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Smoke Shifter
Chad Taylor
Label: Otherly Love Records
Released: 2025
Views: 51
Tracks
Broken Horse; Avian Shadow; Waltz for Meghan; Smoke Shifter; Octobert 26th; Paradise Lawns / October 29th.
Personnel
Chad Taylor
drumsJonathan Finlayson
trumpetBryan Rogers
saxophoneVictor Vieira–Branco
vibraphoneMatt Engle
bass, acousticAlbum Description
Known for his work in the Chicago Underground with cornetist Rob Mazurek, as well as projects with guitarists Jeff Parker and Marc Ribot, saxophonists Fred Anderson, Jemeel Moondoc, James Brandon Lewis, and Rob Brown, trombonist Steve Swell, trumpeter jaimie branch, bassist Eric Revis, and multi-instrumentalist Cooper-Moore, Taylor has assembled a quintet of ‘dialogians’ whose concept of the music is historical, spatial, and localized: trumpeter Jonathan Finlayson, tenor saxophonist Bryan Rogers, vibraphonist Victor Vieira-Branco, and bassist Matt Engle. Other than Finlayson, all of the musicians are currently part of or have a strong connection to the scene around Philadelphia, and Rogers and Engle have been working together since 2001.
The program of Smoke Shifter includes a pair of Taylor’s pieces, “Waltz for Meghan” and the lilting title track, Engle’s “Avian Shadow” and Vieira-Branco’s “October 26th” and “Paradise Lawns/October 29th” (two distinct tunes linked by a solo drum feature), with Rogers’ “Broken Horse” starting the proceedings. None are simple blowing lines and throughout, the writing and the playing feed each other. Vieira-Branco points out that “there is a cohesion in leadership––even how [Taylor] makes the tunes work together and orders the cuts on the record.” Taylor's perspective is that “in any project I do I gravitate to people who have their own sound and approach. It’s hard to find people who have that individuality and who also work well together.” That’s certainly true throughout Smoke Shifter in which advanced modern jazz arrangements and motifs––not far off from forebears like Chambers or Hutcherson––are central to the quintet’s language, but their movements are utterly contemporary, knotty and often atonal melodies alternately hanging in space or displaying a robust push-pull between surface and support.
Album uploaded by Carl Medsker






