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Article: Album Review

Andrea Massaria, Bruce Ditmas: The Music Of Carla Bley

Read "The Music Of Carla Bley" reviewed by Giuseppe Segala


I brani composti da Carla Bley nei primi anni Sessanta rappresentano una miniera dove i filoni auriferi sono diffusi in modo costante, emanano forza, freschezza, intuizione. Se, da un lato, il guizzo melodico ricorda Ornette Coleman, per altri versi c'è una personalità tutta originale, venata di tante sfumature, che riflettono umori dal Sud America all'Europa del ...

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Article: Bailey's Bundles

Female Vocals 2017 I – Cynthia Hilts, Judith Nijland, Andrea Claburn, Sandy Cressman, Lisa Biales

Read "Female Vocals 2017 I – Cynthia Hilts, Judith Nijland, Andrea Claburn, Sandy Cressman, Lisa Biales" reviewed by C. Michael Bailey


Take a day off and the recordings pile up and bury you. Female jazz vocals continue to dominate recordings with no indication on letting up. Most these recordings are very good and deserve recognition. So here is my picayune effort to address a few of them. Cynthia Hilts Lyric Fury

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Article: Album Review

Howard Johnson and Gravity: Testimony

Read "Testimony" reviewed by Roger Farbey


Howard Johnson really should need no introduction. He's played with many of the greats including Charles Mingus, Archie Shepp, Hank Crawford, Jack De Johnette and Gil Evans (his solo on “Voodoo Child" was a highlight of Evans's Jimi Hendrix tribute album). He also appeared on Carla Bley's seminal 1971 album Escalator Over The Hill. Throughout his ...

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News: Recording

Howard Johnson Celebrates His 75th With New CD And Concert At The Jazz Museum In Harlem on Sunday, January 29th at 2:30pm

Howard Johnson Celebrates His 75th With New CD And Concert At The Jazz Museum In Harlem on Sunday, January 29th at 2:30pm

Sun, January 29, 2017 2:30 PM- 5:00 PM EST The National Jazz Museum in Harlem 58 West 129th Street New York, NY 10027 Featuring: Howard Johnson: baritone saxophone, tuba, penny whistle; Yayoi Ikawa: piano; Melissa Slocum: bass; Newman Taylor Baker: drums. Testimony includes eight tunes ranging from soulful to funky ...

Album

Time/Life (Song for the Whales and Other Beings)

Label: Impulse!
Released: 2016
Track listing: Blue in Green; Time/Life; Silent Spring; Útviklingssang; Song for the Whales.

Album

Andando el Tiempo

Label: ECM Records
Released: 2016
Track listing: Sin Fin; Potación De Guaya; Camino Al Volver; Saints Alive!; Naked Bridges / Diving Brides.

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Article: Multiple Reviews

Emanem Tidies Up

Read "Emanem Tidies Up" reviewed by John Eyles


As well as releasing contemporary recordings of improv, Martin Davidson's Emanem label has played a vital role in documenting the history of the music by releasing, re-releasing or re-curating recordings that are decades old. In the process, Davidson has sometimes worked tirelessly to improve the sound quality of recordings that were never intended for release, and ...

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Article: Album Review

Charlie Haden Liberation Music Orchestra: Time / Life

Read "Time / Life" reviewed by Giuseppe Segala


Due anni dopo la scomparsa di Charlie Haden si pubblica questo ultimo documento della sua Liberation Music Orchestra, un lavoro che il compianto contrabbassista progettò ma che non ebbe modo di portare a compiuta realizzazione. Vessillo del suo impegno civile e umano, l'orchestra era nata nel 1969 raccogliendo una pletora di musicisti straordinari, molti dei quali ...

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Article: Profile

Julie Tippetts: Didn't You Used To Be Julie Driscoll?

Read "Julie Tippetts: Didn't You Used To Be Julie Driscoll?" reviewed by Duncan Heining


The respect in which Julie Tippetts is held by her fellow musicians and fans is truly heartening--and truly deserved. Back in the late sixties, then Julie Driscoll, she gave up a very different career trajectory in music, one that had begun with Steampacket and continued with Brian Auger & The Trinity, to follow a journey characterised ...

Article: Album Review

Randy Kaye Quintet: Brooklyn 1967, May 24th

Read "Brooklyn 1967, May 24th" reviewed by Alberto Bazzurro


Ha abbastanza dell'incredibile il destino di queste matrici: registrate, verosimilmente per finire su un doppio LP, nella primavera 1967, in studio, con materiale di sicuro interesse e adeguata resa fonica, sono rimaste invece nel fatidico cassetto (o scaffale che dir si voglia) per quasi mezzo secolo, uscendo a otto anni (nessun anniversario particolare, quindi) dalla morte ...


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