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About Chad Taylor

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Musician

Chad Taylor (b. 1973) is a composer, educator, percussionist and scholar who is a co-founder of the Chicago Underground ensembles. Originally from Tempe, AZ, Chad grew up in Chicago where he started performing professionally at the age of 16. Chad has performed with Fred Anderson, Derek Bailey, Cooper-Moore, Pharoah Sanders, Marc Ribot, Peter Brotzmann, Malachi Favors and many others. Chad leads his own band Circle down which debut recording was given a 5 star review by All music: "What is remarkable is that there is no wasted motion, no histrionics or grandstanding, as pure emotion is translated to superlative music making on this most highly recommended recording, one for the ages." Allmusic.com Chad has a BFA from the New School in Jazz Performance and a MFA in Jazz Research and History from Rutgers University.

Album

Abstraction Is Deliverance

By James Brandon Lewis

Label: Intakt Records
Released: 2025
Track listing: Ware; Per 7; Even The Sparrow; Remember Rosalind; Abstraction Is Deliverance; Multicellular Beings; Mr. Crick; Left Alone; Polaris.

Album

Omni

By James Brandon Lewis

Label: Intakt Records
Released: 2026
Track listing: Omnipotent; The Sermon; Fire in My Bones; Testify; Omniscient; Call to Worship; Line Upon Line; Spirit of the Living God; Omnipresent.

Article: In Pictures

Jazz em Agosto 2026, Part 2

by Petra Cvelbar
September 6, 2026

The sixth day of the 42nd edition of Jazz em Agosto continued with a performance by The Sleep of Reason Produces Monsters, featuring Mette Rasmussen on alto saxophone, Mariam Rezaei on turntables, Gabriele Mitelli on piccolo trumpet, electronics, and vocals, and Lukas König on drums, electric cymbals, and synthesizer. On the seventh day, we ...

Article: Radio & Podcasts

New Releases From Sam Blakeslee And More

by Bob Osborne
August 20, 2026

Music has always been a reflection of the moment--an ever evolving landscape shaped by innovation, tradition, and reinvention. This selection of new releases and re-releases brings together a fascinating cross-section of sounds, moving from expansive large-ensemble arrangements and intricate modern jazz compositions to free improvisation and avant--garde exploration. Whether driven by deep grooves, striking dynamic contrasts, ...

Article: Live Review

Jazz em Agosto 2026

by Stefano Merighi
August 11, 2026

Jazz Em Agosto 2026 Fondazione Gulbenkian Lisbona 31 luglio-9 agosto 2026 È arrivata all'edizione 42 “Jazz Em Agosto," di scena negli spazi sontuosi della Fondazione Gulbenkian a Lisbona, sempre con la direzione artistica di Rui Neves. Ed è stata un'edizione all'insegna dell'eclettismo stilistico, dove il jazz continua ...

Article: In Pictures

Vision Festival 2026, Part 2

by Luciano Rossetti
July 26, 2026

More photos from the Vision Festival in New York City from June 22, 2026 to June 28, 2026 featuring William Hooker, Alan Braufman, Ahmed Abdullah, Dave Sewelson, Eri Yamamoto, Bobby Zankel, Chad Taylor, William Parker, Jason Kao Hwang, Taylor Ho Bynum, Steve Swell, Rob Brown, Whit Dickey, Matthew Shipp, Brandon Lopez, Ned Rothemberg, Sylvie Courvoisier, Nasheet ...

Article: Live Review

Jen Shyu, Luke Stewart, and Konjur Collective at Vision Festival 2026

by Fran Kursztejn
July 3, 2026

Jen Shyu, Luke Stewart, Konjur Collective Abrons Arts Center Vision FestivalNew York, NY June 24, 2026 The inaugural night of Vision Festival, despite the massive variety of musicians and instruments on display, did not feature any vocalists. During night two, vocalists made up a strong majority. Jen Shyu's “Fertile Bodies, ...

Article: Album Review

James Brandon Lewis Quartet: Omni

Read "Omni" reviewed by Kevin Poindexter

by Kevin Poindexter
June 26, 2026

James Brandon Lewis is on a remarkable run. Deface the Currency (Impulse!, 2026), his second collaborative album with the Messthetics, placed him at the cutting edge of the fiery fusion of punk and jazz. While that record proved he could invoke the power and fury of 60s Detroit band MC5's rock-and-roll testimonial Are You Ready to ...

Article: Album Review

Victor Vieira–Branco's Bark Culture: The Giant Is Awkward

Read "The Giant Is Awkward" reviewed by Glenn Astarita

by Glenn Astarita
June 25, 2026

Vibraphonist and composer Victor Vieira-Branco has been quietly building something with Bark Culture since 2021, and the Philadelphia-based quartet is no longer content to keep it quiet. The Giant Is Awkward is the group's second album, expanding the core trio of Vieira-Branco, double bassist John Moran, and drummer Joey Sullivan with the addition of pianist and ...