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Esbjorn Svensson Trio: e.s.t. live in london
by Ian Patterson
Ten years on from the tragic death of Esbjörn Svensson, it's easy to forget just how ground-breaking e.s.t. was. Its seamless embrace of jazz, pop, rock and electronics aesthetics brought CD sales and a following more typical of successful pop acts. It was also the first European jazz band on the cover of Downbeat. Easy to ...
Ben Paterson: Live at Van Gelder's
by C. Michael Bailey
Following up his very well-received recordings That Old Feeling (Cellar Live Records, 2018) and For Once in My Life (Origin Records, 2015), Ben Paterson enters the sanctum santorium of jazz recording, Rudy Van Gelder's Studio in Hackensack, NJ. Having collided somewhere with saxophonist/entrepreneur Cory Weeds, the two initiate an idea perfect to the pair's hard bop ...
Ben Markley Quartet: Basic Economy
by Paul Rauch
Pianist/composer Ben Markley has enough jazz pedigree to draw interest from jazz fans on an international level. After all, he has performed with such notables as Brian Lynch, Terell Stafford, and Eddie Henderson. His work on the jazz scene in Denver is well regarded, as is his work as Director of Jazz Studies at the University ...
Buddy Terry: Awareness
by Chris May
Strictly niche in 2018, and on the margins even during his early 1970s heyday, New Jersey's Buddy Terry was among the cohort of soul-jazz musicians who, inspired by the rise of the black consciousness movement in the late 1960s, elected to recalibrate and repurpose their music. The new aesthetic became known as freedom jazz (and, later, ...
Mike Lorenz: speak between
by Dan McClenaghan
A first impression: Guitarist Mike Lorenz has created, on Speak Between, a sound that runs in a parallel to some of the albums released by drummer Paul Motian, in his teamings with guitarist Bill Frisell and saxophonist Joe Lovano--It Should Have Happened A Long Time Ago (ECM Records, 1984) and Jack Of Clubs (Soul Note, 1984). ...
Steve Coleman and Five Elements: Live at the Village Vanguard, Vol. 1 (The Embedded Sets)
by Troy Dostert
Artists don't release Live at the Village Vanguard recordings unless they've truly got something to say. The list of recordings from that fabled venue, run for decades by the incomparable Max and Lorraine Gordon, is indeed long and legendary, with well over 100 titles to date, including some of the most iconic recordings in jazz history. ...
Rich Halley 3: The Literature
by Karl Ackermann
A native of Oregon, saxophonist Rich Halley spent enough time in Chicago to absorb the ethos of the AACM and intermingle the influences of Thelonius Monk, Charles Mingus, and Ornette Coleman, to name a few of his inspirations. Over his thirty-five year recording career he has worked with Michael Bisio, Bobby Bradford, Nels Cline, Vinny Golia, ...
Cesar Cardoso: Interchange
by Don Phipps
On his album Interchange, Portuguese tenor saxophonist César Cardoso offers up a lively set of original compositions to make the head nod and the heart soar. Cardoso hails from Portugal and his music is vaguely reminiscent of Weather Report--but instead of Joe Zawinul's playful keyboard there is Bruno Santos on guitar, propelling the music forward with ...
Geof Bradfield: Yes, and...Music for Nine Improvisers
by Jerome Wilson
The Compass Players was a legendary theatrical ensemble in Chicago whose members developed several improvisational games to stimulate their creative instincts. One of these was called Yes, and..." where one person would start telling a story and everyone who followed would have to continue the story however they wished from the point the previous speaker ended. ...
Improvising Trio: Manna for Thought
by C. Michael Bailey
This is the house that Ornette Coleman built some 60 years ago. Guitarist Dom Minasi and his like-minded colleagues, vocalist Nora McCarthy and saxophonist Ras Moshe, show that the free jazz tradition is very much alive as we approach the third decade of the new millennium. Minasi has for the past 20 years, progressed further into ...





