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378

Article: Record Label Profile

MAXJAZZ Records

Read "MAXJAZZ Records" reviewed by Celeste Sunderland


Sometimes people are meant to take different roles within their passions. Richard McDonnell started as a saxophonist and ended up with his own record label. What began as a side project five years ago, turned into a full-time endeavor. Last March McDonnell was able to retire from a successful career in investment banking, and focus completely ...

181

Article: Album Review

Ted Rosenthal/Bob Brookmeyer: One Night in Vermont

Read "One Night in Vermont" reviewed by Celeste Sunderland


Two people. That's all you need to create a stunning album complete with all of jazz's beloved nuances, all the explosive vitality of a live performance and all those stirring moments that remind you why you need it in your life. One Night In Vermont, pianist Ted Rosenthal and trombonist Bob Brookmeyer's new live album, contains ...

158

Article: Album Review

Ayelet Rose Gottlieb: Internal/External

Read "Internal/External" reviewed by Celeste Sunderland


Fairytales and myths abound with characters like vocalist Ayelet Rose Gottlieb. One recent night the tiny being took the stage at Cornelia Street Café. Dressed in filmy black attire, with a purple beaded, net kerchief wrapped around her cascading dark hair, she resembled a midnight mermaid glittering with dew from the sea. Upon ...

651

Article: Profile

Jeremy Steig

Read "Jeremy Steig" reviewed by Celeste Sunderland


Artist/flutist Jeremy Steig colored some drawings in a cozy corner of his apartment one night last month, when he spilled a jar of ink. Not a pleasant mess, especially with Frac, Steig's gigantic cat pawing around. So the artist “banished" himself back to his drawing table covered with bamboo pens and Steig Ink (Uncle Arthur invented ...

177

Article: Album Review

Jenny Scheinman: Shalagaster

Read "Shalagaster" reviewed by Celeste Sunderland


Jenny Scheinman’s third solo album, Shalagaster, shimmers with such an array of color that it could work quite nicely as the score to a silent film. In fact, with a traipsing swagger and harmonies that gleam like satin, the record recalls a bit of silver screen romance. But purely old fashioned it is not. The violinist’s ...

128

Article: Album Review

Aoki/Hunsinger/Jarman: Trio

Read "Trio" reviewed by Celeste Sunderland


High, shrill, and alone, Robbie Lynn Hunsinger’s soprano saxophone provides an apt opening to a culturally vibrant musical tale. Signifying the solitude of the individual in the rich complexity of the universe, double reed master Hunsinger is joined by multi-instrumentalist Joseph Jarman and bassist Tatsu Aoki on Trio, an intensely contemplative album that traverses tremendous terrain ...

148

Article: Live Review

Dave Douglas Septet

Read "Dave Douglas Septet
" reviewed by Celeste Sunderland


Dave Douglas conducts a group with his whole body. He nods to the bassist, glances toward the drums, shrugs at the DJ, and raises his brow to the saxophonist all within one swift measure of music. Then he plunges into a trumpet solo that cleanses the senses like dry white wine.Douglas shined as a leader ...

142

Article: Live Review

The Jim Hall Trio Glows at Birdland

Read "The Jim Hall Trio Glows at Birdland 
" reviewed by Celeste Sunderland


The music of the world is his passion. The guitar/bass/drum trio is his setting of choice. And though he’s spanned the continents on tours with legends like Ella Fitzgerald and Sonny Rollins, he remains a mild-mannered, down to earth man whose music reveals a deep sense of care and touches the innermost, sentimental emotions.On Friday, ...

107

Article: Live Review

Jazz Mandolin Project

Read "Jazz Mandolin Project 
" reviewed by Celeste Sunderland


Colorado Brewery Danbury, CT Recurring Sunrises. That’s what the sound of the Jazz Mandolin Project brings to mind. The exuberance of Jamie Masefield’s mandolin traverses colorful plains, cushioned by the rolling continuum of Greg Gonzalez’ drums and Danton Boller’s upright bass.A steady stream of optimism flowed from the stage on Saturday, February 9, ...

88

Article: Live Review

John Abercrombie Quartet Jazz Standard New York March 27, 2002

Read "John Abercrombie Quartet 
Jazz Standard 
New York 
March 27, 2002
" reviewed by Celeste Sunderland


Like wired up children engaged in riotous play, John Abercrombie’s compositions reach exuberant heights before descending slowly into somber themes. Comprised of tight, vibrant weaves, these tunes go way beyond the 280-thread count of fine bed linens, and it takes a well-tuned group of musicians to produce the full, luxurious effects of the music.Last Wednesday ...


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