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Charles Mingus: @ Bremen 1964 & 1975
by Mike Jurkovic
It is 1964 and the big bass emperor rules the old continent as he commanded every stage he set foot on. So @ Bremen 1964 & 1975 just does not sound right. Charles Mingus Swings Bad Ass and Liberates Your Body and Your Mind @ Bremen sounds way more like it. For—as much as anything in ...
Chris May’s Best Releases Of 2020
by Chris May
Not the best year for live gigs in London, but Dele Sosimi's Afrobeat Orchestra just made it under the wire, lighting up the Jazz Cafe in late January. Rather like Art Blakey's Jazz Messengers, Sosimi's band has form as an incubator of young talent. A recent star in the making was trumpeter Ife Ogunjobi, who has ...
What, and Give Up Showbiz?
by Doug Hall
What, and Give Up Showbiz: Six Decades in the Music Business Fred Taylor (with Richard Vacca) 276 Pages 978-1493051847 Backbeat Books 2020 In his upcoming biography (December, 2020), What, and Give Up Showbiz?: Six Decades in the Music Business, Boston's late legendary and iconic music impresario Fred Taylor ...
Yusef Lateef: An Alternative Top Ten Albums Blowing Cultural Nationalism Out Of The Water
by Chris May
A pioneer of global and modal jazz, the multi-instrumentalist and composer Yusef Lateef is only beginning to have his importance in the history of the music properly acknowledged. After languishing off-catalogue for decades, much of his output is being made available once more. A treasure trove of great jazz is out there waiting to be rediscovered. ...
Charles Mingus: @ Bremen 1964 & 1975
by Chris May
Four hours of previously unissued, premier-league music by Charles Mingus is something to shout about, and @ Bremen 1964 & 1975 is about as good as the bassist and composer's posthumously released live albums get. Four CDs chronicle two extended, intense performances recorded in Germany by Radio Bremen. Both gigs featured all-star bands and both are ...
A Night at the Jazz Circus! - Part 1
by Ludovico Granvassu
Circus is like Jazz. They both require a great deal of originality and a capacity to improvise and be in the moment. They come out of a sense of urgency and self-expression since artists do not embrace them to get rich. And they both demand incredible dedication and discipline. This week we explore the ...
Charles McPherson: Jazz Dance Suites
by Jerome Wilson
Alto saxophonist Charles McPherson has a reputation as one of the last true followers of the bebop tradition but this release shows that his talents stretch beyond that. The music consists of scores he wrote for the San Diego Ballet where his daughter Camille is a solo dancer. It encompasses two full suites and an excerpt ...
Rahsaan Roland Kirk: An Alternative Top Ten Albums Guaranteed To Bend Your Head
by Chris May
Jazz musicians are rarely called shamanistic but the description fits Rahsaan Roland Kirk precisely. Clad in black leather trousers and heavy duty shades (he was blind from the age of two), a truckload of strange looking horns strung round his neck—two or three of which he often played simultaneously--twisting, shaking and otherwise contorting his body, stamping ...
Ivo Perelman, Lucas Goicoechea, Charles Mingus, Roberto Ottaviano and More
by Maurice Hogue
There's a wide swath of styles in this episode, further demonstrating the incredible depth of improvised music. From an historic live performance in Germany by Charles Mingus, to the powerful saxophone of Ivo Perelman joined by an improvising string trio, to contemporary guitar by England's Ray Russell, to rising stars from Argentina (saxophonist Lucas Goicoechea), to ...
Sanja Markovic: Ascension
by Mike Jurkovic
Enveloped in a dark though illuminating light, Serbia's Sanja Markovic delivers an assertive, immersive debut with Ascension, quickly proving herself an agile, articulate vocalist, multi-instrumentalist (tenor and soprano sax), arranger and composer. In lesser hands, the complement of nineteen musicians she has at her side and ready, and the seven questing, spacious songs of ...
