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Tianna Hall: Sid, Barney, Duke & Billy
by C. Michael Bailey
Jazz vocalist Tianna Hall calls Houston, TX home. At first blush, one might consider Houston a hub for the oil industry, barbecue, and country music, but not one for jazz. However, Houston has a long history with the music dating to the age of the territory bands and the “Chitlin' Circuit" existing between the late '20s ...
Jonathan Kreisberg: From Shadowless to One
by Marta Ramon
Jonathan Kreisberg has filled a gap in the international jazz scene. This New York-based guitarist started with both rock and classical music, but from the beginning he paid attention to his father's great jazz music collection. For Kreisberg, jazz is a pure music based on feelings. He says that he first experienced the creative part of ...
Lee Konitz: What True Improvising Is
by Bob Kenselaar
Lee Konitz is legendary as one of the great individualists in jazz, an art form that has always placed an extraordinary high value on individualism and unique forms of expression. “I've pretty much dedicated myself to trying to figure out what true improvising is," he says, “as opposed to playing what you know and getting loose ...
Fred Tackett: Coming Home
by C. Michael Bailey
In his book The Dog Of The South (The Overlook Press, 1979), Arkansas author Charles Portis, through his protagonist Ray Midge notes that:“A lot of people leave Arkansas and most of them come back sooner or later. They can't quite achieve escape velocity."This has been true, if only temporarily, for the many ...
Stan Sulzmann: Neon Quartet
by Chris May
Stan Sulzmann is among the most singular saxophonists in the UK, with an instantly recognizable, lush but rough-edged sound, and a distinguished track record as a composer and arranger for large and small bands.Born in London in 1948, Sulzmann is approaching veteran status and is a source of inspiration to many of Britain's emerging ...
Kurt Elling: Stories from New York
by R.J. DeLuke
Singer Kurt Elling seems to be always on the go, working with his fine quartet and lending his artful vocals to a variety of other projects as time allows. Whatever the situation, he brings high aesthetic values and standards. He likes to investigate different musical possibilities under the jazz umbrella, which he embraces without reservation.
Lola Danza: Life of Luxury
by C. Michael Bailey
Singer/composer Lola Danza has a pan-cultural and artistic vision expanding well beyond the traditional singer's role as performer and interpreter, though these facets do exist large in her art. The singer began a personal trend on Vision Quest (Evolver, 2005) employing a rhythm section of only two bassists. This format, with an occasional splash added by ...
Medeski, Martin & Wood: Sound Sculpting
by Thomas Carroll
Progressive keyboard trio Medeski, Martin & Wood has helped redefine the boarder where musical genres meet since the group's inception over 20 years ago. MMW has experimented with everything from song structure to acoustic-electric instrumental blends, all while appealing to both jazz-specific and mainstream audiences. Free Magic (Indirecto, 2012) is a fine example of MMW's exploratory ...
Barrett Martin: Musical Artifacts and Seattle Punk
by Jack Gold-Molina
Barrett Martin's primary instrument is the drums, but he has also been known to play upright bass, as well as many different types of ethnic percussion instruments that he has studied formally, often traveling to their countries of origin to seek out Griots and teachers. His musical credits include Seattle bands Skin Yard and Screaming Trees, ...
Ben Williams: The Effect of Sound
by Daniel Lehner
It's continuously perplexing that Ben Williams did not set out on playing the bass first. Forced to pick the most attractive string instrument amongst the cellos and violins, the 7th grade aspiring guitarist ended up picking the instrument that he, now in his upper twenties, is in massively high demand for and is unsettlingly proficient in. ...
