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Article: Album Review

Paolo Fresu: Carpe Diem

Read "Carpe Diem" reviewed by Angelo Leonardi

by Angelo Leonardi

Nato 12 anni fa in dialettica relazione con l'Angel Quartet, identico nella strumentazione ma dalla decisa impronta elettrica ed elettronica, il Devil Quartet di Paolo Fresu aveva mantenuto nei due dischi precedenti (Stanley Music del 2007 e Desertico del 2013) le relazioni con l'elettricità, pur diversificando la ricerca timbrica e aggiungendo dosi di lirismo.

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Article: Album Review

William Parker: Lake of Light: Compositions for AquaSonics

Read "Lake of Light: Compositions for AquaSonics" reviewed by Dan McClenaghan

by Dan McClenaghan

William Parker, who plays multiple instruments, is best known for his work as a jazz bassist, leaning to the avant-garde side of the spectrum, with albums including Stan's Hat Flapping in the Wind (Century, 2016) and the marvelous 2016 offering Meditation/Resurrection (AUM Fidelity). Always an adventurous soul--he began early in his career playing with pianist Cecil ...

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Article: Album Review

Alphonse Mouzon: In Search Of A Dream

Read "In Search Of A Dream" reviewed by Chris May

by Chris May

2018 is the 50th anniversary of the founding of the distinguished German jazz label MPS. To mark the occasion, the label's catalogue of over 400 albums has been released on download, and a vinyl and CD remastering and reissue programme has begun. Alphonse Mouzon's In Search Of A Dream is among the first of these discs. ...

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Article: Album Review

Fran Vielma: Fran Vielma & Venezuelan Jazz Collective: Tendencias

Read "Fran Vielma & Venezuelan Jazz Collective: Tendencias" reviewed by Troy Dostert

by Troy Dostert

Continuing the long, fruitful history of jazz's intermingling with Afro-Caribbean music, percussionist Fran Vielma brings his considerable talents to bear in offering a distinctive melding of jazz with Latin forms--but with a special focus on his native Venezuela. Joined by some outstanding instrumentalists, such as trumpeter Mike Rodriguez and alto saxophonist Miguel Zenón, Vielma sketches a ...

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Article: Album Review

Disaster Relief: Disaster Relief

Read "Disaster Relief" reviewed by Paul Naser

by Paul Naser

While there are many bands, such as Vulfpeck and Snarky Puppy, playing modern funk with astonishing precision and technicality, it is less common to find one playing the loose, greasy style pioneered and perfected by groups such as The Meters. Disaster Relief is just such an outfit and, on their debut record, they showcase ...

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Article: Album Review

Anansi Trio: On The Path

Read "On The Path" reviewed by Jerome Wilson

by Jerome Wilson

The concept of a sax-bass-drums trio is not a new one, but Washington, DC's Anansi Trio puts a new twist on the idea through Mark Merella playing what he calls a hybrid drum kit, incorporating conga drums, cymbals and parts of a trap drum set. This adds extra measures of bounce and groove to his playing ...

Article: Album Review

Jamie Saft: Solo a Genova

Read "Solo a Genova" reviewed by Vincenzo Roggero

by Vincenzo Roggero

Dando un'occhiata alla scaletta dei brani, qualche perplessità sulla messa a fuoco di un progetto che mette insieme Joni Mitchell e John Coltrane, ZZ Top e Miles Davis, Stevie Wonder e ... Charles Ives si affaccia spontanea. Ma se lo Steinway D-274 che sfrutta l'eccellente acustica dell' Auditorium Eugenio Montale di Genova è nelle sapienti mani ...

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Article: Album Review

Michael Leonhart: The Painted Lady Suite

Read "The Painted Lady Suite" reviewed by Angelo Leonardi

by Angelo Leonardi

A trent'anni esatti dalla scomparsa di Gil Evans, la sua lezione orchestrale rivive e si alimenta di nuove suggestioni. Il sorprendente e straordinario debutto della Michael Leonhart Orchestra rinnova un'estetica che in questi decenni ha ispirato Maria Schneider, in parte Darcy James Argue e alimentato la ricerca filologica e la rielaborazione di Ryan Truesdell.

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Article: Album Review

Denny Zeitlin: Wishing On The Moon

Read "Wishing On The Moon" reviewed by Dan McClenaghan

by Dan McClenaghan

Pianist Denny Zeitlin claimed a spot as a top-tier jazz pianist at the very beginning of his recording career with a sideman slot on flutist Jeremy Steig's Flute Fever (Columbia, 1963), followed by his debut as a leader, Cathexis (Columbia, 1964). After three more excellent sets for Columbia, Zeitlin's career shifted into a smaller label mode, ...

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Article: Album Review

John Coltrane: Both Directions at Once: The Lost Album

Read "Both Directions at Once: The Lost Album" reviewed by Karl Ackermann

by Karl Ackermann

Half a century after his passing, the music of John Coltrane continues to be studied, analyzed and enjoyed for its historical and musical exceptionality. Every few years it seems that another undiscovered collection surfaces and is met with enviable enthusiasm, much of it centered around speculating where Coltrane's music was going at a point in time, ...


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