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Lisa Cay Miller: 682/681
by Karl Ackermann
Canadian pianist Lisa Cay Miller has been playing her instrument since the age of four, later taking up flute as well. Her divergent intermingling of improvisation, avant-garde and classical music has been on display in two previous projects with the improvising cellist Peggy Lee. On her unique 682/681, abstract improvisation rules across twenty-two vignettes. The title ...
Jimi Hendrix: Machine Gun: Live At The Fillmore East First Show
by Maurizio Comandini
Dopo l'esibizione a Woodstock, a metà agosto del 1969, Jimi Hendrix tornò a concentrarsi sul trio come formato per le sue esibizioni. Gli Experience si erano sciolti qualche mese prima e Jimi decise di chiamare il noto batterista Buddy Miles, affiancandolo al bassista Billy Cox che già faceva parte del gruppo più allargato che si era ...
Zubatto Syndicate: Zubatto Syndicate 2
by Luigi Sforza
Chi cercasse pulsazioni swing, sofisticate architetture armoniche, virtuosismi solistici o un trattamento sonoro di tipo tradizionale rimarrebbe inappagato dall'ascolto di Zubatto Syndicate 2. Quest'ultima prova discografica dell'orchestra Zubatto Syndicate -guidata da Andrew Boscardin, che è anche chitarrista, compositore e arrangiatore -appagherebbe i gusti di chi si appassiona ad una musica riccamente farcita in cui si amalgamano ...
Deep Tone Project: Onward
by Mark Sullivan
Another fine collection of contemporary jazz from the Ukrainian collective band Deep Tone Project. The personnel is unchanged from their first album Flow (Fancy Music, 2014). But the compositional input is even more democratic. Previously split between guitarist Aleksandr Pavlov and bassist Konstantin Ionenko, this time a third of the tunes come from the pen of ...
Thollem | Mazurek: Blind Curves and Box Canyons
by Karl Ackermann
In a remote outpost of creativity, the little town of Marfa sits on less than two square miles, a one-hour drive from the Mexican border. With a population of about two-thousand, it may, nevertheless, be the Brooklyn of the West Texas desert plateau. From its beginnings as an artist colony (of sorts), Marfa has been developing ...
Penguin Cafe: The Imperfect Sea
by Mark Sullivan
Composer Arthur Jeffes started Penguin Cafe in 2009 to pay homage to his father Simon Jeffes' Penguin Cafe Orchestra, and to continue the concept. While the new band still plays some of the original repertoire, Arthur has composed new music all along. Like Simon Jeffes' music, Arthur's shows the influence of folk music and minimalism. There's ...
Misha Mullov-Abbado: Cross-Platform Interchange
by Roger Farbey
As the son of the Italian classical conductor Claudio Abbado and Russian violinist Viktoria Mullova, music was inevitably in British bassist Misha Mullov-Abbado's blood. After graduating in music and composition from Gonville & Caius College, University of Cambridge he won a scholarship to study double bass at the Royal Academy of Music on its Masters jazz ...
Sex Mob: Cultural Capital
by Glenn Astarita
Sex Mob celebrates 20-years in the business going back to their initial 1996 gigs at New York City's downtown music scene hub, The Knitting Factory. With its first album in four-years, the band jubilantly returns via its crisscrossing of jazz with pop, funk and other genres, complemented by witty dialogues, mischievous improv sequences and treks into ...
Billy Hart & The WDR Big Band: The Broader Picture
by Angelo Leonardi
A dispetto della notorietà e del prestigio ottenuti nell'attività di batterista e insegnante, le doti compositive di Billy Hart sono relativamente poco note. Il trombonista e compositore svizzero Christophe Schweizer, già suo allievo al Mannes College of Music di New York nel 1992, rende omaggio al maestro arrangiando alcuni suoi brani ed eseguendoli con la WDR ...
Sam Kirmayer: Opening Statement
by Jack Bowers
Whenever a group of young musicians (in this case a guitar-led quartet from Montreal) makes its recording debut, a number of questions quickly arise. First and foremost, can they play? Check. Do they swing? Check. Is the music bright and refreshing? Check. Are they sharp and enthusiastic? Check. Do they blend well as a team? Check ...
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