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2

Article: In Pictures

Torino Jazz Festival 2018

Read "Torino Jazz Festival 2018" reviewed by Antonio Baiano


9

Article: Album Review

The Nels Cline 4: Currents, Constellations

Read "Currents, Constellations" reviewed by Mark Sullivan


Guitarist/composer Nels Cline's new quartet builds upon his collaboration with guitarist Julian Lage, which was documented on Room (Mack Avenue, 2014). Both wondered what it would be like to add a rhythm section; respected players, bassist Scott Colley and drummer Tom Rainey, accepted the invitation to join the duo during a residency at The Stone in ...

12

Article: Album Review

Steve Cardenas: Charlie & Paul

Read "Charlie & Paul" reviewed by Karl Ackermann


The third season of the subscription-based vinyl label Newvelle launches with a quartet led by guitarist Steve Cardenas. A Kansas City native, he cut his teeth in that city before moving to New York in the mid-1990s. Cardenas has appeared on more than fifty albums playing with Ben Allison, Jon Cowherd, Chris Cheek, Eliane Elias, Chris ...

5

Article: Album Review

Kurt Elling: The Questions

Read "The Questions" reviewed by Dan Bilawsky


How does one grapple with existence and its juxtaposition against the present state of affairs? That's the question that hangs heaviest over The Questions. While vocalist Kurt Elling didn't come into this production with a theme in mind, he discovered a through line in the act of wrestling with difficulties and dreams in this age of ...

1

Article: Album Review

Danny Fox Trio: The Great Nostalgist

Read "The Great Nostalgist" reviewed by Jerome Wilson


It's no surprise that The Great Nostalgistby pianist Danny Fox and his trio has been released on Hot Cup, the label run by Mostly Other People Do The Killing's Moppa Elliott. It has the same quirky, off the beaten track quality as MOPDTK's recent piano trio CD, Paint, but in a drier, less madcap vein with ...

6

Article: Bailey's Bundles

Seven woMEN 2018 – Part III

Read "Seven woMEN 2018 – Part III" reviewed by C. Michael Bailey


Look what creeped into my monthly column... and herein exist end-of-the-year-recordings...(you decide which ones). Ben Paterson That Old Feeling Cellar Live Records 2018 Everything about pianist/vocalist Ben Paterson's Cellar Live release, That Old Feeling is delightful. This recording is a beautiful throwback, with just a touch of ...

44

Article: Under the Radar

Culture Clubs: Part IV: When Jazz Met Europe

Read "Culture Clubs: Part IV: When Jazz Met Europe" reviewed by Karl Ackermann


The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...

25

Article: Album Review

Kris Davis & Craig Taborn: Octopus

Read "Octopus" reviewed by Don Phipps


Combining discrete notes with splashes and collages of sound, the music of pianists Kris Davis and Craig Taborn on Octopus showcases improvisational prowess at the highest levels. The live recording challenges listeners with electric and sometimes jarring compositions that appear to send shards of musical light in every direction. Davis provides two compositions for ...

Article: Album Review

Matt Wilson: Honey And Salt

Read "Honey And Salt" reviewed by Angelo Leonardi


Questo disco è talmente ricco di episodi e significati, denso di motivi e relazioni con la storia del connubio tra jazz e poesia, che una recensione dovrebbe trasformarsi in un saggio. Il nono album per la Palmetto di Matt Wilson è ispirato per intero dall'opera di Carl Sandburg (1878-1967) il grande poeta statunitense che è stato ...

16

Article: Album Review

Bobo Stenson: Contra la indecision

Read "Contra la indecision" reviewed by Mike Jurkovic


Swedish pianist Bobo Stenson could be considered an anomaly amongst the ECM roster of piano players. His work over the past decades has been more controlled and, not to be taken as an insult or affront to Stenson's earthy lyricism, less challenging than the works of past and current label-mates such as Paul Bley, Marilyn Crispell, ...


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