Results for "Carlos Garnett"
About Carlos Garnett
Instrument: Saxophone, tenor
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Carlos Garnett
Born:
Carlos Garnet - tenor sax Carlos Garnet who hails from Panama, is a solid tenor man with top credentials who made his biggest impact in the late '60s and 1970s, when he was heard on recordings by Art Blakey, Miles Davis, Andrew Hill and Norman Connors. Garnett slipped into a dormant period in the 1980s but made a strong comeback in the following decade. Garnet relocated to the Houston area in 1990 started a new band and set out releasing some fine records as “Fuego En Mi Alma,” (’96) “Under Nubian Skies,” (’99) and “Moon Shadow” in 2001. Since then he has remained active performing and is sometimes accompanied by his daughter Myra
Understanding
By Roy Brooks
Label: Reel To Real
Released: 2021
Track listing: Disc One: Side A: Prelude to Understanding; Side B: Understanding.
Disc Two: Side C: Billie's Bounce; Side D: Zoltan.
Disc Three: Side E: Taurus Woman; Side F: Taurus Woman (Continuation); The Theme.
Roy Brooks: Understanding
by Angelo Leonardi
Il doppio compact di Roy Brooks pubblicato da qualche giorno (anche in lussuoso triplo vinile e in versione digitale) non è solo un tributo a uno dei massimi batteristi dei decenni sessanta/ottanta. Registrato il 1° novembre 1970 a Baltimora, presenta uno dei concerti più esaltanti del jazz contemporaneo, un hard bop intriso d'avanguardia—in particolare John Coltrane—che ...
Roy Brooks: Understanding
by Pierre Giroux
Roy Brooks was a preeminent hard-bop drummer who early on participated in seminal recording dates led by Horace Silver, Yusef Lateef and Sonny Stitt. In this release entitled Understanding, produced by Cory Weeds and Zev Feldman for Reel To Real Records, Brooks is documented live by The Left Bank Jazz Society at The Famous Ballroom in ...
Record Store Day 2021 Jazz Releases
Since its inception in 2007, Record Store Day has become an important event for record collectors around the world. Every year, limited edition runs of albums from a variety of different genres hit the shelves, and jazz is no exception. There are two 2021 Record Store Day drops planned: one on June 12 and the other ...
Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word
by Rob Garratt
It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...
Muse Records: Ten Smoking Hot Albums
by Chris May
Alone among the other great jazz labels of the 1960s and 1970s—Blue Note, Prestige, Riverside, Impulse!, Strata-East and Atlantic—Joe Fields' Muse is rarely anthologised, written about or otherwise celebrated. Yet like its peers, Muse was prolific, releasing over 200 premium-grade albums during the 1970s, its most active decade, alone. This relative obscurity is ...
Strata-East: Seizing the Time
by Chris May
Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...
Poetry and Jazz: A Chronology
by Duncan Heining
My intention here is to offer a detailed but inevitably incomplete chronology of poetry and jazz. The focus is solely on the combination of the two art forms in performance, not on poetry about jazz or jazz musicians or poetry inspired by jazz but not performed to music. My definition of 'poetry' is fairly broad and ...
Various Artists: Celestial Blues: Cosmic, Political and Spiritual Jazz 1970 to 1974
by Jakob Baekgaard
When saxophonist and composer, Kamasi Washington, released his tripple album, The Epic in 2015, it was celebrated widely, not only in the spheres of jazz, but also in rock magazines. Washington was clearly on to something, forging a new spiritual sound that married world music, orchestral funk and free jazz. However, new sounds ...
