begins with a classical air, an almost chambered hush into which rush those last minute arrivals, each their own player ...
Wayne, Newk, 21st Century Tunes & A Vault Dive
by Marc Cohn
Our 2 features this week: quartet tracks from Wayne Shorter's Emanon (the Downbeat Magazine's Critics and Readers Poll best album of the year) and Sonny Rollins' monumental Saxophone Colossus. We've got 21st century music from four bass players and two Chicago trumpeters. And, of course, a waltz through the vaults with Fletcher Henderson, Bessie Smith, Charles ...
Big Lazy: Dear Trouble
by Jerome Wilson
The trio Big Lazy plays a frisky type of instrumental music which draws on jazz, surf rock, country and other genres. In the tradition of versatile guitarists like Danny Gatton and Duane Eddy, Stephen Ulrich's lean, twanging sound creates a sonic landscape full of dusty highways and shadowy streets. He billows, trembles and chugs through leisurely ...
Aki Takase: In The River's Flow
by Ian Patterson
After forty plus years of recording and touring Aki Takase could be forgiven for easing up a little, for pulling back on the reins. Instead, the Japanese pianist/composer's creative fire is burning as strongly as ever. Since turning seventy in 2018, Takase has released five albums--four in 2019 alone. This output of creative energy showcases the ...
Ezra Weiss Big Band: We Limit Not The Truth of God
by Jerome Wilson
In 2015 Ezra Weiss began to compose a suite that he intended would be a cautiously optimistic message to his young children about the world they were living in and the challenges and promise they would face as they grew up. By the time this music was completed and recorded in December 2018, its mood and ...
