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Alex Goodman: Second Act
by Mark Sullivan
Canadian guitarist/composer Alex Goodman has been living in New York City for five years. Second Act is his fifth album, but the first to employ a New York City based band, and all the music was composed there as well. After a solo bass introduction from Rick Rosato “Questions" opens the set with fast swing, the ...
Leonor Falcón: Imaga Mondo
by Troy Dostert
Violinist Leonor Falcón takes a leap into the realm of the fantastical with her debut record, Imaga Mondo--literally, “Imaginary World" in Esperanto. Having long inhabited disparate musical territories, including classical stints with the Sirius Quartet and other chamber ensembles as well as her work with jazz musicians like Akua Dixon and Karl Berger, she's well-positioned to ...
Lou Grassi: Port Of Call
by John Sharpe
German pianist Klaus Treuheit and American drummer Lou Grassi present a further instalment of an irregular collaboration on the limited edition LP Port Of Call. Treuheit may not be familiar to many outside his homeland, but he maintains an active schedule based around European radio stations and has contributed film music for the likes of Finnish ...
San Francisco String Trio: May I Introduce To You
by James Nadal
Fifty years after its release, The Beatles masterpiece, Sgt. Pepper's Lonely Hearts Club Band, has not only seen a resurgence in its popularity, but a slew of inquisitive musicians continue to glean from its creative depths. May I Introduce To You is an intellectual tribute to this iconic album by the San Francisco String Trio, who ...
Matt Wilson: Honey And Salt
by Mark Corroto
We will forgive you if you believed drummer Matt Wilson's previous recording Beginning Of A Memory (Palmetto, 2016) was a summing-up of his career to date. On that recording he invited just about every musician he has worked with as a leader. The conspicuous absence was, of course, Dewey Redman, who had passed on in 2006. ...
Mike Reed: Flesh & Bone
by Troy Collins
Years in the making, Flesh & Bone was inspired by a racist incident Chicago-based drummer Mike Reed experienced in 2009. While on a European tour, Reed and his band, People, Places & Things, were caught in a neo-Nazi rally in the Czech Republic. Reed's ensemble--half black, half white--had been deliberately deceived into boarding a train bound ...
Brian Landrus: Generations
by Jerome Wilson
With Generations baritone saxophonist Brian Landrus has created an ambitious set of music for full orchestra that is based in jazz but also touches on classical music, hip hop and reggae, giving prominent position to instruments like harp and vibraphone to give his ensemble an airy, spacious sound.It all begins with the five-movement “Jeru ...
Steven Wilson: To the Bone
by Geno Thackara
Wait long enough and everything old becomes new again. Steven Wilson's career has often seemed like one long exercise in putting that idea into practice. Through at least half a dozen different musical outfits, he's continually borrowed from and paid homage to the vast genre stew of music that's shaped his life, from progressive rock to ...
Konstrukt: L.O.T.U.S.
by Mark Corroto
With each new Konstrukt release I get anxious, wondering just where these Istanbul musicians, and current bearers of the free jazz banner, are headed next? To our Western ears, they seemingly arrived from nowhere. Turkish free jazz, really? But it didn't take long before we became familiar with names like guitarist Umut Çağlar, saxophonist Korhan Futacı, ...
Portico Quartet: Art in the Age of Automation
by Geno Thackara
It's an inevitable rule that pretty much any piece of automated technology, especially digital technology, gets criticized for replacing something natural. The synthesizer invited a backlash when it was used (and yes, often misused) as a substitute for 'real' instruments--ditto the computerized tones and robotic timekeeping of MIDI and digital programming. Nonetheless, it's just as inevitable ...
