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Roxy Coss: Roxy Coss
by Raul d'Gama Rose
Nothing can prepare the ear and the heart for the voice of Roxy Coss, if heard for the first time. The raw beauty of her principal instrument, the tenor saxophone, is expressed in moist, hot gushes of breath. The cascades of notes that dapple her soli weave in and out of her exuberant melodies. She has ...
Thelonious Monk: Monk's Music
by Chris May
Many albums in the Original Jazz Classics reissue series include alternate takes or tracks recorded for, but ultimately not included on, the original vinyl LP. The label's 2011 Remasters edition of pianist Thelonious Monk's Monk's Music (Riverside, 1957) is no exception--but is something of a first, in that “Blues For Tomorrow," the 13:33 minute bonus track, ...
Steve Khan: Parting Shot
by John Kelman
Evolution is one of those things where an artist either gradually shifts direction, or makes sudden quantum leaps. Guitarist Steve Khan has done both in a career dating back four decades, and the first of three hot fusion records for Columbia as a leader, Tightrope (1977), that fit firmly in The Brecker Brothers camp, but, with ...
Bill Anschell: Figments
by Dan McClenaghan
Pianist Bill Anschell normally involves himself in projects that shine with a high polish, recordings like the Wellstone Conspiracy's collaborative Motives (Origin, 2010) and his own More to the Ear than Meets the Eye (Origin, 2006), or in the sideman slot on the marvelous Reunion, led by saxophonists Pete Christlieb and Hadley Caliman. In addition, Anschell ...
Scott Burns: Passages
by Alex Marianyi
Chicago-based tenor saxophonist Scott Burns has said that he practices each exercise, pattern, or whatever else he may be working on until he gets it perfect. Five times in a row. The results of this type of practicing couldn't be any more obvious than on Passages, release by Origin in 2006. Through this rigorous study, Burns ...
The Brian Landrus Quartet: Traverse
by Wilbert Sostre
Jazz fans often cite Gerry Mulligan as the most recognized baritone saxophonist in jazz, but for most, the list stops there. Why the baritone saxophone is not a more popular instrument in jazz is uncertain; in the right hands, the instrument has a warmth and tonal beauty unlike any other. Baritone saxophonist Brian ...
Ayako Shirasaki: Falling Leaves - Live In Hamburg
by Dan Bilawsky
Energy is one of the most important and elusive elements in jazz. Some people foolishly equate energy with speed or skill, but the two aren't necessarily linked. Bill Evans didn't sprint around the keyboard, but his music created a cocoon of energy that enveloped an audience in a way that few pianists could ever emulate. Energy ...
Eliane Amherd: Now And From Now On
by Bruce Lindsay
Eliane Amherd creates bright and cheery, easy to listen to; jazz music that's a perfect soundtrack to sunny summer days. She also writes and performs material with a harder edge, darker and raunchier. She's blessed with a strong voice that's capable of intimate romance and bluesy hollers, and she is a fine guitarist, with touches of ...
New Tricks: Alternate Side...
by Greg Simmons
Here's something you don't read in album liner notes every day: “We recorded in Shawn's apartment...using only blankets wrapped around music stands for audio separation." New Tricks has seemingly recorded Alternate Side... in some no-frills circumstances, but there's truth in the old saying that adversity sometimes brings out the best in people. This piano-less ...
J. Leandre / N. Mitchell / D. Van Der Schyff: Before After
by John Sharpe
Flutist Nicole Mitchell's strong attachment to the Vancouver creative scene has borne unpredictable fruit. She has been an artist in residence at the city's International Jazz Festival from 2006-2010, but it was only when bassist Joëlle Léandre was likewise featured, in 2009, that the two combined, along with Vancouver native Dylan van der Schyff behind the ...
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