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Aimee Allen: Winters & Mays
by C. Michael Bailey
Vocalist/composer/arranger Aimée Allen exists as a whole, self-sustaining entity. Her round, sensuous alto has only smooth edges with a caress of warm linen. Her songwriting (and that which she does with brother David Allen) is top-notch, fully formed and in abundance on Winters & Mays. But it is her singing that is exceptional, particularly on the ...
Francois Carrier Trio + 1: Entrance 3
by Glenn Astarita
Venerable Canadian saxophonist Francois Carrier steers his trio and celebrated Swedish pianist Bobo Stenson into many circuitous routes during this set recorded at the 2002 Vancouver Jazz Festival. The musicians instill profundity into this democratic set, where the instrumentation is mixed with a horizontal plane approach. Here, Carrier's spirited attack is fused with grace, power and ...
Monika Herzig: Come With Me
by Edward Blanco
Pianist Monika Herzig presents her second Owl Studios album in combination with award-winning documentary filmmaker Susanne Schwibs. Come With Me is a unique CD/DVD project that includes a 30-minute story of her work including an interview, concert footage and special features of live performances. The music though, is the main course of this dish served warm, ...
Irene Kral: Second Chance
by Jim Santella
Singer Irene Kral (1932-1978) communicated with her audience through more than just music; she could make everyone in the room believe in what she had to say and take the message home with them for keeps. Recorded in 1975, this program of jazz standards features a nightclub performance with vocalist, acoustic piano trio and swirling emotions.
Django Reinhardt: Four Classic Albums Plus
by David Rickert
The legend of Django Reinhardt is the stuff of jazz folklore; the nomadic gypsy had limited use of the fingers on his left hand, yet still managed to create blistering solos, all while creating some of the best jazz to come out of Europe. In fact, Reinhardt spawned his own style, and like many a folk ...
Denny Zeitlin: Labyrinth
by Raul d'Gama Rose
To Denny Zeitlin the piano is several instruments rolled into one. It is a percussion instrument, struck by fingers and all manner of objets d'art. Together with his feet, which depress the pedals as if they were instrumental peripherals in themselves, Zeitlin makes masterful use of them to split, carve, bend and hang notes. Zeitlin might ...
Rich Halley Quartet: Requiem For A Pit Viper
by Bruce Lindsay
Requiem For A Pit Viper opens up with a powerful, in-your-face, four-note riff that demands attention. The Rich Halley Quartet keeps demanding--and deserving--this attention throughout this collection of the tenor saxophonist's original compositions, as it delivers a constantly surprising and inventive music that ranges from a scream to a whisper--with a few squeaks thrown in. The ...
Stevie Ray Vaughan and Double Trouble: Couldn't Stand the Weather
by Jim Santella
Couldn't Stand the Weather is a great album which has been reissued before. But this time, there are considerable extras in the package that make it jump out and shout. Each of the two discs runs for nearly 80 minutes: disc one includes the original album and plenty of bonus tracks; while disc two contains a ...
Mark Winkler: Sweet Spot
by C. Michael Bailey
For all of his musical bona fides, Mark Winkler is no more a jazz singer than Jim Caruso or Michael Bublé. In spite of the fact that he attracted the best of the best in his sidemen--bassist Robert Hurst, pianist Billy Childs and drummer Greg Hutchinson--for Sweet Spot, he remains something else. The point being, that ...
Aaron Goldberg and Guillermo Klein: Bienestan
by Raul d'Gama Rose
There might actually have been a universe called Bienestan" and it may have existed for as long as Guillermo Klein. The rich sonic topography of this undiscovered place is just emerging. It is a place of oceans of sound, with energetic waves that make their rhythmic way to lap upon a shore that glistens with all ...

