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Article: Album Review

Jake Hertzog & Yishai Fisher: Stringscapes: A Portrait of the World in Nylon & Steel

Read "Stringscapes: A Portrait of the World in Nylon & Steel" reviewed by Geno Thackara


It can't be easy to keep thinking of different places to go when one's career is already as eclectic as Jake Hertzog's, but he doesn't seem in any danger of running out of ideas. The guitarist has run an impressive gamut already, from the electric Pat Metheny-inspired fusion session Evolution (Buckyball, 2011) to the more straightforward ...

3

Article: Album Review

Mark Masters Ensemble: Our Metier

Read "Our Metier" reviewed by Dan McClenaghan


Mark Masters, an extraordinarily talented and perhaps undersung arranger of large ensembles jazz, has spent a good deal of artistic energy on crafting recordings that explore other people's compositions. His Capri Records output includes The Clifford Brown Project (2003), celebrating the sounds of the too-soon-gone trumpet legend; Porgy and Bess (2005), from the George Gershwin songbook; ...

3

Article: Album Review

Nobuki Takamen: The Nobuki Takamen Trio

Read "The Nobuki Takamen Trio" reviewed by Chris Mosey


Nobuki Takamen is, in all probability, the best jazz guitarist Japan has ever produced. Nowadays he lives in New Jersey but tours his homeland regularly. His playing is marked by good taste and sensitivity. He is a highly inventive guitarist, his runs and progressions never quite going where you expect them to go but always making ...

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Article: Album Review

Keith Jarrett: La Fenice

Read "La Fenice" reviewed by Karl Ackermann


The archival gap tightens between the earlier solo release of Keith Jarrett's mid-90s concert, as captured on A Multitude of Angels (ECM, 2016), and his post-illness return to live performing. La Fenice was recorded at the Gran Teatro La Fenice in Venice, in 2006, four years after Jarrett had returned to solo performing in Japan. The ...

1

Article: Album Review

Lorraine Baker: Eden

Read "Eden" reviewed by Roger Farbey


Lorraine Baker graduated with First Class Honours from South East London's Trinity Laban Conservatoire of Music and Dance in 2009. Since then, she's worked with many of the UK's leading jazz musicians and in addition to such sessions she's also freelance drum tutor. Fellow drummer Jeff Williams is quoted describing Baker as having a “unique style" ...

Article: Album Review

Eliane Elias: Music from Man Of La Mancha

Read "Music from Man Of La Mancha" reviewed by Luigi Sforza


Nella storia della musica (per non parlare del cinema, del teatro e delle arti figurative) numerosi sono stati gli omaggi al grande romanzo che racconta le gesta di Alonso Chisciano. Dalla musica classica (il balletto Don Chisciotte di Aloisius Ludwig Minkus) alla canzone d'autore (”Alonso Chisciano” di Ivano Fossati), solo per citare alcuni esempi, molteplici sono ...

Article: Album Review

Lynn Cassiers: Imaginary Band

Read "Imaginary Band" reviewed by Giuseppe Segala


La vocalist belga Lynn Cassiers, molto attiva sulla scena del jazz e dell'improvvisazione nel proprio Paese, guida questa Imaginary Band, settetto al suo debutto discografico con l'etichetta Clean Feed. L'organico strumentale offre un ampio spettro timbrico, con la presenza di violino, eufonio (flicorno basso), sax tenore e soprano, pianoforte, contrabbasso e batteria: cosa che potrebbe far ...

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Article: Album Review

Connie Han: Crime Zone

Read "Crime Zone" reviewed by Mike Jurkovic


Twenty-two year old pianist Connie Han comes at you flashy, fast, and furious on her Mack Avenue debut Crime Zone. But it's flashy and fast with more than enough sense of history and creative curiosity to keep your ear pinned to whatever device you're listening on. “Another Kind of Right" jumps from the start ...

2

Article: Album Review

Paul Collins: Out Of My Head

Read "Out Of My Head" reviewed by Doug Collette


There may not be anyone on the planet more loyal to rock and roll than Paul Collins. From his days in the Nerves (with Americana master Peter Case) to fronting his namesake band the Beat, this icon of so-called power pop has always evinced an abiding faith in his own music (even in solo digressions from ...

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Article: Album Review

Charles Lloyd: Love-In

Read "Love-In" reviewed by Chris May


Five decades after the event, Charles Lloyd's Love-In, recorded live at San Francisco's Fillmore Auditorium in 1967, endures as much as an archaeological artefact as a musical document. From sleeve designer Stanislaw Zagorski's treatment of Rolling Stone photographer Jim Marshall's cover shot, through the album title and some of the track titles ("Tribal Dance," “Temple Bells"), ...


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