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Charles Earland: Intensity
by AAJ Staff
You hear it at once: a different sound, not always for the better. The music was changing, and Charles Earland joined his easy groove to the lush CTI sound so popular at the time. Results vary: the Burner is hot but too many horns spoil the brew. Take Goin' Home": a rock guitar crashes through the ...
Charles Earland: Intensity
by Douglas Payne
For 1972's Intensity, Charles Earland's fifth of ten Prestige discs, the Mighty Burner seemed to be aiming toward something a little different than his usual collection of soulful tenor-organ jams. The presence of two songs from the rock group Chicago and a small trumpet-dominated horn section indicate that jazz-rock was the goal. The result, the LP's ...
Charles Earland: Organomically Correct
by Douglas Payne
Organist Charles Earland recorded nine albums for the Muse label between 1977 and 1995. None stand out particularly, but each had its share of solid, organ-combo swing and programs of mostly blues and ballads. Organomically Correct compiles some of the early highlights in Earland's Muse output: four of the six tracks from Mama Roots (1977), three ...
Charles Earland: Live
by AAJ Staff
“We’re gonna cook a little bit for you – is that O.K.?” With that Charles Earland celebrates his birthday on stage – and it IS a celebration! Horns blaze, the rhythm pounds, and you can’t forget that vital organ. It’s aptly titled – this music lives. “The Burning Spirit” sets off at full charge, horns shouting ...
Charles Earland: Live
by Ed Kopp
There's nothing subtle about Charles Earland's brand of soul-jazz. The Burner" has always treated his organ as a rhythm instrument, attacking chords and arpeggios with unrestrained gusto. Having witnessed an Earland performance around the time this CD was recorded, I can certify that the man is an indefatigable performer with a very tight band.This ...
Charles Earland: Blowing the Blues Away
by Jack Bowers
In spite of its tasteless and repulsive jacket illustration, this is my kind of Jazz! — thoroughly energetic, grandly inventive and swinging from start to finish. Also, one of the finest outings to date by young tenor lion Eric Alexander, which is saying a lot, as I admire almost every note he’s played since he started ...


